1,420 समीक्षाएं
Going into this I thought there was no way Succession could ever live up to all the hype surrounding it but then I watched it. It not only lives up to it but surpasses it in every way. This really is one of the best shows of all-time. I heard such great things about it and saw all the awards it's won but still put it off until recently. I can't believe how much I was missing out on, I binged the entire series within a week. I have to admit that you have to give it a few episodes before you really get into it because it starts off pretty slow but before you know it you'll be addicted. I can't say enough about this cast either, the entire cast is unbelievable, not a single bad actor on the entire show. Every actor/actress on the show have been nominated for their performances in this, thats unheard of for a show. Here's the list of all the actors/actresses that have been nominated and or won an Emmy for their performance: Kieran Culkin, Jeremy Strong, Brian Cox, Sarah Snook, Matthew Macfayden, Nicholas Braun, Alan Ruck, Alexander Skarsgård, James Cromwell, J. Smith-Cameron, Adrien Brody, Hope Davis, Sanaa Lathan, Cherry Jones, Harriet Walter, Hiam Abbass & Arian Moayed. That's ridiculous and unheard for any show. That's how good this show is, 17 different actors were nominated for an Emmy, almost all of them multiple times and in every season the show was on. Succession absolutely deserves all the awards it's won and more.
I actually enjoyed Succession but it's definitely a show that's not for everyone. The majority of the people I know end up loving up but there are those who don't like it too. You'll have to judge for yourself. What can you say about it that hasn't already been said? First off this show has won the Emmy for Best Drama every season it's been on and literally every major character has been nominated or won an Emmy for their work on this show. It's also one of the highest rated shows here so it's not only a hit with the critics but the fans love it too. Bottom line is this is one of the best shows ever created. It's one of the rare shows where every season is just as good as the others. There's no let down or weak season. This show is not for everyone though. If you are looking for action and a fast paced show then this isn't for you. What makes this series so special is the writing and acting. It will suck you into their world and won't let go. I can't recommend this show enough but again not everyone has is going to like it.
- Supermanfan-13
- 4 नव॰ 2024
- परमालिंक
Succession, across its four seasons, stands as one of the most compelling and sophisticated dramas in modern television. It chronicles the dysfunctional Roy family, at the heart of a global media empire, and their bitter struggle for control over the company as their father's health wanes. From the very first episode, the series establishes a cutthroat atmosphere where familial bonds are fragile, ambition is toxic, and power is the ultimate currency. The show's brilliance lies in its ability to blend high-stakes corporate drama with intimate character studies, examining the emotional damage wrought by extreme wealth and ambition.
One of the most striking aspects of Succession is the way it weaves power dynamics into the fabric of every relationship. The central figure, Logan Roy, played with intimidating authority by Brian Cox, embodies a ruthless capitalist who pits his children against one another. The most memorable moments of the show often involve Logan manipulating his offspring - Kendall, Roman, Shiv, and Connor - to maintain his dominance. In the first season, Kendall (Jeremy Strong) attempts a coup against his father, only to be crushed in a car accident cover-up that Logan exploits to maintain control. This set the tone for the entire series: even the most powerful within the Roy family are rendered powerless by their patriarch.
Season two builds on this dynamic, with Kendall becoming a broken shell of his former self after his failed rebellion. Jeremy Strong's performance throughout the series is particularly lauded, especially in moments where Kendall teeters on the brink of collapse. His attempted defiance at the end of season two, where he publicly betrays his father in a press conference, is one of the show's most iconic moments, serving as a shocking climax to a season full of tension. The writing in Succession is masterful, constantly shifting alliances and creating complex emotional stakes that elevate the drama beyond the corporate sphere. It's not just about who will take over the company, but about whether these people are capable of genuine human connection.
The third season is where the Roy siblings' infighting becomes even more intense, particularly with Shiv (Sarah Snook) and Roman (Kieran Culkin) vying for favor from their father. Roman's arc is particularly compelling as he evolves from a joker to a serious contender, his vulnerability shining through in moments where he grapples with both his desire for power and his emotional scars. Shiv, on the other hand, navigates the corporate landscape with a steely ambition that mirrors her father's, but her constant wavering and inability to fully commit to any side of the battle for control ultimately undermines her. Sarah Snook's portrayal of Shiv's conflicted character brings depth to her internal struggle between loyalty to her family and her own ambitions.
Season four, the final season, marks the culmination of years of intricate plotting, and emotional breakdowns. Kendall, Roman, and Shiv face the prospect of a future without Logan's omnipresent control after his sudden death in the episode "Connor's Wedding." The episode, one of the most impactful in television history, not only shocks the audience but forces the characters to confront their fragile relationships with each other. Logan's death, while a massive plot point, serves as a catalyst for the siblings to fully embrace their personal ambitions, but it also reveals just how much of their identities have been shaped by his overbearing presence. The tension escalates as they struggle with the boardroom politics of selling Waystar Royco or keeping it within the family.
