Call Jane

Elizabeth Banks ("Joy") and her husband "Will" (Chris Messina) are rather joyfully expecting a late arrival into their 1960s family when it transpires that she has an heart condition that her doctor suggests could prove extremely perilous so long as she remains pregnant. Desperate, she turns to "Jane" after reading a billboard that suggested there may be help at hand. $600 and a visit to "Dr. Dean" (Cory Michael Smith) and all may be dealt with? Not if "Virginia" (Sigourney Weaver) has anything to do with it for she is the facilitator of a small group of women determined to help others who find themselves in a similar predicament. Of course it's all illegal - and the film now takes on a frequently darkly humoured trip that sees this initially rather reticent (and innocent) woman realise that more needs to be done, and to take some, frankly, rather innovative and courageous steps so to do. As far as the integrity of the medical science goes, I suspect this is massively over-simplistic, but in light of current events in the United States, it does shine a light on the difficulties families (single or otherwise) have in obtaining adequate and affordable medical care when they are faced with the unpleasant realities of an unwanted pregnancy. There is the odd bit of politicking going on - the prioritisation of victims getting support proving quite a potent source of debate and that, too, does offer food for thought. Banks reminded me of Elizabeth Montgomery from "Bewitched" for much of this; Weaver, though not exactly prominent here, offers a bit of depth and there is a strong effort from both the increasingly bamboozled Messina and from Wunmi Mosaku's "Gwen". It does begin to recycle itself a little towards and ending that didn't make a great deal of sense to me and the conclusion, despite this being over 2 hours long, seemed a bit rushed - but it is still an entertaining piece of cinema with an underpinning message that is probably more relevant now that for many a year.

She had a life threatening pregnancy. But the hospital board turns her down when she needed an emergency abortion. She had limited options. Year 1968, 5 years before the Supreme Court ruled under Roe v Wade decision that the constitution conferred the right to have abortion. She visits a shady clinic, considers falling down the stairs and finally finds a flier near the shady clinic she visits: Call Jane. Inspired by true events, this period drama tells a story of a group of staunch and unapologetic grassroots women activists and their ideology of altruism superseding the judgements. When a woman needs help, the underlying reason is not important. Well made and well acted! Fantastic job by screenwriters Roshan Sethi and Hayley Schore for lightening up the serious subject with some humor and still maintaining its quintessence. In today's context, this seems so timely.

This is based on The Jane Collective, a clandestine group in Chicago between 1969 and 1973. It facilitated an estimated 11,000 illegal but safe abortions. It is not just about empowering women as this concept was introduced just in 1985. Women have fought their battles since ages whether it was for suffrage, education, employment or for something as basic a right as abortion. A great watch.

The right to choose was settled until it wasn't! Who would have thought that another "Call Jane" movement would be necessary in 2023?

The film while not perfect get the message across that women were not in control of their own bodies, could not terminate a pregnancy even when medically necessary and the woman's life was in danger. One of the opening scenes has Elizabeth Banks as Joy, pregnant with congestive heart trouble and a hospital board of men voting no on terminating her pregnancy because she might live through it. I almost forgot how dire the situation was back when abortion was illegal in my lifetime. The pill had just become available and has been life changing for women. The film does a good job portraying that time. What a travesty that women's rights have been taken away in more than half of America. I would not have ever predicted that we could regress but we have. It is a tragic state of affairs.

Termination is everyone woman's right. It is a private decision. Laws against women, doctors, pharmaceutical companies, and culpability against anyone willing to help girls and women access to medical help are despicable.

I recommend this film for everyone.

Call Jane is a must watch. Not necessarily because it is the best film around, but because it is so vitally important given the state of the world today.

It is hard not to be very emotionally stirred by this tale of courageous women taking control of their own bodies and their futures in the face of oppression.

The central performance from Elizabeth Banks is very engaging, playing a character that it is easy to sympathise with and connect to.

The story is engaging and well told, if not overly flashy.

I do think certain elements of the film could have been explored and developed more, and it could have been a bit more punchy in parts.

But still, given the state of the world and the ridiculous oppression of women's bodies, it is hard to ignore the importance of a film like this.

It's actually pretty impressive how well balanced this movie is about the subject. Just when you thought it was going to take just one side to the subject of abortion, a new shoe is dropped to show how multilayered and diverse this manner is. Basically, no woman left behind or taken out of the equation.

That would be impressive just for a contemporary movie, yet alone one set in the 1960s.

Plus, in my opinion it went through the medical details of an abortion fairly. Meaning they just explained the procedure without guiding you anyway. I've seen content that is supposed to be pro chose purposely, make the whole process look more frightening than it needs to. This movie was just trying to shed some much-needed light on the subject.

I can't recall a better work of political art than this movie. I feel like the filmmakers deserve a thanks.