Celle que vous croyez
- 2019
- 1 घं 41 मि
IMDb रेटिंग
6.8/10
8.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंClaire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman to catfish Alex, the roommate of her former lover, Ludo.Claire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman to catfish Alex, the roommate of her former lover, Ludo.Claire, a 50-year-old divorced teacher, creates a fake Facebook profile of a 24-year-old woman to catfish Alex, the roommate of her former lover, Ludo.
- पुरस्कार
- कुल 1 जीत
फ़ीचर्ड समीक्षाएं
Juliette binoche makes even a role like this brighter than it could have been. The mood and tone of the film take you into your own loneliness and make you wonder what all one could or be compelled to do, because one is lonely. There's a line in it 'i dont mind dying. I just don't want to be abandoned.'. Lovely line. Watch it for binoche.
Every now and again you come across a film that you know very little about but fine the premise intriguing and it more than lives up to that intrigue. Juliette Binoche - who is in pretty much every scene - is a mesmerising presence as Claire - a lonely university professor who is struggling with inner demons. To say anything else would spoil. Suffice to say, this is a film which, whilst easy to follow and you never know what's going to happen next, would no doubt benefit from a second viewing. I will definitely be watching again. Currently streaming on Netflix - this is a sexy, twisty drama/thriller that at least for me was a hidden gem. 8.5 out of ten
This story is really about Claire and her wanting to relive her youth. About how as a woman as she ages she feels invisible. This is a fantasy erotica; it's all about what she wants to feel but cannot. Very compelling and beautifully shot.
This film pushes at the limits of what film can do in the sense that most interesting things in it are not what are shown but what the writer can express about the inner life of the character and other non-narrative aspects.
Cinema must show through the lens; it is a complete image. Text is borderless, frameless, it can be objective, or as abstract as is necessary. This is why every film version of "Madame Bovary" is a disappointment because Flaubert never tells the reader what Emma looks like but every actress is an incarnation of Emma.
In terms of this film, when the story progresses in its first half, it work rather well; perhaps a bit slow for some minds, but the characterization and the dilemma are intriguing and contemporary. The camera is fluid and Binoche appeals in her restrained and deceptive role.
The reflection on technology, social media, and how it has changed the way humans see themselves and their relationships is typical, and while the psychological exploration of its effect is engaging, it may border on the slightly too subtle.
Where the film loses some momentum is in the second half which ties the elements together. As a novel the story and the inner narrative would be better presented. That is not a fault of the screenplay, rather it is the possibilities of the medium.
The performances make this worth watching and the depiction of contemporary relationships is another part of the discussion on how society is changing.
Cinema must show through the lens; it is a complete image. Text is borderless, frameless, it can be objective, or as abstract as is necessary. This is why every film version of "Madame Bovary" is a disappointment because Flaubert never tells the reader what Emma looks like but every actress is an incarnation of Emma.
In terms of this film, when the story progresses in its first half, it work rather well; perhaps a bit slow for some minds, but the characterization and the dilemma are intriguing and contemporary. The camera is fluid and Binoche appeals in her restrained and deceptive role.
The reflection on technology, social media, and how it has changed the way humans see themselves and their relationships is typical, and while the psychological exploration of its effect is engaging, it may border on the slightly too subtle.
Where the film loses some momentum is in the second half which ties the elements together. As a novel the story and the inner narrative would be better presented. That is not a fault of the screenplay, rather it is the possibilities of the medium.
The performances make this worth watching and the depiction of contemporary relationships is another part of the discussion on how society is changing.
A modern day tale that is very typical of French cinema. Juliette Binoche is a very engaging actress both in her talents and natural beauty. The narrative has enough plot twists and intrigue to keep one interested, but not in a "Hollywood" manner that some may expect.
I simply find any review that describes a film simply as "boring" is just a cop-out and it was not the genre or film for them.
I simply find any review that describes a film simply as "boring" is just a cop-out and it was not the genre or film for them.
क्या आपको पता है
- ट्रिवियाIn this film. actors Juliet Binoche and Francois Civil play lovers. In the film, Elles (2011). they play Mother and Son. Ms Binoche jokes about this in the DVD extras about the making of the film.
- भाव
Claire Millaud: I do use social media, dr. Bormans. For people like me it's both, a shipwreck and a life raft.
- कनेक्शनReferences Dangerous Liaisons (1988)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Who You Think I Am?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Who You Think I Am
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $45,265
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $11,223
- 5 सित॰ 2021
- दुनिया भर में सकल
- $32,58,051
- चलने की अवधि1 घंटा 41 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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