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7.8/10
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आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDave jokes about the sexual assaults dominating the 2017 entertainment news and how and why people allow themselves to be abused.Dave jokes about the sexual assaults dominating the 2017 entertainment news and how and why people allow themselves to be abused.Dave jokes about the sexual assaults dominating the 2017 entertainment news and how and why people allow themselves to be abused.
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फ़ीचर्ड समीक्षाएं
This is deep, maybe it's too dark and people are not ready to hear about these subjects in a humorous way, but like he says in it it's important that humorists can talk about controversial subjects. It's important that people can find humour even in the darkest things. I've never seen Dave as open as he is here, he takes risks and it might not talk to your preconceived ideas on sexual equality, racial equality or whatever else you don't agree with him, maybe you'll think he's crude, but it's just an access to the mind of a comedic genius who tries to make sense of the world he lives in with all it's absurdities.
The small intimate setup is perfect for this type of monologue, the proximity with the public procure the intimacy needed to talk of those subject without making it feel disrespectful.
One of the most intelligent show I've seen.
When we look back at 2017-2018 in 20 years, this might be a good insightful moment to look back on in all the craziness.
The small intimate setup is perfect for this type of monologue, the proximity with the public procure the intimacy needed to talk of those subject without making it feel disrespectful.
One of the most intelligent show I've seen.
When we look back at 2017-2018 in 20 years, this might be a good insightful moment to look back on in all the craziness.
Not the funniest of the Chappelle Netflix specials, this one has a very slow and serious pace to it; often Chappelle seems to be more animated in his reaction to his jokes than his audience is. Indeed at times his audience seems uncertain how to react to his train of thought. As the headlines had sort of told me beforehand, this special seems Chappelle mull over the #MeToo movement and accusations against famous people - ranging from those raped at the hands of powerful men, through to those who had to listen to someone masturbating on the other end of the phone. I mention this contrast because it is particularly the one that he makes in this show.
In doing so he makes an engaging show which is difficult and a little uncomfortable at times, but has a base in comedy and produces some good laughs. I say some because the show is mostly not that funny, but yet it is engaging. Chappelle himself leans into the material, perhaps more than he can carry off convincingly, but mostly his thoughts ring true as a genuine pondering. Overall it is not that great a show in terms of laughter, but I was engaged by it on the subject matter as well as the comedy.
In doing so he makes an engaging show which is difficult and a little uncomfortable at times, but has a base in comedy and produces some good laughs. I say some because the show is mostly not that funny, but yet it is engaging. Chappelle himself leans into the material, perhaps more than he can carry off convincingly, but mostly his thoughts ring true as a genuine pondering. Overall it is not that great a show in terms of laughter, but I was engaged by it on the subject matter as well as the comedy.
Not every comedian would be able to pull off being this low-key. I guess that's Chappelle for you.
Unlike any other comedian.
Unlike any other comedian.
What I like about this one - its small club setting making things low key and like he's there just having a conversation with us - is also what keeps it somewhat minor compared to the first New Year's special.
This could change on a second viewing though; highlights include Louis CKs "freckled p***is"; the most compelling argument (maybe once and for all) about why Michael Jackson's allegations were unfounded due to how he showed off his place to the kids; and a complex story about a cold pimp in France in the 40s who he connects in a long and winding way as to why he quit the Chappelle Show and kept a lower profile (that second one is partially why I need to watch it again to let that story sink in more).
Chappelle is still a master here, just more about a lower energy for the most part than usual. It's real and introspective too; if you are expecting the typical stand up you may either get disappointed or thrown off. if you've ever been to an intimate space for comedy, Chappell delivers that. It's like you're there.
This could change on a second viewing though; highlights include Louis CKs "freckled p***is"; the most compelling argument (maybe once and for all) about why Michael Jackson's allegations were unfounded due to how he showed off his place to the kids; and a complex story about a cold pimp in France in the 40s who he connects in a long and winding way as to why he quit the Chappelle Show and kept a lower profile (that second one is partially why I need to watch it again to let that story sink in more).
Chappelle is still a master here, just more about a lower energy for the most part than usual. It's real and introspective too; if you are expecting the typical stand up you may either get disappointed or thrown off. if you've ever been to an intimate space for comedy, Chappell delivers that. It's like you're there.
The life of an iconoclastic comedian is not easy. You surf dangerous waves -- Mavericks-sized -- to the point break. Maybe you can be funny with airplane and 'men are from mars' jokes, but what you really want to talk about is the stuff that grates at you, that makes your audience just a little squeamish, that makes you just a little unpopular. In his most intimate special to date, Chappelle handles hot coals with bare hands, dishing the jokes lesser comedians wished they had the talent to write and the balls to actually say. Even edgy comedians perform a practiced progressivism that doesn't dare go beyond the buoys, even if it appears on the surface as raunchy or blue. Ours is a time when what you say is used against you in the court of public opinion, an exceedingly clamorous, outraged, offended, and craven entity. I can only say that I am glad that Chappelle has not acceded to the standard to which most now resign themselves. Still, as a comedian, one dictate looms large above the rest: Be funny. And man does he deliver.
क्या आपको पता है
- ट्रिवियाWhen Chappelle discusses Iceberg Slim at the end of the special, the man he brings up on stage and introduces as "This is Matthew, Matthew is from France. He's white! Yet he has an original copy of this book" is French photographer and designer Mathieu Bitton who also shot the still photography for the 4 Chappelle Netflix specials.
- भाव
Himself - Host: Since when has America ever given a fuck about how any of us feel inside?
- कनेक्शनFeatured in WatchMojo: Top 10 Most Expensive Netflix Originals (2018)
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