Thematically, Succession is a deep exploration of capitalism, legacy, and power. The Roy family's empire is built on a foundation of moral ambiguity, with Logan Roy representing the darker side of corporate America. The show critiques the hollow nature of extreme wealth, with characters who are emotionally stunted and disconnected from the real world. Despite their immense power and influence, the Roy children are incapable of forming healthy relationships, either with each other or with the outside world. The series repeatedly underscores the idea that wealth and power cannot buy happiness or stability, a message made clear as each sibling fails, in their own way, to succeed in filling their father's shoes.
Visually, the show is a masterclass in capturing the cold, sterile world of corporate elite. The cinematography uses expansive, minimalist sets to reflect the isolation and emotional emptiness of its characters. From the luxurious penthouses to the sprawling offices, there's a sense of detachment in every frame. The way the camera lingers on the Roy siblings in moments of crisis emphasizes their vulnerability despite the power they wield. The editing of the show is sharp, with the tension building expertly across each episode, especially during pivotal scenes like boardroom showdowns or intimate family confrontations.
One of the strongest elements of Succession is its pacing. Each season is structured like a slow burn, gradually building tension and stakes before delivering explosive climaxes. The boardroom vote in the final episode, "With Open Eyes," is a prime example of this. The show has a remarkable ability to make corporate machinations thrilling, largely due to the personal stakes involved. The pacing allows for moments of quiet reflection between the more dramatic scenes, offering insights into the characters' inner turmoil and highlighting the emotional costs of their endless pursuit of power.
The ensemble cast is another highlight, with every actor delivering standout performances. Brian Cox's portrayal of Logan Roy is legendary, his presence looming large even in the episodes where he's absent. Jeremy Strong's Kendall is the heart of the series, his tragic arc offering some of the show's most emotionally resonant moments. Kieran Culkin's Roman provides darkly comic relief, yet his character is far more complex than his quips suggest, particularly in his relationship with his father. Sarah Snook's Shiv embodies the conflict between ambition and loyalty, and Matthew Macfadyen as Tom Wambsgans offers a nuanced performance of a man constantly trying to survive in the Roy family's ruthless world.
In terms of critical reception, Succession has been lauded for its writing, performances, and direction. It has consistently garnered awards and critical acclaim, praised for its biting satire of the ultra-wealthy and its unflinching portrayal of power and family. The show's ability to tackle both macro themes of capitalism and micro themes of family dysfunction makes it a standout in the crowded landscape of prestige television. Its dialogue, often sharp and darkly humorous, captures the absurdity of the world the Roys inhabit while offering pointed commentary on the nature of power.
In conclusion, Succession is not just a show about a media empire - it's a psychological drama that delves into the complexities of family, loyalty, and ambition. Its ability to make the corporate world emotionally engaging, combined with its sharp critique of wealth and power, has solidified its place as one of the most important television series of the modern era. With its gripping narrative, exceptional performances, and insightful commentary, Succession is a rare example of a show that masterfully balances character-driven drama with broader thematic concerns, making it both a critical and cultural phenomenon.
One of the most striking aspects of Succession is the way it weaves power dynamics into the fabric of every relationship. The central figure, Logan Roy, played with intimidating authority by Brian Cox, embodies a ruthless capitalist who pits his children against one another. The most memorable moments of the show often involve Logan manipulating his offspring - Kendall, Roman, Shiv, and Connor - to maintain his dominance. In the first season, Kendall (Jeremy Strong) attempts a coup against his father, only to be crushed in a car accident cover-up that Logan exploits to maintain control. This set the tone for the entire series: even the most powerful within the Roy family are rendered powerless by their patriarch.
Season two builds on this dynamic, with Kendall becoming a broken shell of his former self after his failed rebellion. Jeremy Strong's performance throughout the series is particularly lauded, especially in moments where Kendall teeters on the brink of collapse. His attempted defiance at the end of season two, where he publicly betrays his father in a press conference, is one of the show's most iconic moments, serving as a shocking climax to a season full of tension. The writing in Succession is masterful, constantly shifting alliances and creating complex emotional stakes that elevate the drama beyond the corporate sphere. It's not just about who will take over the company, but about whether these people are capable of genuine human connection.
The third season is where the Roy siblings' infighting becomes even more intense, particularly with Shiv (Sarah Snook) and Roman (Kieran Culkin) vying for favor from their father. Roman's arc is particularly compelling as he evolves from a joker to a serious contender, his vulnerability shining through in moments where he grapples with both his desire for power and his emotional scars. Shiv, on the other hand, navigates the corporate landscape with a steely ambition that mirrors her father's, but her constant wavering and inability to fully commit to any side of the battle for control ultimately undermines her. Sarah Snook's portrayal of Shiv's conflicted character brings depth to her internal struggle between loyalty to her family and her own ambitions.
