Mr. K

Mr. K offers a compelling setup with well-crafted visuals and an eerie atmosphere. You spend much of the film trying to decode what the hotel represents - is it a metaphor for life, death, mental imprisonment? Unfortunately, the film offers little clarity, and its abstract nature feels more hollow than profound.

The guests seem resigned to their fate, contrasting with Mr. K's restlessness. One character asks, "Why isn't my truth the right one?" - a question never truly explored. Despite its short runtime, the film drags due to a lack of rising urgency and thematic consistency. The hotel supposedly shrinks, but its dimensions seem to shift arbitrarily.

In the end, Mr. K frees a mysterious being - and perhaps himself. But is he truly free, or has he accepted his fate? The final scene, swimming toward a light, raises more questions than it answers. I wanted to like this film more, but it left me unmoved.

Saw this at the Imagine 2024 film festival in Amsterdam, where it was the main course at the formal opening. Very strange story, impossible to condense in a few sentences, other than what the synopsis on various websites already tried to tell us about this movie.

Kafka is referenced very often in the synopsis and reviews, and implicitly in the film title (Mr. K.) too. It is not bureaucracy being K's primary obstacle, but other people in the hotel, who are very happy the way it is now and don't want any change. The continuous drive K had to find the hotel exit, came initially from an early appointment he had the first day of his stay. Once he missed that, his urge to get out of the hotel persisted for no reason other than instinct.

A variety of mysterious circumstances and events hinder him on his way out, one of which is an often-appearing marching band passing through the hallways, without any goal or purpose, if only to confuse us as well as Mr. K. The walls and wallpaper start crackling, later revealing some vegetation, maybe suggesting that the hotel is in fact an organism with a purpose of its own. More such extraneous things pass by, none of those really eerie, merely unusual or unexpected, by lack of better words to describe what happened. K's whereabouts in the hotel's kitchen are even stranger, but what it means, if anything, can better be left to an unprepared viewer.

Quote: "We didn't need an exit before you came." From early on, we see the word Liberator painted on the wall near K's hotel room, obviously meaning something, but we don't know the author nor the reason why K is appointed that role. One moment he is respected, nearly worshipped as their liberator, and a few scenes later he is chased and attacked for destroying the hotel and ending everyone's peaceful existence. Neither is true, of course, but we don't know the real truth either. Maybe the best parody on normal life is demonstrated in the kitchen, with a peculiar hierarchy, and a head chef who sees some talent in K, only to feel challenged by him later.

The only objective evidence that unexplainable things are happening, and that the inhabitants cannot go on forever like they are used to, is the shrinking of the hotel rooms. We see the hotel guests cheerfully bringing their furniture to the corridor (which is also shrinking, but they do it anyway). Strangely enough, no inhabitant finds the shrinking building something to worry about. K's journey through the building lets us meet a variety of characters, all having their own role in defending the status quo as the way it should be, defying any changes.

Quote: "You look for the reception where you came into the hotel, to find the exit. Sometimes, the entrance is not the exit." (paraphrased). This comes from two wise-cracking elderly ladies, repeatedly offering him coffee and cake, seemingly in no way concerned about the world around them. They try to cheer up K, who is apparently in distress and deaf to their good-natured comments.

All in all, if you want a deeper showcase for the behavior of people living happily in their comfort zone, only to be disturbed in their happy isolation, this is an interesting and entertaining story. The "offender" causing the disturbance is ridiculed as well as worshipped. Instead of Kafka's struggle with bureaucracy, this Mr. K. must overcome the natural resistance of average people who clinch to their quiet and peaceful existence, and who also refuse to see a lurking danger that is obvious to us but not to them. You need an outsider to trigger change, or better said a revolution.

The opening transition and narration are clever, touching, and deftly done. Bravo. I'd like to say it sets the audience up for the rest of the viewing experience. But sadly the film does never again do anything like it.

The movie looks great and all the elements are there for a remarkable film experience, or at least a memorable one. But instead we get weak uninteresting quirky characters and an endless sequence of nonsensical scenes. At first I was hopeful and intrigued because, surely, there was going to be a pay off. The characters -- all except Crispin Glover's -- appeared to be in on the 'joke' and such elaborate costumes, sets, and staging must be going somewhere. Right? Nope.

More than once I was struck by the impression that I was watching a Tech Demo. I wasn't there for the story or the characters but rather to see this neat thing that the maker did. But not actually a film.

To be honest I stopped watching at some point before the end. I beyond caring about what was going on on the screen at that point that I don't think even the greatest movie ending ever filmed could have re-ignited my interest. But to be clear I have no idea how it ends. Or if it even does.

If it was an exercise in surreal wackiness that could at least be entertaining. But as another reviewer points out it never crosses over into that territory.

Mr. Glover is woefully underused. No doubt the makers were hoping to bring some of his 'character' to the role, but the writing never gives him a chance. They could probably have cast anyone that can muster a lost, bemused expression and the film would not have suffered.

The sets are great. The hotel feels like a place that's a few steps from reality right from the start. But not once was I convinced that any of the characters were an organic part of it. They were just props with the sole purpose of contributing to the atmosphere. This does not a film make.

I was a bit scared after reading some negative reviews, but it wasn't founded. After seeing some really bad movies like 'Reflet dans un diamant noir' and 'the other way around' this was a breath of fresh air. I decided to give it a chance after reading that it won a prize at a fantasy film festival. That's a genre that always produces good movies, and those fans have a much better taste than your average media specialists! A good movie recently was 'Black Dog', from China! Wake up, USA, do they only make series to stream these days? At first the hotel guest is focused on finding the exit, but just like in reality, real life intervenes... The movie is about people who say and do anything that fits their beliefs or their own behavior... And not in a woke way.

There is absolutely nothing wrong with the acting, even the dog does well, and there are several intriguing characters. The ending may not be much, but the rest of the movie more than makes up for it. Very atmospheric, nice moments with music, also the choice to make the main character a magician gives the whole thing extra cachet. Recommended!

Having a hard time to make a comment here but the film sort of requires a response. Is it worth watching and if so will you actually not be forced to fast forward it every so often because it is both fascinating and totally irritating all at once. If I have to make a recommendation then it is to watch this on a computer so you can ado the fast forward because if you are trapped in a cinema it will really piss you off. OK. The overall quality of film making is actually quite good. The set is a hit for sure and the premise of the cage hotel is also OK. Where the film fails is in the tempo and in the lack of editing to make it flow better but that was most likely a challenge that the director was battling with himself. The acting and the choreography of the people movements in various parts of the film is very good. There a good number of moments when the viewer is seriously challenged as to what the hell is going on and what or how one should be interpreting the film which makes for a fairly exhausting experience which I actually liked as it is not often that a film these days reaches the level of cerebral impact. Does the film have a resolution and does it make sense and does it serve the rest of the film well? These questions are for you to answer. I do not wish to spoil anything that you may experience or feel.