And Tomorrow the Entire World

Was intrigued through the start but then it just went on and on and nothing really happened. I could not get what emotions they wanted the leftists portray with most shots showing them on the wrong side with childish and immature acts. It made it seem like the right wing is non-violent and the leftists are violent lot. Ignore this borefest. Watch something else.

Never have I seen a film come so close to making a point and then miss the mark entirely. The acting is fantastic, especially by lead Emde, the cinematography is striking, and the editing is well done. But the script reads like a first year's essay on Free Speech and Fascism that didn't bother to do any real research. For a much better version of this film, check out "The East."

Winston Churchill said, "The fascists of the future will call themselves anti-fascists."

And this film is precisely about this left-fascist antifa. It gives a good look at the violence with which these organizations operate: the training in violent sports, the beating up of people who think differently, the destruction of cars of political opponents.

In this orgy of violence, a somewhat naive law student of noble birth ends up through a girlfriend. And she gets carried away in this.

The film itself has little story or content.

A mediocre and overall fairly disappointing movie due to weak plot and overall message, mediocre direction, slow clunky pacing, and a very predictable cliched ending. There are some redeeming qualities though such as acting, music, production values, cinematography, and some cool (despite being thinly executed) ideas here & there. It's certainly watchable and all, but don't get too excited about this one.

Artistic results usually remain without risk when the state interferes. German films are often funded by federal agencies, so I don't expect any revolutionary ideas, but rather a kind of soft rinse format. This film has exactly that, no really convincing story, on the contrary, everything is actually lost in a dichotomy of good and evil, which doesn't really work either. Of course, you can't just imply leftist groups are the good guys, but if I already have the group of neo-fascists, who you really can't leave a good hair on, then I need more knowledge about the motives of leftist cells that take action against them. Spoiled female law students, whose middle-class parents go hunting, and who want to move out of this cocoon of security, remain just a mere cliché, if I don't add anything personal. And the director has not succeeded in doing that with any of her characters. Actually, the theme is thus missed and the characters all remain indifferent.