Season four, the final season, marks the culmination of years of intricate plotting, and emotional breakdowns. Kendall, Roman, and Shiv face the prospect of a future without Logan's omnipresent control after his sudden death in the episode "Connor's Wedding." The episode, one of the most impactful in television history, not only shocks the audience but forces the characters to confront their fragile relationships with each other. Logan's death, while a massive plot point, serves as a catalyst for the siblings to fully embrace their personal ambitions, but it also reveals just how much of their identities have been shaped by his overbearing presence. The tension escalates as they struggle with the boardroom politics of selling Waystar Royco or keeping it within the family.
Thematically, Succession is a deep exploration of capitalism, legacy, and power. The Roy family's empire is built on a foundation of moral ambiguity, with Logan Roy representing the darker side of corporate America. The show critiques the hollow nature of extreme wealth, with characters who are emotionally stunted and disconnected from the real world. Despite their immense power and influence, the Roy children are incapable of forming healthy relationships, either with each other or with the outside world. The series repeatedly underscores the idea that wealth and power cannot buy happiness or stability, a message made clear as each sibling fails, in their own way, to succeed in filling their father's shoes.
Visually, the show is a masterclass in capturing the cold, sterile world of corporate elite. The cinematography uses expansive, minimalist sets to reflect the isolation and emotional emptiness of its characters. From the luxurious penthouses to the sprawling offices, there's a sense of detachment in every frame. The way the camera lingers on the Roy siblings in moments of crisis emphasizes their vulnerability despite the power they wield. The editing of the show is sharp, with the tension building expertly across each episode, especially during pivotal scenes like boardroom showdowns or intimate family confrontations.
One of the strongest elements of Succession is its pacing. Each season is structured like a slow burn, gradually building tension and stakes before delivering explosive climaxes. The boardroom vote in the final episode, "With Open Eyes," is a prime example of this. The show has a remarkable ability to make corporate machinations thrilling, largely due to the personal stakes involved. The pacing allows for moments of quiet reflection between the more dramatic scenes, offering insights into the characters' inner turmoil and highlighting the emotional costs of their endless pursuit of power.
The ensemble cast is another highlight, with every actor delivering standout performances. Brian Cox's portrayal of Logan Roy is legendary, his presence looming large even in the episodes where he's absent. Jeremy Strong's Kendall is the heart of the series, his tragic arc offering some of the show's most emotionally resonant moments. Kieran Culkin's Roman provides darkly comic relief, yet his character is far more complex than his quips suggest, particularly in his relationship with his father. Sarah Snook's Shiv embodies the conflict between ambition and loyalty, and Matthew Macfadyen as Tom Wambsgans offers a nuanced performance of a man constantly trying to survive in the Roy family's ruthless world.
In terms of critical reception, Succession has been lauded for its writing, performances, and direction. It has consistently garnered awards and critical acclaim, praised for its biting satire of the ultra-wealthy and its unflinching portrayal of power and family. The show's ability to tackle both macro themes of capitalism and micro themes of family dysfunction makes it a standout in the crowded landscape of prestige television. Its dialogue, often sharp and darkly humorous, captures the absurdity of the world the Roys inhabit while offering pointed commentary on the nature of power.
In conclusion, Succession is not just a show about a media empire - it's a psychological drama that delves into the complexities of family, loyalty, and ambition. Its ability to make the corporate world emotionally engaging, combined with its sharp critique of wealth and power, has solidified its place as one of the most important television series of the modern era. With its gripping narrative, exceptional performances, and insightful commentary, Succession is a rare example of a show that masterfully balances character-driven drama with broader thematic concerns, making it both a critical and cultural phenomenon.
- fernandoschiavi
- 26 सित॰ 2024
- परमालिंक
Not for everyone. Even for the people it's made for, there are no likable characters. Lots of wasteful scenes and dialogue, almost as if to extend the runtime of an episode. The dialogue is high quality, but many characters feel like the same person in the ways in which they speak. There are lots of academic terms and language. The comedy is sometimes amazing (Tom & Greg). The problem with this show is, it feels like a FORTY HOUR MEETING. They never EVER stop talking about making some sort of deal or acquisition, and there is no room for anything else. No conglomerate of people are that obsessed with work.
Season 1 (8/10) Season 2 (7.25/10) Season 3 (6/10) Season 4 (8/10)
Final episode is a phenomenal 9/10.
Season 1 (8/10) Season 2 (7.25/10) Season 3 (6/10) Season 4 (8/10)
Final episode is a phenomenal 9/10.
- shanayneigh
- 6 जून 2023
- परमालिंक
**Review: *Succession***
*Succession*, HBO's critically acclaimed series, has cemented its place as one of the most gripping modern dramas. It offers a brutally honest and darkly humorous look at power dynamics within the fictional Roy family, media moguls whose empire seems boundless, as do their ambitions. The show centers on the family patriarch, Logan Roy (played by Brian Cox), and his adult children-Kendall, Roman, Shiv, and Connor-each vying for approval, inheritance, or power over the empire.
