IMDb रेटिंग
6.8/10
20 हज़ार
आपकी रेटिंग
वाशिंगटन डीसी में एक वकील ११ सितंबर के हमले के पीड़ितों की मदद करने के लिए निंदक, नौकरशाही और राजनीति के खिलाफ लड़ाई लड़ता है.वाशिंगटन डीसी में एक वकील ११ सितंबर के हमले के पीड़ितों की मदद करने के लिए निंदक, नौकरशाही और राजनीति के खिलाफ लड़ाई लड़ता है.वाशिंगटन डीसी में एक वकील ११ सितंबर के हमले के पीड़ितों की मदद करने के लिए निंदक, नौकरशाही और राजनीति के खिलाफ लड़ाई लड़ता है.
फ़ीचर्ड समीक्षाएं
I want to be sure you watch it. Films like this are less here for ratings than they are to tell us something we need to be reminded of.
With the 20th September 11th about to arrive it's important we remember as much as we can about the people who were lost and their families who are devastated as a result.
This film tells their stories through the eyes of one man who had to be convinced that the 9/11 victims fund was more about the victims than it was about the fund.
His realization and resulting humanity is an account of decency that will help us remember that we can still be kind and decent to each other and when times are tough maybe that's the most important thing we can be to each other.
With the 20th September 11th about to arrive it's important we remember as much as we can about the people who were lost and their families who are devastated as a result.
This film tells their stories through the eyes of one man who had to be convinced that the 9/11 victims fund was more about the victims than it was about the fund.
His realization and resulting humanity is an account of decency that will help us remember that we can still be kind and decent to each other and when times are tough maybe that's the most important thing we can be to each other.
Buried in the Netflix movie graveyard is this little unseen gem about a lawyer (Michael Keaton) who's given the job of figuring out how much compensation to give each family of people who died in the 9/11 attacks.
This is one of those scrappy do-gooder movies like "Erin Brockovich" or "Dark Waters" that pit earnest, well meaning folk against corporate greed, and I'm a total sucker for those kinds of movies. Michael Keaton is perfect to play a role like this, because he's so darn charismatic and likable and easy to root for. Add in Stanley Tucci, who makes everything he's in worth watching, and that's all you really need. But as a bonus, there's excellent work from Amy Ryan and stage actress Laura Benanti. The only acting misstep comes from Tate Donovan, who gets the unenviable task of representing Rich People and who is only lacking a silent villain mustache to turn his character into a total cartoon.
"Worth" goes into the things you'd think a movie like this would: economic and class disparity, the moral ramifications of putting the worth of a human life to a dollar figure, an American system that piles advantages on top of people who already have all the advantages. But it stays smart and understated and never overplays its hand.
Every year I try to see as many movies as I can regardless of how well they're reviewed or whether or not they get any awards attention, and movies like this are why. For every four you see that are forgettable or worse, there's a fifth that makes you glad you found it.
Grade: A.
This is one of those scrappy do-gooder movies like "Erin Brockovich" or "Dark Waters" that pit earnest, well meaning folk against corporate greed, and I'm a total sucker for those kinds of movies. Michael Keaton is perfect to play a role like this, because he's so darn charismatic and likable and easy to root for. Add in Stanley Tucci, who makes everything he's in worth watching, and that's all you really need. But as a bonus, there's excellent work from Amy Ryan and stage actress Laura Benanti. The only acting misstep comes from Tate Donovan, who gets the unenviable task of representing Rich People and who is only lacking a silent villain mustache to turn his character into a total cartoon.
"Worth" goes into the things you'd think a movie like this would: economic and class disparity, the moral ramifications of putting the worth of a human life to a dollar figure, an American system that piles advantages on top of people who already have all the advantages. But it stays smart and understated and never overplays its hand.
Every year I try to see as many movies as I can regardless of how well they're reviewed or whether or not they get any awards attention, and movies like this are why. For every four you see that are forgettable or worse, there's a fifth that makes you glad you found it.
Grade: A.
It is a film that shows American culture in all its expression, Values vs Economy, Reason vs Economy, Humanitarian Act vs Economy.
A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.
A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.
Worth is not an adventure movie; it is a process movie. The changes are very small; it affects the attorneys, victims, and other advocates.
The individual performancesb Michael Keaton and Stanley Gucci provide gravitas for the entire movie.
The individual performancesb Michael Keaton and Stanley Gucci provide gravitas for the entire movie.
This movie is frustrating because its has so many of the ingredients needed for a great movie but it's not a great movie and I don't know what the missing ingredient is. But it plods along without impetus. It needs a jolt from a director who would see a great story thats told in a boring way is not story to be retold.
क्या आपको पता है
- ट्रिवियाWhen the wall of photos of missing people is shown, the same photos are used over and over in different ways.
- गूफ़Towards the end of the movie, a chyron appears with the text "December 19, 2003, 5 days until the deadline" then a few seconds later it cuts to a shot of the characters' whiteboard with the text indicating the deadline is December 22, 2003 and is 3 days away, contradicting the chyron preceding it.
- भाव
Ken Feinberg: You know. Attorney General, I.. People are rational animals. I find if you... if you force them to the table, most behave in the way that makes the most sense.
- साउंडट्रैकMein Herr, Was Dächten Sie
From Die Fledermaus
Performed by Joseph Keilberth and the Hamburg State Opera Orchestra
Written by Johann Strauss (as Johann Strauss II)
Licensed courtesy of Filmtrax Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Worth?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Cái Giá Của Sinh Mạng
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $1,06,645
- चलने की अवधि
- 1 घं 58 मि(118 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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