IMDb रेटिंग
6.7/10
6.7 हज़ार
आपकी रेटिंग
अपने बेटे के साथ एक जोड़े की यात्रा एक नाटकीय मोड़ लेती है जब पिता उसे बताता है कि वह अपनी मां को छोड़ने की योजना बना रहा है।अपने बेटे के साथ एक जोड़े की यात्रा एक नाटकीय मोड़ लेती है जब पिता उसे बताता है कि वह अपनी मां को छोड़ने की योजना बना रहा है।अपने बेटे के साथ एक जोड़े की यात्रा एक नाटकीय मोड़ लेती है जब पिता उसे बताता है कि वह अपनी मां को छोड़ने की योजना बना रहा है।
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Neilesh Ambu
- Funeral Guest
- (बिना क्रेडिट के)
Dawn Batty
- Pub Customer
- (बिना क्रेडिट के)
Anne Bryson
- Anne Bryson
- (बिना क्रेडिट के)
Jennifer Catford
- Driver
- (बिना क्रेडिट के)
Jonathan Cheetham
- Friendline Counselor
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
William Nicholson both wrote and directed this artistic and sensitive little cinematic masterwork. The story examines relationships and the breakdown of marriage in a manner that is heartbreaking yet beautifully introspective.
Grace (Annette Bening) is a religious woman married to Edward (Bill Nighy), a professor at a local school who is not religious, and their marriage seems stable though with little communication on Edward's part. They are approaching a twenty-ninth wedding anniversary and the ties that bind their marriage appear fragile. Their son Jamie (Josh O'Connor) is involved in the tech industry and seems aloof. Edward shares his affair and love for another woman and tells Grace that he is leaving her. The life change plays out with each of the three - Grace is furious, hurt, and in denial, while Edward is having difficulty with the machinations of the end of their marriage, and Jamie is torn between his love for both parents and the crush of his beliefs systems that appear to unravel. Grace ultimately regains her footing and discovers a new, powerful voice and ultimately finds a way to be happy.
The cinematography by Anna Valdez-Hanks heightens the emotional impact of the film as does the musical score by Alex Heffes. Annette Bening, Bill Nighy, and Josh Charles offer polished performances and the small attending cast members are excellent. The addition of poetry greatly enhances the film's messages. But the primary contributor to the success of this film is the script and direction by Nicholson, who to date has written such films as Les Miserables, Unbroken, and Gladiator. He is a major talent. In all, this is a small but vibrant film that deserves a very large audience.
Grace (Annette Bening) is a religious woman married to Edward (Bill Nighy), a professor at a local school who is not religious, and their marriage seems stable though with little communication on Edward's part. They are approaching a twenty-ninth wedding anniversary and the ties that bind their marriage appear fragile. Their son Jamie (Josh O'Connor) is involved in the tech industry and seems aloof. Edward shares his affair and love for another woman and tells Grace that he is leaving her. The life change plays out with each of the three - Grace is furious, hurt, and in denial, while Edward is having difficulty with the machinations of the end of their marriage, and Jamie is torn between his love for both parents and the crush of his beliefs systems that appear to unravel. Grace ultimately regains her footing and discovers a new, powerful voice and ultimately finds a way to be happy.
The cinematography by Anna Valdez-Hanks heightens the emotional impact of the film as does the musical score by Alex Heffes. Annette Bening, Bill Nighy, and Josh Charles offer polished performances and the small attending cast members are excellent. The addition of poetry greatly enhances the film's messages. But the primary contributor to the success of this film is the script and direction by Nicholson, who to date has written such films as Les Miserables, Unbroken, and Gladiator. He is a major talent. In all, this is a small but vibrant film that deserves a very large audience.
This is an English movie, set and filmed in the small city of Seaford, on the coast almost directly south of London. Just east of town are some white limestone cliffs and a spot there is called "Hope Gap", thus the title of the movie. It is a place the couple and their young son, now an adult, would often go, being a short walk up a hill from town.
Annette Bening, using the best British accent she can muster, is Grace and always reliable Bill Nighy is her husband of 29 years, Edward. He is quiet and non-confrontational, she is just the opposite and can easily be overbearing. Now an issue that has been building for some time, over a year, is coming to a head.
This is a good movie, perhaps my wife and I appreciate it more because we are of ages similar to theirs, and we have been married 28 1/2 years. You get into a routine, you know what each other likes and what each other's habits are. You don't really discuss "how is the relationship going?"
It isn't really amplified in the story but they mention that the two met 30 years earlier when he got onto the wrong train, often two single people will take that as an omen, "Fate brought us together." But that kind of thinking is dangerous and no substitute for getting to know someone really well before you decide that will be your partner for life. It looks like Grace and Edward would have each been happier if they had never met. Then pity the poor son who would never have existed!
We watched this at home on DVD from our public library.
Annette Bening, using the best British accent she can muster, is Grace and always reliable Bill Nighy is her husband of 29 years, Edward. He is quiet and non-confrontational, she is just the opposite and can easily be overbearing. Now an issue that has been building for some time, over a year, is coming to a head.
This is a good movie, perhaps my wife and I appreciate it more because we are of ages similar to theirs, and we have been married 28 1/2 years. You get into a routine, you know what each other likes and what each other's habits are. You don't really discuss "how is the relationship going?"