What makes *Succession* compelling is its ability to navigate the darkness of wealth and ambition with sharp satire, creating moments that are equal parts discomforting and hilarious. The writing is razor-sharp, and each character is crafted with layers of dysfunction, insecurity, and ruthlessness. It's refreshing to see a show where there are no clear heroes or villains-each character, while flawed and manipulative, reveals their own vulnerabilities that keep the audience hooked.
The cast performances are phenomenal. Brian Cox brings an unmatched intensity as Logan, whose domineering personality sets the tone for the entire series. Jeremy Strong (Kendall), Sarah Snook (Shiv), Kieran Culkin (Roman), and Alan Ruck (Connor) all offer performances that elevate their characters beyond archetypal rich heirs, adding depth and complexity to each one.
A standout feature of the show is its cinematography and direction. The handheld camera work adds an almost documentary-style feel, making viewers feel like a fly on the wall, witnessing intimate, raw exchanges. The production design also captures the opulence of the ultra-wealthy, contrasted with the characters' often hollow and fractured relationships.
The show's pacing might feel slow to some, especially those who prefer action-driven narratives. However, for viewers who savor character-driven drama, *Succession* is a feast. It peels back the layers of the 1% elite in a way that feels authentic yet horrifying, pulling no punches in exposing their greed, narcissism, and the brutal cost of loyalty.
In conclusion, *Succession* is a masterclass in modern storytelling, blending dark comedy with drama and nuanced social commentary. It's a show that invites viewers to indulge in the chaos of the ultra-rich while also critiquing the ethical void left in their wake. If you haven't watched *Succession* yet, it's a must-see for anyone who appreciates layered characters, intense family drama, and an unfiltered look at power and privilege.
*Succession*, HBO's critically acclaimed series, has cemented its place as one of the most gripping modern dramas. It offers a brutally honest and darkly humorous look at power dynamics within the fictional Roy family, media moguls whose empire seems boundless, as do their ambitions. The show centers on the family patriarch, Logan Roy (played by Brian Cox), and his adult children-Kendall, Roman, Shiv, and Connor-each vying for approval, inheritance, or power over the empire.
What makes *Succession* compelling is its ability to navigate the darkness of wealth and ambition with sharp satire, creating moments that are equal parts discomforting and hilarious. The writing is razor-sharp, and each character is crafted with layers of dysfunction, insecurity, and ruthlessness. It's refreshing to see a show where there are no clear heroes or villains-each character, while flawed and manipulative, reveals their own vulnerabilities that keep the audience hooked.
The cast performances are phenomenal. Brian Cox brings an unmatched intensity as Logan, whose domineering personality sets the tone for the entire series. Jeremy Strong (Kendall), Sarah Snook (Shiv), Kieran Culkin (Roman), and Alan Ruck (Connor) all offer performances that elevate their characters beyond archetypal rich heirs, adding depth and complexity to each one.
A standout feature of the show is its cinematography and direction. The handheld camera work adds an almost documentary-style feel, making viewers feel like a fly on the wall, witnessing intimate, raw exchanges. The production design also captures the opulence of the ultra-wealthy, contrasted with the characters' often hollow and fractured relationships.
The show's pacing might feel slow to some, especially those who prefer action-driven narratives. However, for viewers who savor character-driven drama, *Succession* is a feast. It peels back the layers of the 1% elite in a way that feels authentic yet horrifying, pulling no punches in exposing their greed, narcissism, and the brutal cost of loyalty.
In conclusion, *Succession* is a masterclass in modern storytelling, blending dark comedy with drama and nuanced social commentary. It's a show that invites viewers to indulge in the chaos of the ultra-rich while also critiquing the ethical void left in their wake. If you haven't watched *Succession* yet, it's a must-see for anyone who appreciates layered characters, intense family drama, and an unfiltered look at power and privilege.
- abhinavsinghkhalsa
- 29 अक्टू॰ 2024
- परमालिंक
I watched 1 episode; thought it was just okay and then didn't watch the next episode until maybe 2-4 weeks later. Then once I was on episode 3-5, I was absolutely hooked. Give this series a chance.
The show is great, you start to really care about the characters despite most of them having massive character flaws. In my opinion, 3/4 of the children are outright sociopaths (oldest son is the only halfway decent guy). Father is ruthless but you can't help but respect him for his accomplishments.
It gives an insight on how some of the 0.001% live. Very interesting and it will keep you entertained throughout the series!
The show is great, you start to really care about the characters despite most of them having massive character flaws. In my opinion, 3/4 of the children are outright sociopaths (oldest son is the only halfway decent guy). Father is ruthless but you can't help but respect him for his accomplishments.
It gives an insight on how some of the 0.001% live. Very interesting and it will keep you entertained throughout the series!
- ryansiepka-88178
- 28 नव॰ 2024
- परमालिंक
As I binged watch this, I realized HBO packaged this as their answer to Billions. However, this show is not about the business of industry; it's about the business of family. The characters become more likeable as season progresses. This is a great show and I bet the final episode is going to be a jaw dropper.
