And Tomorrow the Entire World

This movie shows the different ways of defending and idea. We know violence is bad but is it ok to use it for the greater good? I personally don't think so but this film makes you think.

Some things are never gonna change, politics is personal.

It's better to have a belief than have none at all.

Very often people forget that movies could and should be two separate things. Some are entertainment, pure and simple, and some are art, trying to tell a story or make a statement about the world around us. It usually isn't that difficult to figure out what kind of a movie we want to watch. Even so, too often viewers who despair to be entertained at any cost complain about art movies. They are slow, boring, blah, blah, blah... That is always unfair and we and only we have a final decision what to watch. So, this is an art movie, raw and unraveling like the relentless passion of youth. Jerky camera moves, gray streets of an industrial city, innocent idealism that turns dark and dangerous. Fighting evil is a filthy business, nobody comes out of it unscathed. Perhaps that's the reason why there are so many onlookers and collaborators. Fear and cowardice, the twins of failure and missed opportunities.

Never have I seen a film come so close to making a point and then miss the mark entirely. The acting is fantastic, especially by lead Emde, the cinematography is striking, and the editing is well done. But the script reads like a first year's essay on Free Speech and Fascism that didn't bother to do any real research. For a much better version of this film, check out "The East."

This.film has so much potential and fails on so many levels that it is really sad to watch. A lost effort. Two stars for occasional Olivier Assays style editing that unfortunately does not help patch up lack of motivation in characters and lack of story development.

Artistic results usually remain without risk when the state interferes. German films are often funded by federal agencies, so I don't expect any revolutionary ideas, but rather a kind of soft rinse format. This film has exactly that, no really convincing story, on the contrary, everything is actually lost in a dichotomy of good and evil, which doesn't really work either. Of course, you can't just imply leftist groups are the good guys, but if I already have the group of neo-fascists, who you really can't leave a good hair on, then I need more knowledge about the motives of leftist cells that take action against them. Spoiled female law students, whose middle-class parents go hunting, and who want to move out of this cocoon of security, remain just a mere cliché, if I don't add anything personal. And the director has not succeeded in doing that with any of her characters. Actually, the theme is thus missed and the characters all remain indifferent.