IMDb रेटिंग
8.2/10
40 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA documentary about World War I with never-before-seen footage to commemorate the centennial of the end of the war.A documentary about World War I with never-before-seen footage to commemorate the centennial of the end of the war.A documentary about World War I with never-before-seen footage to commemorate the centennial of the end of the war.
- 1 BAFTA अवार्ड के लिए नामांकित
- 6 जीत और कुल 14 नामांकन
Thomas Adlam
- Self - Bedfordshire Regiment
- (वॉइस)
- (as Capt Thomas Adlam VC)
William Argent
- Self - Royal Naval Air Service
- (वॉइस)
- (as LM William Argent)
John Ashby
- Self - The Duke of Cambridge's Own (Middlesex Regiment)
- (वॉइस)
- (as Cpl John Ashby)
Attwood
- Self - British Army
- (वॉइस)
- (as Cpl Attwood)
Walter Aust
- Self - East Yorkshire Regiment
- (वॉइस)
- (as Pte Walter Aust)
Donald Bain
- Self - Seaforth Highlanders
- (वॉइस)
- (as Pte Donald Bain)
Thomas Baker
- Self - Chatham Battalion, Royal Naval Division
- (वॉइस)
- (as Pte Thomas Baker)
George Banton
- Self - 50th Division Headquarters
- (वॉइस)
- (as Sig George Banton)
Walter Becklake
- Self - Northhampyonshire Yeomanry
- (वॉइस)
- (as L Cpl Walter Becklake MM)
Arthur Beeton
- Self - Royal Navy Air Service
- (वॉइस)
- (as POM Arthur Beeton)
Robert Bell
- Self - British Army
- (वॉइस)
- (as Mr Robert Bell)
William Benham
- Self - Hawke Battalion, Royal Navy Division
- (वॉइस)
- (as Sub Lt William Benham)
Joseph Biglin
- Self - Durham Light Infantry
- (वॉइस)
- (as Pte Joseph Biglin)
Edwin Bigwood
- Self - Worcestershire Regiment
- (वॉइस)
- (as Pte Edwin Bigwood)
Horace Birks
- Self - Tanks Corps
- (वॉइस)
- (as Capt Horace Birks)
Edmund Blunden
- Self - Royal Sussex Regiment
- (वॉइस)
- (as Lt Edmund Blunden MC)
Clarence Bourne
- Self - Army Service Corps
- (वॉइस)
- (as S Sgt Clarence Bourne)
Allan Bray
- Self - The Duke of Edinburgh's ((Whiltshire Regiment))
- (वॉइस)
- (as L Cpl Allan Bray)
फ़ीचर्ड समीक्षाएं
Everyone over the age of 13 should be made to watch this.
This is simple exceptional work at every level from Peter Jackson and his team.
It showed the pure fragility of life, and how the soldiers dealt with it, mainly with humour and machine gun boiled tea.
It's haunting yet funny, disturbing yet uplifting. It's war. And this is the closest I ever want to come to it.
This is simple exceptional work at every level from Peter Jackson and his team.
It showed the pure fragility of life, and how the soldiers dealt with it, mainly with humour and machine gun boiled tea.
It's haunting yet funny, disturbing yet uplifting. It's war. And this is the closest I ever want to come to it.
I needed some time for this to sink in before commenting on it. This was equal parts funny, exciting, moving, harrowing, horrifying, upsetting.
Firstly, it's not a glossy documentary. There are some harrowing scenes in this that will, and should, upset you.
The first 25 minutes are of original black and white, speeded up footage with the original voices of troops telling their story over the top of it.
Then something amazing happens. The screen widens, the footage smoothes out, the colours shines through and in an instant your and seeing everything in so much more detail.
That said this was the first time I've seen footage from The Great War that didn't feel disconnected. It feels real. Seeing the colour on their cheeks and eyes, the dirt, the mud, the blood brings the old footage to life. Occasionally the colourisation takes on a slightly animated feel but never enough to draw you out of the engrossing scenes laid out before you.
Then the frame rate adjustment is amazing. Having computers generate the missing frames to adjust the variable 15-18fps to the regular 24fps is a visual butter knife that smoothes out the jerky footage.
Having the soldiers talk sounds like a mistake but it's done in such a subtle and sensitive way it never feels false. They've been lip synced perfectly and apparently even with the right accent for the infantry units depicted.
This was powerful viewing. Computers and technology being used for something so important, to allow 100+ year old footage to look so modern and yet not feel sanitised is amazing.
This should become compulsory viewing for every one, all schools too.
With footage thats this accessible there's no reason history should be forgotten.
Firstly, it's not a glossy documentary. There are some harrowing scenes in this that will, and should, upset you.
The first 25 minutes are of original black and white, speeded up footage with the original voices of troops telling their story over the top of it.
Then something amazing happens. The screen widens, the footage smoothes out, the colours shines through and in an instant your and seeing everything in so much more detail.