I don't even know how to describe how much I loved this show. I loved it so much I've watched it all the way through several times and will again. It's definitely one of the best shows I've ever seen. This show takes you into the world of very top 1%. There aren't many likable characters on the show, it's actually the opposite, all the characters are very unlikeable but they're fun to watch. I understand that not everyone liked it though. You have to really appreciate good acting and writing to love this show. HBO has made some of the best shows of all time and Succession is definitely one of those.
- Antetokounmpo-34
- 17 दिस॰ 2024
- परमालिंक
After finishing the series all I can say it's one of the best shows ever , all the characters somehow plays an important role ( they all psychics ) , you can see what is dark humor in addition the pure drama , the legacy and pride showed so well.
Logan roy is the real American business father who can mange all his children
Ken roy ? Wow what a character the one u will never know what is he doing
Chevon and roman are just the two noisy brother and sister but they are amazing Tom is the definition of the devil u wanna know what he wants but u will never know how Thanks to all the cast members...
Logan roy is the real American business father who can mange all his children
Ken roy ? Wow what a character the one u will never know what is he doing
Chevon and roman are just the two noisy brother and sister but they are amazing Tom is the definition of the devil u wanna know what he wants but u will never know how Thanks to all the cast members...
- Alwaleed21
- 9 अक्टू॰ 2024
- परमालिंक
The show notion is deep and unexpected . Casting is so perfect and so professional . Amazing is the ups and downs done in a way that you don't feel it's sometimes enological . Sara Snook ( Chev) was my favorite with her feminine turnovers that made sense even when it didn't !. What was amazing to me are the dialogues .. how can this be written in script with all the arguments , interruptions and F words !!! .
Logan Roy is the kind of fathers who loves his children so much that he couldn't accept their failures , we see this model often in real life . From children's side , they loved him back but again couldn't accept his guidance or orders .. so real , emotional and touching .
Bravo.
Bravo.
- consultec-const
- 3 अक्टू॰ 2024
- परमालिंक
This show has won over the world largely because of its fantastic dialogue and lovable/hateable cast.
The first few seasons of this show were downright addictive to watch. For me personally, it sort of runs out of steam by the end. The last two seasons begin to feel like the show is running in circles until the conclusion.
We retread on the same ground a little too often and the ending of the show was actually a bit of disappointment to me. Not necessarily because of what happens in the end, but more in how it's executed. Kendall's wife and her relationship to the themes of the story were a good example of that for me.
The last season just felt anticlimactic, and I understand why but it doesn't make it more entertaining or compelling for me. The same sense of tragedy could've been accomplished with more emotionally satisfying conclusions.
So yeah, I'm not wild about this show like lots of other people are. But it's definitely a good show and worth watching.
The first few seasons of this show were downright addictive to watch. For me personally, it sort of runs out of steam by the end. The last two seasons begin to feel like the show is running in circles until the conclusion.
We retread on the same ground a little too often and the ending of the show was actually a bit of disappointment to me. Not necessarily because of what happens in the end, but more in how it's executed. Kendall's wife and her relationship to the themes of the story were a good example of that for me.
The last season just felt anticlimactic, and I understand why but it doesn't make it more entertaining or compelling for me. The same sense of tragedy could've been accomplished with more emotionally satisfying conclusions.
So yeah, I'm not wild about this show like lots of other people are. But it's definitely a good show and worth watching.
- Orpheus_exe
- 18 मई 2024
- परमालिंक
Succession isn't just a TV show-it's a cultural phenomenon and a masterclass in storytelling. With its razor-sharp writing, impeccable acting, and gripping narrative, it's no wonder this series has become one of the most talked-about shows of the past decade.
At its core, Succession is a Shakespearean family drama wrapped in the ruthless world of corporate power. The Roy family's power struggles are equal parts tragic and absurd, and the show walks this tightrope with perfect balance. The dialogue is biting and darkly funny, delivering laugh-out-loud moments in one scene and gut-wrenching emotional punches in the next.
The performances are nothing short of brilliant. Brian Cox as the towering patriarch Logan Roy commands every scene he's in, while Jeremy Strong as Kendall gives a career-defining portrayal of a man torn apart by ambition, insecurity, and his father's shadow. Sarah Snook, Kieran Culkin, and Matthew Macfadyen are equally outstanding, adding layers of complexity and humanity (or lack thereof) to their deeply flawed characters.
The writing is what truly elevates Succession to greatness. Each episode is packed with tension, twists, and memorable lines, and the show's exploration of power, loyalty, and legacy feels as universal as it is specific. Whether it's a boardroom showdown, a media scandal, or a dysfunctional family gathering, every scene feels meticulously crafted and utterly captivating.
Visually, the series is stunning. The luxurious settings-private jets, opulent apartments, and sprawling estates-serve as a stark backdrop to the ugliness of the characters' behavior. The direction and cinematography pull you into this world, making you feel like a fly on the wall for every backstab and betrayal.
