Mr. K
- 2024
- 1 घं 34 मि
IMDb रेटिंग
5.4/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter spending the night in a remote hotel, Mr. K is stuck in a claustrophobic nightmare when he discovers that he can't leave the building.After spending the night in a remote hotel, Mr. K is stuck in a claustrophobic nightmare when he discovers that he can't leave the building.After spending the night in a remote hotel, Mr. K is stuck in a claustrophobic nightmare when he discovers that he can't leave the building.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
Youssef Boubker
- Cook
- (वॉइस)
फ़ीचर्ड समीक्षाएं
Mr. K offers a compelling setup with well-crafted visuals and an eerie atmosphere. You spend much of the film trying to decode what the hotel represents - is it a metaphor for life, death, mental imprisonment? Unfortunately, the film offers little clarity, and its abstract nature feels more hollow than profound.
The guests seem resigned to their fate, contrasting with Mr. K's restlessness. One character asks, "Why isn't my truth the right one?" - a question never truly explored. Despite its short runtime, the film drags due to a lack of rising urgency and thematic consistency. The hotel supposedly shrinks, but its dimensions seem to shift arbitrarily.
In the end, Mr. K frees a mysterious being - and perhaps himself. But is he truly free, or has he accepted his fate? The final scene, swimming toward a light, raises more questions than it answers. I wanted to like this film more, but it left me unmoved.
The guests seem resigned to their fate, contrasting with Mr. K's restlessness. One character asks, "Why isn't my truth the right one?" - a question never truly explored. Despite its short runtime, the film drags due to a lack of rising urgency and thematic consistency. The hotel supposedly shrinks, but its dimensions seem to shift arbitrarily.
In the end, Mr. K frees a mysterious being - and perhaps himself. But is he truly free, or has he accepted his fate? The final scene, swimming toward a light, raises more questions than it answers. I wanted to like this film more, but it left me unmoved.
Mr. K had an intriguing concept and some cool, moody vibes. The setup made me think it was going to go somewhere really interesting, but the ending was underwhelming and left me a bit confused. The intro dragged on longer than it needed to, which made it harder to stay engaged early on. I could tell the film was trying to say something deeper, but it didn't really land for me because I just didn't get it. That said, the acting was solid and it looked great visually. Cinematically, no complaints. It had style and potential, but it just didn't fully connect for me in the end. I guess it's one of those "weird" movies.
The quality of all aspects of the production is pretty much the best you can get-acting, set design, cinematography, music, and direction are all top-notch. Every scene feels intentional, with a clear artistic vision behind it. The performances are powerful and believable, drawing you into the world with ease. However, this isn't the kind of movie you can throw on in the background or watch passively. The plot is dense and layered, focusing on a main character who is desperately trying to uncover the truth about his situation. It's emotionally and mentally engaging, and it asks the audience to reflect on their own reality and the systems we live in. It's a brilliant film, but not a mindless watch-it requires thought, attention, and a willingness to dive deep.
The opening transition and narration are clever, touching, and deftly done. Bravo. I'd like to say it sets the audience up for the rest of the viewing experience. But sadly the film does never again do anything like it.
The movie looks great and all the elements are there for a remarkable film experience, or at least a memorable one. But instead we get weak uninteresting quirky characters and an endless sequence of nonsensical scenes. At first I was hopeful and intrigued because, surely, there was going to be a pay off. The characters -- all except Crispin Glover's -- appeared to be in on the 'joke' and such elaborate costumes, sets, and staging must be going somewhere. Right? Nope.
More than once I was struck by the impression that I was watching a Tech Demo. I wasn't there for the story or the characters but rather to see this neat thing that the maker did. But not actually a film.
To be honest I stopped watching at some point before the end. I beyond caring about what was going on on the screen at that point that I don't think even the greatest movie ending ever filmed could have re-ignited my interest. But to be clear I have no idea how it ends. Or if it even does.
If it was an exercise in surreal wackiness that could at least be entertaining. But as another reviewer points out it never crosses over into that territory.
Mr. Glover is woefully underused. No doubt the makers were hoping to bring some of his 'character' to the role, but the writing never gives him a chance. They could probably have cast anyone that can muster a lost, bemused expression and the film would not have suffered.
The sets are great. The hotel feels like a place that's a few steps from reality right from the start. But not once was I convinced that any of the characters were an organic part of it. They were just props with the sole purpose of contributing to the atmosphere. This does not a film make.
The movie looks great and all the elements are there for a remarkable film experience, or at least a memorable one. But instead we get weak uninteresting quirky characters and an endless sequence of nonsensical scenes. At first I was hopeful and intrigued because, surely, there was going to be a pay off. The characters -- all except Crispin Glover's -- appeared to be in on the 'joke' and such elaborate costumes, sets, and staging must be going somewhere. Right? Nope.
More than once I was struck by the impression that I was watching a Tech Demo. I wasn't there for the story or the characters but rather to see this neat thing that the maker did. But not actually a film.
To be honest I stopped watching at some point before the end. I beyond caring about what was going on on the screen at that point that I don't think even the greatest movie ending ever filmed could have re-ignited my interest. But to be clear I have no idea how it ends. Or if it even does.
If it was an exercise in surreal wackiness that could at least be entertaining. But as another reviewer points out it never crosses over into that territory.
Mr. Glover is woefully underused. No doubt the makers were hoping to bring some of his 'character' to the role, but the writing never gives him a chance. They could probably have cast anyone that can muster a lost, bemused expression and the film would not have suffered.
The sets are great. The hotel feels like a place that's a few steps from reality right from the start. But not once was I convinced that any of the characters were an organic part of it. They were just props with the sole purpose of contributing to the atmosphere. This does not a film make.
I first saw the trailer and was really looking forward to the film. The beginning was okay, the first few minutes. I thought it would be a great film. The setting, costumes, and camera work are all very good. But as time goes on, the film becomes increasingly silly and nonsensical. I was very disappointed after about an hour, but I kept watching. After about 80 minutes, I found the film so incredibly silly that I had to turn it off. Yes, I can only rate the 80 minutes or so, and I give it 5 out of 10. It's a shame; I had completely different expectations.
क्या आपको पता है
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- How long is Mr. K?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $1,20,538
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
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