Inheritance

I had high hopes that once in a blue moon Netflix showed again something watchable but nope, another absolutely unbelievable b movie with a horrible unsympathetic lead actress. I mean why would anyone not go to the cops when finding a man chained up in a bunker? And she still wants him to be chained up after showing proof. And his role is unbelievable too. I mean why not just grab her gun and get away? Really? Script is laughable and only the lead actor plays a decent role.

Had to stop watching half way, couldn't deal with her bad acting and yelling and screaming anymore Netlix really does have only trash !!

"Inheritance" is a direct to video mystery with a mostly unknown cast except for an almost unrecognizable Simon Pegg. 31yo Lily Collins looks much younger, like she's from one of those kids shows on Disney or Nickelodeon. She's really out of place as big city DA "Lauren Monroe", so that's a casting fail, which is a problem since she's the lead. That and other plausibility problems take you out of important moments and make this a so-so storytelling when it could've and should've been worth an 8 or 9 rating. The whole production is analogous to doodoo covered with white icing - it looks good enough to eat but heaven help you if you do! For instance, the whole initial premise that her father barely if at all really briefed her on the terrible responsibility of her inheritance just because someone might be listening in is ludicrous. Fine, you can forgive that one maybe since it launches the story but it's followed by too many subsequent implausibilities you'd have to look past to really enjoy the story itself. It's a shame, because the story concept is decent but poorly executed.

Simon Pegg is stellar as usual, but Lily Collins is terribly miscast. She is too young and juvenile to be believable in this role. She has a meekness in her voice that makes it impossible to believe she is a high-powered DA. Everything else is good, but it's really hard to sink into the story when she is so poorly suited to the role. Her acting skills are fine, she just can't pull this character off. I want to like it, it definitely sucks you in right away and keeps you enthralled, but I'm spending way more time wondering what year of college she is in, rather than believing she is a mother of a 10ish-year-old. Too bad.

This movie has gotten consistently mediocre to poor ratings from various professional viewers. The premise is very interesting but highly unlikely, and many of the choices of the various characters seem unusual and unlikely. Still, my wife and I were entertained, as a Tuesday evening viewing at home on the Kanopy site it entertained us more than many recent movies.

Very cute but maybe too young Lily Collins is powerful NYC prosecutor Lauren Monroe. When her wealthy and influential dad dies suddenly and the will is executed she receives an inheritance she wishes she could give back. Dad's video on the USB drive and a set of keys gets the story into its main thrust. Lauren has to clean up the mess but has no idea how to proceed.

Perhaps the best part of this movie is Simon Pegg, mostly known for his silly, comedic roles, is dead serious here as menacing Morgan Warner. The rest of the cast are adequate. The story has a resolution but in total it is just a B movie. Set in NYC much of it was filmed in Alabama.

I am glad we watched it, I would not want a second viewing.

Inheritance (2020) is a very basic thriller plot painfully stretched over almost 2 hours handled by the most dimwitted slasher-movie-meat characters you will ever see. Maybe it was even a slasher film repurposed as a thriller at some point.

Every scene in this is as painful and slow as possible. Everything has to be discussed, even if it's completely irrelevant. The ending is disconnected from 80% of the stuff they set up in the film.

The way it's shot it really feels like a video game cutscene, like a pre-mission GTA V dialogue where the characters discuss something they are about to do and then they just do it, but you still see and hear every line of dialogue, even if it serves no purpose whatsoever.

By the time you fast-forward to the ending and they reveal the "big twist" that renders half of the film pointless, you won't probably care because you've seen this a million times (even though so many things in this make absolutely no sense).