Perhaps the most remarkable thing about Succession is its ability to make you care deeply about such morally bankrupt characters. You find yourself rooting for them, hating them, and even pitying them all at once. It's a testament to the show's nuanced storytelling that these characters feel so human despite their monstrous flaws.
Succession is not just one of the best shows of its time-it's a timeless exploration of family, greed, and the cost of power. It's funny, devastating, and utterly addictive from start to finish.
10/10. A masterpiece.
At its core, Succession is a Shakespearean family drama wrapped in the ruthless world of corporate power. The Roy family's power struggles are equal parts tragic and absurd, and the show walks this tightrope with perfect balance. The dialogue is biting and darkly funny, delivering laugh-out-loud moments in one scene and gut-wrenching emotional punches in the next.
The performances are nothing short of brilliant. Brian Cox as the towering patriarch Logan Roy commands every scene he's in, while Jeremy Strong as Kendall gives a career-defining portrayal of a man torn apart by ambition, insecurity, and his father's shadow. Sarah Snook, Kieran Culkin, and Matthew Macfadyen are equally outstanding, adding layers of complexity and humanity (or lack thereof) to their deeply flawed characters.
The writing is what truly elevates Succession to greatness. Each episode is packed with tension, twists, and memorable lines, and the show's exploration of power, loyalty, and legacy feels as universal as it is specific. Whether it's a boardroom showdown, a media scandal, or a dysfunctional family gathering, every scene feels meticulously crafted and utterly captivating.
Visually, the series is stunning. The luxurious settings-private jets, opulent apartments, and sprawling estates-serve as a stark backdrop to the ugliness of the characters' behavior. The direction and cinematography pull you into this world, making you feel like a fly on the wall for every backstab and betrayal.
Perhaps the most remarkable thing about Succession is its ability to make you care deeply about such morally bankrupt characters. You find yourself rooting for them, hating them, and even pitying them all at once. It's a testament to the show's nuanced storytelling that these characters feel so human despite their monstrous flaws.
Succession is not just one of the best shows of its time-it's a timeless exploration of family, greed, and the cost of power. It's funny, devastating, and utterly addictive from start to finish.
10/10. A masterpiece.
- rebecca_faughlin
- 6 दिस॰ 2024
- परमालिंक
Other than Kendall, none of the characters have any sort of arc. And Ken just keeps going back and forth from obnoxious 80's corporate tool to washed-up 90's addict. But everyone else is just the same annoying money-grubbing rich jerk that you can't stand. Power hungry. Hoity-toity. Roman is just so one note. And the Gerri-atric obsession - yeah that was played out way too long. Shiv and Tom. And Greg. Get a new record. Then the whole season is back-stabbing back and forth until the shocking Et tu, Brute moment in the finale.
I mean nothing is changing. Every loathsome one-dimensional person just plods along to the same tune. No one walks away from the intoxicatingly toxic environment of high-rolling for Daddy's love. And that makes all of them entirely worthless and pointless. Until they change for the better or disassociate themselves altogether, this show is stuck in a rut. That or some drastic stakes are up with dead darlings or assassinations or something.
Otherwise, I am better off reading a synopsis of every season than sitting through it.
I mean nothing is changing. Every loathsome one-dimensional person just plods along to the same tune. No one walks away from the intoxicatingly toxic environment of high-rolling for Daddy's love. And that makes all of them entirely worthless and pointless. Until they change for the better or disassociate themselves altogether, this show is stuck in a rut. That or some drastic stakes are up with dead darlings or assassinations or something.
Otherwise, I am better off reading a synopsis of every season than sitting through it.
Succession stands as one of the most striking shows in modern television, and a key element that elevates its narrative is the unforgettable, grandiose soundtrack composed by Nicholas Britell. From the moment the iconic opening theme begins, you're instantly immersed in the world of unimaginable wealth and power. The score is elegant and luxurious, echoing the sophisticated, high-class realm the Roy family inhabits. Britell's music feels almost like another character in the show, effortlessly embodying the themes of ambition, betrayal, and cold opulence. Jeremy Strong's performance as Kendall Roy is nothing short of mesmerizing. His portrayal of a man battling inner turmoil while trying to escape the shadow of his powerful father is captivating. Strong brings a raw emotional depth that makes Kendall both tragic and compelling, solidifying him as one of the most fascinating characters in recent television. Visually, "Succession" is just as grand as its soundtrack. The breathtaking cinematography - from convoys of luxury cars to sweeping helicopter shots of towering skyscrapers - reinforces the immense wealth and power of the Roy family. Every shot exudes an almost overwhelming sense of grandeur, allowing the audience to feel the weight of their influence and the isolation that comes with it. The show's brilliance also lies in its exploration of how wealth, bad parenting, and childhood trauma shape adulthood. The Roy siblings, each scarred by their father's toxic influence, struggle with personal demons and fractured relationships that drive much of the show's emotional tension. In addition, "Succession" offers a sharp critique of the media's role in shaping public narratives. As owners of a global media empire, the Roy family controls not just wealth, but information - underscoring the dangerous influence of mainstream media on society. Overall, "Succession" is one of HBO's finest creations. With its rich soundtrack, brilliant performances, stunning visuals, and sharp commentary on power and media, it is a must-watch for anyone intrigued by the complexities of wealth and family dynamics.
