And Tomorrow the Entire World

A mediocre and overall fairly disappointing movie due to weak plot and overall message, mediocre direction, slow clunky pacing, and a very predictable cliched ending. There are some redeeming qualities though such as acting, music, production values, cinematography, and some cool (despite being thinly executed) ideas here & there. It's certainly watchable and all, but don't get too excited about this one.

This movie shows the different ways of defending and idea. We know violence is bad but is it ok to use it for the greater good? I personally don't think so but this film makes you think.

Some things are never gonna change, politics is personal.

It's better to have a belief than have none at all.

The movie captured some media interest in Germany when it was screened in Venice film festival but was also critisised by leftists focussing on the childish and psychotic behaviour of the antifascist group. So I was at least curious. Well, the movie doesn't live up to expectations. The story is a bit dull and I had a hard time to follow it. Shooting and edit is not bad but the visual side also failed to hold up my interest. On the positive side I think the acting is at least authentic and the movie lacks the usual dose of policial indoctrination.

Very often people forget that movies could and should be two separate things. Some are entertainment, pure and simple, and some are art, trying to tell a story or make a statement about the world around us. It usually isn't that difficult to figure out what kind of a movie we want to watch. Even so, too often viewers who despair to be entertained at any cost complain about art movies. They are slow, boring, blah, blah, blah... That is always unfair and we and only we have a final decision what to watch. So, this is an art movie, raw and unraveling like the relentless passion of youth. Jerky camera moves, gray streets of an industrial city, innocent idealism that turns dark and dangerous. Fighting evil is a filthy business, nobody comes out of it unscathed. Perhaps that's the reason why there are so many onlookers and collaborators. Fear and cowardice, the twins of failure and missed opportunities.

Artistic results usually remain without risk when the state interferes. German films are often funded by federal agencies, so I don't expect any revolutionary ideas, but rather a kind of soft rinse format. This film has exactly that, no really convincing story, on the contrary, everything is actually lost in a dichotomy of good and evil, which doesn't really work either. Of course, you can't just imply leftist groups are the good guys, but if I already have the group of neo-fascists, who you really can't leave a good hair on, then I need more knowledge about the motives of leftist cells that take action against them. Spoiled female law students, whose middle-class parents go hunting, and who want to move out of this cocoon of security, remain just a mere cliché, if I don't add anything personal. And the director has not succeeded in doing that with any of her characters. Actually, the theme is thus missed and the characters all remain indifferent.