Sweetbitter

Have made it through 3 episodes which I think is a reasonable shot but that's as far as it goes. Careers from one cliche to another. Perhaps in other hands a show set behind the scenes in an upmarket New York restaurant could yield something a little more than on offer here, but then again perhaps not. It looks great but moody lighting and sultry acting isn't enough. A sit com might have worked better with this material or at least a plot with somewhere to go.

I just watched this to pass the time, but I thought it was intriguing enough and found myself finishing the first season. It has the sweetness of a chick flick and the bitterness of an angsty indie film. The main actress is very beautiful and she is captivating to watch. The supporting actors played their parts well. It leaves me feeling empty watching it...there's something sad about the atmosphere of the show...but at the same time it has a dream-like quality about it that makes me long for it. The only thing I don't like about it is how angry or tired of life everyone is, but I think that's what the show wants to evoke. I do look forward to season 2 and more character and storyline development. And I do crave the show.

This is a great show that simmers slowly and takes its time building the plot and characters over two gorgeously filmed seasons situated primarily in a restaurant modeled after Union Square Cafe in NYC in the early 2000s. It reminds me a bit of the series Felicity with Keri Russell from the late 90s: a shy, beautiful young woman moves to the big city looking to explore all the possibilities life may offer while she slowly discovers who she is and who she really wants to be. It's moody and thoughtful and gives us an accurate look into the life of young servers, bar and kitchen staff working in a high-end, high pressure restaurant. The episodes are only 30 minutes long, so things never get too deep and I think I appreciate this aspect. I can immerse myself a little, get the feeling and the vibe of the time and place and romance of it all; good escapism with a talented cast that serves up courses of relationship drama, intimacy and sex while bringing in well researched and even informational aspects of food and wine. If you enjoy coming of age stories and love food, you'll enjoy all the sweet and bitter this show has to offer.

I love a show that can make you feel something and this does not disappoint. It's about creating an experience. Feeling and learning new things for the first time and growing into the you that you want to become. Girl in the city working at a sexy restaurant growing into her own. I also love the breakdown of the taste and sexual sensation aspects. Can't wait for more.

I decided to give this a shot after seeing constant ads, also being a New Yorker with some experience in fine dining I was interested enough. Unfortunately there were so many glaring issues with this adaptation. The most frustrating part is there are glimmers of what could've been a great show throughout, opportunities squandered at every turn. One of the main issues is our star, Tess. It's hard to distinguish if it's mainly the fault of the writer, director or actor, but all three do their fair share to poison the pot. I get they are going for doe-eyed naivety but come on, give the audience a little credit, or the character some dimension. Everything, I mean everything she looks at she's gawking as if she has just discovered there are other humans on this planet- get's old real quick. Not to mention it's just not believable. NO ONE with her behavior (won't even discuss lack of experience) would last a day in that industry. However, I'm more than willing to suspend belief for plot but this show doesn't deliver the goods. The show does not give you any reason to root for her success except that she is the obvious protagonist and well, I guess you just should. She isn't particularly hard working or respectful, she walks around in a self absorbed bubble the entire season. For a coming of age there is little, if any personal growth exhibited on her end. All of the secondary characters are painfully one note. The season would have been more interesting had they paid more attention to some of them or even made it an ensemble show, as following wide eyed Tess around all day gets tiring. Then there's oh-so-troubled-Jake and I'm-so-illusive Simone. They both seem to have these massive fronts to feign the audience into intrigue, but I'm guessing not much is behind either door. There was no resolution into the season long tension within the 3 or insight into their motivations. The writers either didn't have answers or are holding out hope for a second season, either way not much happens in the first season besides the answer to if Tess will become a permanent hire. Luckily it's a short watch and they didn't milk this plot for a longer run time. I may even give it a chance if it gets renewed, hoping they juice up the writing, flesh out the ensemble and someone slaps that look off of Tess's face.