- tytushar-87734
- 24 सित॰ 2024
- परमालिंक
HBO's Succession is a masterful blend of family drama and corporate satire, delivering an addictive viewing experience that is as brutally honest as it is darkly comedic. Created by Jesse Armstrong, the series centers on the Roy family, whose media empire serves as both a symbol of their wealth and the battleground for their unrelenting power struggles.
The writing is sharp and unrelenting, weaving complex storylines filled with betrayal, manipulation, and moments of surprising vulnerability. Each episode is a carefully orchestrated dance of alliances and betrayals, making it impossible to look away. The show's dialogue, infused with biting wit and stinging one-liners, elevates the characters' machinations to an art form.
What sets Succession apart is its characters, who are simultaneously monstrous.
The writing is sharp and unrelenting, weaving complex storylines filled with betrayal, manipulation, and moments of surprising vulnerability. Each episode is a carefully orchestrated dance of alliances and betrayals, making it impossible to look away. The show's dialogue, infused with biting wit and stinging one-liners, elevates the characters' machinations to an art form.
What sets Succession apart is its characters, who are simultaneously monstrous.
Succession has sharp, intelligent, and often darkly comedic script. The dialogue masterfully captures the cutthroat dynamics of a powerful family while delivering biting humor and profound emotional depth.
The show's ability to balance Shakespearean family drama with modern satire, making it one of the most compelling shows on television.
The ensemble cast, led by Brian Cox (Logan Roy) and Jeremy Strong (Kendall Roy), has nuanced portrayals. Each actor brings complexity to their character, making even the most morally ambiguous figures feel human.
Succession explores themes like power, privilege, and family loyalty in a way that resonates universally. It delves into the personal and moral compromises people make for success.
Its a masterful examination of power, greed, and the human condition, with characters that are as fascinating as they are .The series is has high production values, with beautifully shot scenes that enhance the storytelling. The opening theme, composed by Nicholas Britell, has also become iconic.
The show has become a cultural phenomenon, sparking conversations about wealth inequality, family dynamics, and corporate culture. Its witty one-liners and memes have also made it a hit on social media.
The show's ability to balance Shakespearean family drama with modern satire, making it one of the most compelling shows on television.
The ensemble cast, led by Brian Cox (Logan Roy) and Jeremy Strong (Kendall Roy), has nuanced portrayals. Each actor brings complexity to their character, making even the most morally ambiguous figures feel human.
Succession explores themes like power, privilege, and family loyalty in a way that resonates universally. It delves into the personal and moral compromises people make for success.
Its a masterful examination of power, greed, and the human condition, with characters that are as fascinating as they are .The series is has high production values, with beautifully shot scenes that enhance the storytelling. The opening theme, composed by Nicholas Britell, has also become iconic.
The show has become a cultural phenomenon, sparking conversations about wealth inequality, family dynamics, and corporate culture. Its witty one-liners and memes have also made it a hit on social media.
- nchirapusee
- 7 दिस॰ 2024
- परमालिंक
Succession is a show where you can't be playing on your phone, cooking dinner or doing something else, it requires your undivided attention. It's a show that never gets stale. I can't remember ever being bored, even for one episode. I loved every second of every episode and I think you will to if you give it a chance. I've already watched this a few times through from beginning to end. I don't think some of these negative reviews really gave it a chance. They either say they never made it past the first episode or it's a negative review from someone who always leaves negative reviews on any show or movie that is popular. Those are the worst kind of reviewers. They're so miserable that they go to any show or movie that's popular and wants to bash it without ever watching a second of it.
- Dawson_123
- 13 नव॰ 2024
- परमालिंक
Throughout "Succession," I experienced a range of emotions for each character at various points in the story. During the first two seasons, I admired Kendall; he was my favorite brother. However, after the third season, Ken is psychologically deconstructed, piece by piece. He undergoes such a remarkable arc that I now question whether I truly appreciated him at any point. He is a man drowning in his own ego, to the extent that he is unable to acknowledge it, and he becomes overwhelmed by his insecurities and fragility. He serves as a weak representation of Logan, which frustrates him; it has always frustrated him. His actions and attempts to wrest control of the company from his father come across as nothing more than childish tantrums. Yet, this complexity makes him an incredibly well-written and developed character.
This is what makes "Succession" exceptional: it is populated by real characters whom you both love and hate simultaneously. None of them are neutral; they are amoral, ambiguous, and act purely out of self-interest, always considering their own welfare. Consequently, the series features opportunistic characters seeking their big break in a business world dominated by sharks, leaders who show little to no concern for their employees or for the suffering caused by their decisions. A prime example of this is the man who shoots himself in the Waystar offices; the executives seem indifferent to his plight.