It isn't really amplified in the story but they mention that the two met 30 years earlier when he got onto the wrong train, often two single people will take that as an omen, "Fate brought us together." But that kind of thinking is dangerous and no substitute for getting to know someone really well before you decide that will be your partner for life. It looks like Grace and Edward would have each been happier if they had never met. Then pity the poor son who would never have existed!
We watched this at home on DVD from our public library.
Two great actors in Annette Bening and Bill Nighy take us through the breakdown of a marriage. Not wonderful subject matter and some may argue that there may be better ways to wile away an hour and a half, but it is portrayed very well. I love Bill Nighy in everything, and even though I don't necessarily like his character here, he does it with aplomb.
Having been married for about the same time as the couple portrayed here it was interesting to see what both had done wrong, or could have done better to preserve their marriage. Some reviewers have blamed the wife but I think that's unfair. Perhaps my one reservation is that there was a subtle message running through it that if the husband, his lover and the son could move on and be happy, then so should the wife. That's a bit harsh as I'm sure many jilted wives would attest.
Feel sorry for the writer and director who evidently based this on his own parent's breakup. Interestingly, writing this now as the pandemic wreaks havoc around the world it is interesting to see that marriages are another victim of the virus. Too many couples having grown apart, and then forced to be together, have found the situation unbearable. How sad.
Having been married for about the same time as the couple portrayed here it was interesting to see what both had done wrong, or could have done better to preserve their marriage. Some reviewers have blamed the wife but I think that's unfair. Perhaps my one reservation is that there was a subtle message running through it that if the husband, his lover and the son could move on and be happy, then so should the wife. That's a bit harsh as I'm sure many jilted wives would attest.
Feel sorry for the writer and director who evidently based this on his own parent's breakup. Interestingly, writing this now as the pandemic wreaks havoc around the world it is interesting to see that marriages are another victim of the virus. Too many couples having grown apart, and then forced to be together, have found the situation unbearable. How sad.
Bill Nighy is why I watched this. His strong performance was what propelled the film along and kept my interest. His character was the most likeable and somewhat reminisce of his character from 'About Time' - if he had endured an unhappy marriage for 30 years.
'Hope Gap' is not a happy film. I chuckled once or twice at some dark humour, but it was mostly depressive, such as marriage break-ups and domestic disputes are. The depressive tone was rather suffocating at times.
Annette Benning's character of Grace infuriated me. I felt quite sorry for Bill Nighy's Edward and Josh O'Connor's Jamie. I think its testament to Benning's strong performance that she could make me dislike her so much. The characters were all very believable, including hers. I'm sure many will relate to aspects of the film, or know characters like them.
It succeeded in accurately portraying three sides to the marriage break-up. I thought the poem at the end (by the son) was fitting and tied things together well. A well-placed cup of tea unexpectedly made me a little emotional too. The English coastal town was a nice setting to what was often unpleasant watching.
Good performances, well-written, but ultimately loses points for just being too damn bleak.
'Hope Gap' is not a happy film. I chuckled once or twice at some dark humour, but it was mostly depressive, such as marriage break-ups and domestic disputes are. The depressive tone was rather suffocating at times.
Annette Benning's character of Grace infuriated me. I felt quite sorry for Bill Nighy's Edward and Josh O'Connor's Jamie. I think its testament to Benning's strong performance that she could make me dislike her so much. The characters were all very believable, including hers. I'm sure many will relate to aspects of the film, or know characters like them.
It succeeded in accurately portraying three sides to the marriage break-up. I thought the poem at the end (by the son) was fitting and tied things together well. A well-placed cup of tea unexpectedly made me a little emotional too. The English coastal town was a nice setting to what was often unpleasant watching.
Good performances, well-written, but ultimately loses points for just being too damn bleak.
This is not the best film you will ever see but it may possibly be the best portrayal of a love-less marriage and the finding of real love you may ever see on screen. Someone in amongst the writers, Director etc has experience the emotions on show here and the cast bring them to life in a very easy, simple way. Bening is truly wonderful in her performance, I actually felt hate for her character. How she missed an award is beyond me.
I felt the response by Angela at the end perfectly summed up the whole situation.
Worth a watch this one
क्या आपको पता है
- ट्रिवियाBased on William Nicholson's own life experience, when his own parents marriage broke down after 33 years.
- गूफ़There is a jar of Marmite (a savoury spread popular in the UK) on a shelf in the kitchen. It alternates between two orientations: it is side-on when Bill Nighy is in close-up but when Annette Bening is also in view the back of the jar is turned to the camera.
- कनेक्शनFeatured in द लेट लेट शो विद जेम्स कोरडन: Annette Bening/Elle Fanning/Niall Horan (2020)
- साउंडट्रैकMozart: 1, Kyrie [Mass in C minor, K.427 'Grosse Messe']
Written by Wolfgang Amadeus Mozart
Performed by Sylvia McNair, Diana Montague, Anthony Rolfe-Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Umut Vadisi
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,04,732
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $30,978
- 8 मार्च 2020
- दुनिया भर में सकल
- $12,54,346
- चलने की अवधि
- 1 घं 40 मि(100 min)
- रंग
- पक्ष अनुपात
- 2.39:1
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