नील नदी पर छुट्टी के समय, हरक्यूल पोयरोट को एक युवा उत्तराधिकारी की हत्या की जांच करनी चाहिए.नील नदी पर छुट्टी के समय, हरक्यूल पोयरोट को एक युवा उत्तराधिकारी की हत्या की जांच करनी चाहिए.नील नदी पर छुट्टी के समय, हरक्यूल पोयरोट को एक युवा उत्तराधिकारी की हत्या की जांच करनी चाहिए.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 1 जीत और कुल 8 नामांकन
फ़ीचर्ड समीक्षाएं
I don't always agree with the professional critics, but I have to say that I do agree this adaption, is, without a doubt, the most turgid and poorly executed Christie adaption that there has been.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
I don't really like the first "Murder On The Orient Express" so I watch this with little expectations. And as expected, this movie is a let down.
The acting is average. CGI is mediocre. And the story is weak. When the murder happens I can already tell who's the killer, and how the murderer did it.
I don't understand why they add the war scene. Just to tell audience why Poirot grow magnificent moustache? That totally unnecessary.
I've read a lot of Poirot novel, this is a different way to depict him. And in a bad way.
The acting is average. CGI is mediocre. And the story is weak. When the murder happens I can already tell who's the killer, and how the murderer did it.
I don't understand why they add the war scene. Just to tell audience why Poirot grow magnificent moustache? That totally unnecessary.
I've read a lot of Poirot novel, this is a different way to depict him. And in a bad way.
Did enjoy this, but having read the book by Agatha Christie I can say that you should read the book instead. For a 2 hour movie it does not develop the characters or story very well but cinematography and direction is spectacular.
What is it with Branagh and Poirot? Why does he feel the need to modernize Agatha Christie's work so? If he has no respect for the original, or no faith that it can succeed with modern audiences, why not adapt instead a modern novel? Because this adaptation is thoroughly fake.
Poirot feels the need to be running around after suspects and waving (even shooting) guns. Instead of grey cells, Branagh gives him plenty of emotions, a tragic love story, even a motivation for his moustache. He sure is not Poirot. And why? Just adapt a modern detective story, with their traumatized detectives.
The strength to this story, apart from the clever trick the killer used and the setting, is in the characters. And what do we have? Instead of 1930s characters, we get a collection of 21st century identity politics talking points, lecturing about racism, sexism and lesbophobia. Seriously, if that's what you want, why not adapt a modern story instead of one written and set in the early 20th century? Are they unable to do a period piece now?
The CGI-fest cinematography looks expensive but also fake. Not as fake as the previous Poirot movie by Branagh (Murder on the Orient Express), but still fake.
All in all a missed opportunity. Watchable, but try to forget that it's supposed to be a Poirot story, and when it is supposed to be set.
Poirot feels the need to be running around after suspects and waving (even shooting) guns. Instead of grey cells, Branagh gives him plenty of emotions, a tragic love story, even a motivation for his moustache. He sure is not Poirot. And why? Just adapt a modern detective story, with their traumatized detectives.
The strength to this story, apart from the clever trick the killer used and the setting, is in the characters. And what do we have? Instead of 1930s characters, we get a collection of 21st century identity politics talking points, lecturing about racism, sexism and lesbophobia. Seriously, if that's what you want, why not adapt a modern story instead of one written and set in the early 20th century? Are they unable to do a period piece now?
The CGI-fest cinematography looks expensive but also fake. Not as fake as the previous Poirot movie by Branagh (Murder on the Orient Express), but still fake.
All in all a missed opportunity. Watchable, but try to forget that it's supposed to be a Poirot story, and when it is supposed to be set.
The book is simple. The book is not a long book just short of a 300 pages, so why the unnecessary changes to the characters from the book? It either broke interesting characters or completely removed them. Some characters from the book are combined in a single character in the movie and not for the best. WHY??? These changes completely ruined the smooth structure of the book to "simplify" it for modern audiences I suppose but again, WHY? The book is not that difficult to follow. Another thing that ruined the movie is the horrendous CGI. The CGI looks like a cutscene from a Playstation 3 game. The green screen OMG looks like someone cutout the character from a green screen with his phone and then pasted on a badly drawn background. And lastly the acting. I'm sorry but most of the cast were bad, which is sad because most of them proved their talent in other projects (except Gal Gadot. All she has is a beautiful smile)
Skip this movie. If you want a good detective story go read the book. It's not a long story. You'll probably finish the book a day. 3-4 days if english is not your first language. Yes it's that easy to read through and understand it.
क्या आपको पता है
- ट्रिवियाMany of the characters are combinations or alterations of characters from the novel, to make for a smaller cast and a less confusing plot:
- Salome and Rosalie Otterbourne, a romance novelist and her daughter, become a singer and her niece/manager.
- Andrew Pennington becomes cousin Andrew Katchadourian.
- Marie Van Schuyler, a socialite and no relation to Linnet, becomes Linnet's godmother who has the ideals of Mr. Ferguson, the aristocrat turned socialist.
- Windlesham, a character mentioned in the first chapter, is combined with Dr. Bessner to become Dr./Lord Windlesham.
- Bouc, a character who appears only in Murder on the Orient Express, takes on elements of Col. Race, while his choice of traveling companion, his mother Euphemia, is reminiscent of the relationship between Tim and Mrs. Allerton.
- गूफ़Poirot grows a mustache to hide the scar tissue that covers most of his upper lip and cheek. Scar tissue cannot grow hair at all, as it does not contain follicles or sweat glands; it is a connective tissue that grows between the dermis after it is split. Poirot's mustache could therefore never be as full as depicted, and should have several holes or irregularities.
- भाव
Marie Van Schuyler: You accuse me now of murder?
Bouc: Oh, no, he accuses everyone of murder.
Hercule Poirot: It is a problem, I admit.
- कनेक्शनFeatured in Chris Stuckmann Movie Reviews: Death on the Nile (2022)
- साउंडट्रैकThat's All (Live)
Written and Performed by Sister Rosetta Tharpe
Courtesy of Institut National de L'Audiovisuel
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Muerte En El Nilo
- फ़िल्माने की जगहें
- Aswan, मिस्र(Second unit)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,56,30,104
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,28,91,123
- 13 फ़र॰ 2022
- दुनिया भर में सकल
- $13,73,07,235
- चलने की अवधि2 घंटे 7 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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