लियोनार्डो दा विंची के असाधारण जीवन को उनके कार्यों के माध्यम से और उन कार्यों के भीतर छिपी कहानियों के माध्यम से दर्शाया गया है.लियोनार्डो दा विंची के असाधारण जीवन को उनके कार्यों के माध्यम से और उन कार्यों के भीतर छिपी कहानियों के माध्यम से दर्शाया गया है.लियोनार्डो दा विंची के असाधारण जीवन को उनके कार्यों के माध्यम से और उन कार्यों के भीतर छिपी कहानियों के माध्यम से दर्शाया गया है.
- पुरस्कार
- 8 जीत और कुल 3 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
Rating 6.5/7
There's nothing wrong with fictionalizing the life of famous people long ago or with creative anachronisms. When done well, that's absolutely great. So, I have no great sympathy for those who condemn this solely on the basis of fictional licence.
But, for the life of me, I cannot see why this show is even linked to the life of Leonardo. It's not as if it gives any insight into the nature of art, artistic compulsion, sponsorship or even the making of Leonardo's works. Strip away the famous name (and other names of the time) and what you have is a so-so costume mystery about a murder.
The mystery itself--who killed Caterina--scarcely works, in significant part because Freddie Highmore is poorly cast as the inquistor, Stefano Giraldi--a matter of age, script and, perhaps, performance.
Aidan Turner, fine looking and competent actor though he is, also seems miscast, particularly for the young Leonardo in the earlier episodes. He looks too old and he doesn't convey the passion, innocence and hopefulness of a young man embarking on his career. Nor is there any nuance to his responses to the various opportunities and disappointments to come to him. His scenes with Caterina are often awkward or overblown.
To be fair to the cast, they're not given a lot to work with.
So, if you want to see lots of good looking people in luscious costumes and settings, this may be for you. But, that's about all you'll take away from it.
But, for the life of me, I cannot see why this show is even linked to the life of Leonardo. It's not as if it gives any insight into the nature of art, artistic compulsion, sponsorship or even the making of Leonardo's works. Strip away the famous name (and other names of the time) and what you have is a so-so costume mystery about a murder.
The mystery itself--who killed Caterina--scarcely works, in significant part because Freddie Highmore is poorly cast as the inquistor, Stefano Giraldi--a matter of age, script and, perhaps, performance.
Aidan Turner, fine looking and competent actor though he is, also seems miscast, particularly for the young Leonardo in the earlier episodes. He looks too old and he doesn't convey the passion, innocence and hopefulness of a young man embarking on his career. Nor is there any nuance to his responses to the various opportunities and disappointments to come to him. His scenes with Caterina are often awkward or overblown.
To be fair to the cast, they're not given a lot to work with.
So, if you want to see lots of good looking people in luscious costumes and settings, this may be for you. But, that's about all you'll take away from it.
This production is banal beyond belief.
The characters are one dimentional especially Leonardo.
The hair and make up so 21st century, you can almost imagine the hair tongs and as for the actor's artificially whitened teeth!
There is no attempt at any faintly historical dialogue - all in all apalling rubbish.
The characters are one dimentional especially Leonardo.
The hair and make up so 21st century, you can almost imagine the hair tongs and as for the actor's artificially whitened teeth!
There is no attempt at any faintly historical dialogue - all in all apalling rubbish.
I am only half-way through but enjoying this series tremendously. Firstly, the history. Having studied the life and works of Leonardo Da Vinci, I know more than many about his life. I discovered some time ago that there are not even two academic books which interpret the man or his work in matching ways. This is because Leonardo is an immensely difficult character to pin down due to scant primary sources. Therefore, I am impressed by how the creators have taken the few historical details available to us of Leonardo's life and personality and built a psychological profile of a living, breathing character in order to access the mind of the genius. It's very cleverly done and mostly seems to be inspired from his diaries and notebooks. Some viewers have forgotten this is a drama not a documentary therefore it must have a beginning, middle and end with twists and turns like all great dramas do. I believe the producers have captured a fascinating version of the spirit of Leonardo as well as portraying many little known facts and events of his life. Secondly, the drama itself: beautiful, passionate and human, just like the man. What a marvellous series to lose yourself in.
Very interesting show. Well cast except for Freddie Highmore. He seems to be playing a renaissance Shawn Murphy (The Good Doctor) with a beard and a British accent. His character just doesn't fit in. Is it nepotism if you are the executive producer? Selfotism? Please Freddie, you are a great actor, just not in this role.
Visually stunning to look at & Aidan Turner perfectly conveys the sometimes tortured soul of the genius that was Leonardo da Vinci. The chemistry between him & Matilda de Angelis, who plays Caterina, is wonderful. Unfortunately, Freddie Highmore as the detective Giraldi, is totally miscast. It's important to remember it's a drama about Leonardo's life, not a documentary, so don't expect 100% historical accuracy in this series, there are some glaring distortions of the truth. However it is an enjoyable series & certainly worth watching.
क्या आपको पता है
- कनेक्शनFeatured in Jeremy Vine: एपिसोड #4.85 (2021)
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