Las niñas bien

I loved this movie! The storyline, the filmography, the music... everything about it is good.... and it is also a nice feeling to finally see good Mexican movies happening in the latest years.

What could have been an interesting societal study of a change of elites in the times of crisis (the falling down of Sofía De Garay's status and the rising of Ana Paola Haddad's) is lost as the characters, true to the selves of Mexican upper class, are too frivolous to understand the reality they live in. And the film does not go beyond that limited look of things.

Yes, old banking and manufacturing families went down in the crisis of 1982-88, and others -notably the mogul Carlos Slim, well portrayed as Mr. Haddad- made millions and millions, but the process was not as swift and shallow as the movie makes it be.

Acting is good, production is nice, pace is slow and the whole film ends up to (almost) nothing.

Acting is great, production is good, sound is wonderful and the story reminds me of the good old times.

This Spanish drama about a wealthy socialite and her husband, whose marriage goes through a crisis, seemingly triggered by the 1982 economic crisis, has much eye candy and nice cinematography, as well as costumes and makeup, not to mention production design. There are also decent performances from the main cast, mainly Ilsa Salas, Flavio Medina and Paulina Gaitan. Arc shot is used in excess sometimes, flamenco soundtrack (mostly clapping) is used in harmony with the emotional intensity of certain scenes, in the absence of other music score. The film becomes a bit slow at times, but this is not necessarily bad, because it allows the audience to have some rest between the more dramatic moments, even though it may bore the ones who want fast-paced entertainment. There is a message about the pretentious rich, who are filled with arrogance and often look down on others with a lower income, or people who join the "rich people's club", supposedly only because of money and not because they love truly someone. But in general it's an average movie, which talks about a problem, sadly without offering any solutions, it's good, though. The closing scene is really redemptive, showing a comeuppance that's certainly insufficient but serves as a way to administer justice (and it offers comic relief, too!), even if it doesn't seem very powerful. It's recommended to the ones who would like to watch a movie to pass the time and think a little about something.

This movie stands out from most Mexican movies.

The film is well made, it has a good production design, good photography, very good acting, Ilse Salas doing a good job as always, very good music, it is very well directed, has an excellent hair and makeup job, there is an attractive design costume, good character development and the script is compelling and well developed. The only thing that doesn't convince me is the way it tells the story, making the film a bit confusing and sometimes slow.

The film manages to portray how they were seen in the past, and even today, social classes in Mexico and how appearances were everything in those times, even more important than being happy, the film manages to be a high quality film and very remarkable of the majority of Mexican films with a good script and good execution.