Beyond the corporate bubble in which "Succession" unfolds, it intelligently addresses sibling dynamics and how their father pits them against each other for his own gain. I find this aspect of the series far more intriguing than the billion-dollar deals, business strategies, or legal machinations. For instance, when they are deliberating on who will be the next president of the United States, they consider sending Connor to be an ambassador to some country, as if it were a game from which he could choose at his convenience.
Ultimately, it all comes down to the upbringing and family environment of these characters. Each decision is rooted in a twisted aspect of their psyche, leading us to explore childhoods scarred by the undeniable absence of both parents. I believe "Succession" is more about the perils of a family fractured from within and across generations than about the grand empire of Waystar Royco. Nevertheless, it is an experience that one must witness firsthand.
This is what makes "Succession" exceptional: it is populated by real characters whom you both love and hate simultaneously. None of them are neutral; they are amoral, ambiguous, and act purely out of self-interest, always considering their own welfare. Consequently, the series features opportunistic characters seeking their big break in a business world dominated by sharks, leaders who show little to no concern for their employees or for the suffering caused by their decisions. A prime example of this is the man who shoots himself in the Waystar offices; the executives seem indifferent to his plight.
Beyond the corporate bubble in which "Succession" unfolds, it intelligently addresses sibling dynamics and how their father pits them against each other for his own gain. I find this aspect of the series far more intriguing than the billion-dollar deals, business strategies, or legal machinations. For instance, when they are deliberating on who will be the next president of the United States, they consider sending Connor to be an ambassador to some country, as if it were a game from which he could choose at his convenience.
Ultimately, it all comes down to the upbringing and family environment of these characters. Each decision is rooted in a twisted aspect of their psyche, leading us to explore childhoods scarred by the undeniable absence of both parents. I believe "Succession" is more about the perils of a family fractured from within and across generations than about the grand empire of Waystar Royco. Nevertheless, it is an experience that one must witness firsthand.
- acompleteunknowntt
- 21 अक्टू॰ 2024
- परमालिंक
This show, right from the first scene all the way to the last, was amazing. I am so sad it has ended. Not one performance was bad. The casting could not have been more spot on. Everyone was very believable in their characters.
The script was fantastastic. I did feel that some episodes fell back a little. They felt a bit like filler episodes where not much happened. This was only a few episodes in the second season. But overall, I found that the majority of episodes as a whole, had purpose and wasn't lacking at all. I really wish it didn't have to end. The only comparable show I would say is The Newsroom, which I found slightly better, more so to do with the pacing and writing. But this is definitely in the same field.
The script was fantastastic. I did feel that some episodes fell back a little. They felt a bit like filler episodes where not much happened. This was only a few episodes in the second season. But overall, I found that the majority of episodes as a whole, had purpose and wasn't lacking at all. I really wish it didn't have to end. The only comparable show I would say is The Newsroom, which I found slightly better, more so to do with the pacing and writing. But this is definitely in the same field.
- livelovefilm
- 15 अग॰ 2024
- परमालिंक
I did mostly enjoy this show, although I can't honestly say I ever thought it was really anything special.
For the most part the acting, direction, technical aspects, etc were all good enough but again never struck me as anything special. Nothing particularly groundbreaking or new. Plus I was consistently annoyed by the music, especially the big dramatic build-up type scenes.
One hundred percent certain I will never re-watch this show but might recommend it for viewing to someone if they understand the premise going in and are still interested.
Ultimately when the final episode ended and the credits rolled my overall feeling was - so what, who cares.
For the most part the acting, direction, technical aspects, etc were all good enough but again never struck me as anything special. Nothing particularly groundbreaking or new. Plus I was consistently annoyed by the music, especially the big dramatic build-up type scenes.
One hundred percent certain I will never re-watch this show but might recommend it for viewing to someone if they understand the premise going in and are still interested.
Ultimately when the final episode ended and the credits rolled my overall feeling was - so what, who cares.
- thebrain58
- 17 अग॰ 2023
- परमालिंक
- Top_Dawg_Critic
- 7 जून 2023
- परमालिंक
Succession is one of my best series,it's damn so good it's worth the watch. It's actually refreshing to watch because there are no clear heroes that's is one the reason why kept watching due to curiosity. Succession is one of the best ,you can't play with your phone while watching it it really shifts your attention to it. Never cook while watching this series because you will actually burn everything 😂😂 . Succession takes away all your attention due to curiosity of what will happen next.l personally experienced a range of emotions on every character. Succession one of best and l watched it over 3times. Yes it's worth it💯
- mufadziwashematura
- 6 दिस॰ 2024
- परमालिंक
I didn't know what to expect from this show but I'm hooked. It's uncomfortable to watch and hilariously sad. Greg the outsider nephew is perfect and I do love Tom, Shiv and Roman but it's Kendall who is the tragically watchable.
- mosnowvt66
- 2 जुल॰ 2018
- परमालिंक