That said this was the first time I've seen footage from The Great War that didn't feel disconnected. It feels real. Seeing the colour on their cheeks and eyes, the dirt, the mud, the blood brings the old footage to life. Occasionally the colourisation takes on a slightly animated feel but never enough to draw you out of the engrossing scenes laid out before you.
Then the frame rate adjustment is amazing. Having computers generate the missing frames to adjust the variable 15-18fps to the regular 24fps is a visual butter knife that smoothes out the jerky footage.
Having the soldiers talk sounds like a mistake but it's done in such a subtle and sensitive way it never feels false. They've been lip synced perfectly and apparently even with the right accent for the infantry units depicted.
This was powerful viewing. Computers and technology being used for something so important, to allow 100+ year old footage to look so modern and yet not feel sanitised is amazing.
This should become compulsory viewing for every one, all schools too.
With footage thats this accessible there's no reason history should be forgotten.
100 years on from the Great War we cannot pretend to know what life was like serving in the trenches. This incredible film brings us as close to experiencing it as we are ever going to get.
It is harrowing, it is poignant, it is funny. Above all else this film is heartbreaking. No punch is pulled, no attempt is made to hide the brutality of war or the hardship of the common soldier.
Quite simply this amazing documentary should be made compulsory viewing in all schools and for every soapbox, warmongering politician that would send our youth into hell.
It is harrowing, it is poignant, it is funny. Above all else this film is heartbreaking. No punch is pulled, no attempt is made to hide the brutality of war or the hardship of the common soldier.
Quite simply this amazing documentary should be made compulsory viewing in all schools and for every soapbox, warmongering politician that would send our youth into hell.
A century later, Peter Jackson produced an informative and fascinating documentary about the First World War, seen by the English, in the trenches of the Bay of Somme, with dusted and colored archive images.
Almost everyone expected a brief and victorious war, which, as it was said at the time, would be "over at Christmas". The continuation was very different and became a trench war. Hygiene was deplorable until it became laughable but the atmosphere within the troops was fraternal despite the constantly oppressive atmosphere.
And we also learn that the English infantrymen regularly had a mission to capture a Fritz. Knowing that from a military strategy point of view, this is a complete nonsense, a war prisoner being systematically an useless and cumbersome dead weight, it is perhaps a pity that this documentary does not give to the audience an explicit explanation. And the only rational explanation is probably this one: to force the English infantrymen to attack the Germans, the prisoner of war being the proof of the effectiveness of their attack ...
Almost everyone expected a brief and victorious war, which, as it was said at the time, would be "over at Christmas". The continuation was very different and became a trench war. Hygiene was deplorable until it became laughable but the atmosphere within the troops was fraternal despite the constantly oppressive atmosphere.
And we also learn that the English infantrymen regularly had a mission to capture a Fritz. Knowing that from a military strategy point of view, this is a complete nonsense, a war prisoner being systematically an useless and cumbersome dead weight, it is perhaps a pity that this documentary does not give to the audience an explicit explanation. And the only rational explanation is probably this one: to force the English infantrymen to attack the Germans, the prisoner of war being the proof of the effectiveness of their attack ...
As this historically important anniversary draws to a close, I just want to say that my viewing of this film was that of utter amazement. As a photo colouriser/restorer, I was absolutely astonished at the work PJ's team put into this. The transition from the original film material, then to the stabilised and corrected FPS and then the full colour and sound was one of the most spectacular things I have ever seen on the screen. The colour is natural and really helps emphasise the grittiness of war and brings out hidden details that may have been missed in the B&W source. Usually I prefer film not to be tampered with, but as Jackson says, this is how the men saw it - in living colour. The addition of the voiceovers from the surviving soldiers themselves is a great choice and doesn't distract and flows along nicely with the visuals. Throughout I expressed various emotions of sadness and shock, but surprisingly a few laughs, particularly one shot showing a soldier banging a tune on another soldiers helmet as they march.
I do wish I had seen this on the big screen and I imagine what I have said is enhanced 100x more with that type of viewing. A fitting tribute to the men that did and didn't come home and I hope it is recognised and picks up many awards.
क्या आपको पता है
- ट्रिवियाMuch of the footage had never been seen, having sat in the vaults of London's Imperial War Museum for many years.
- गूफ़Several shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been colourised green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." These tanks entered service in 1918, and were factory-painted brown.
- भाव
Soldier: [waving at camera] Hi, mum.
- क्रेज़ी क्रेडिट"Filmed on location on the Western Front, 1914 to 1918"
- कनेक्शनFeatured in Front Row: एपिसोड #3.3 (2018)
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- How long is They Shall Not Grow Old?Alexa द्वारा संचालित
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,79,56,913
- दुनिया भर में सकल
- $2,16,56,913
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1(original footage)
- 1.85 : 1
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