Mahanati

Direction, Background Music, artist performances....everything is superb.

Especially 2nd half is really really good.

I'm mostly familiar with Bollywood, although I have seen a few Tamil movies. This title was both a cinematic and a learning experience for me. It's a biopic of the most famous actress in Telegu cinema of the 50's and 60's. The story may seem awfully familiar, but I guess that's the fate of fame. Here's what I loved about this film: the integration of two stories, one modern, one historical; the amazing abilitiy, innocence, sweetness and essential goodness of Savitri (and the actress who portrayed her); the use of the black & white recreations of old film; the depiction of a wide-open film industry like Hollywood was said to be in the 1930's; and finally, the scaled-down musical numbers (I really don't like the nouveau Bollywood musical numbers, with the hip-hop, modern clothing and blondes). I did some reading and You-Tubing after I watched this, and the accuracy of this depiction seems spot-on. I don't give 10s as a rule, but this film is 9+.

From a person who has almost zero knowledge about the telugu film industry and its upbringing, Mahanati's aura and atmosphere will always be distant from me. But even from that itself i was able to witness an epic, drawn from a simple script and effort that makes this a great, if not , a must watch.

Telugu film industry is probably considered by many as the place that houses simple, no nonsense mass masala films. But recent times has proven us wrong. From Rangasthalam , Baahubali and Arjun Reddy, it has proven itself to be able to sustain well executed, brilliant films as well.

Mahanati will be a film that has the potential to be a classic. But not all biographies achieve the reach and attention that Mahanati so easily gets. It's not about the making, but how the story is told that makes it so damn exciting. From the loose opening to the grandeur ending, Mahanati is a gift to all those who embrace film in its raw form : to tell a story.

Biographies often have the tendency to fictionalize certain events for dramatic purposes. And i don't know how much Mahanati is fictionalized. As much as i can differ between those which are fictionalized and those which are real, Mahanti has done that expertly. The fictionalization is on spot. It can be compared to, perhaps as a event that is to emphasize something more, rather than just a blunt scene.

Mahanati's biggest plus might be its cast. Keerthy Suresh has grown from a simple, 'cute' actress to someone who can wield powerful performances, if demanded. Dulquer, Samantha all provided the performance that everyone expects. It is sure a economical casting. Dulquer has his roots in Malayalam. So does Keerthy. Samantha has established herself a prominent actress in the whole of south India and Vijay Deverakonda's next film is sure to make the counters ticking.

The cinematography does need some mention. The frames were slick, moving and fast. It doesn't sacrifice space for sub-par elements. Though the comedic scenes were bit of a mess. Perhaps it appeals to the region based film critics.

Mahanati is south India's answer to a legend. And it sure is one.

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I've never in my wildest thought would have imagined Keerthy Suresh could be a testament, her presence match on par to the late Savitri that there is not a frame in this film that doesn't feel her infection leaving a mark which will remain with you long after the cinema. It was a facepalm moment for the Keerthy Suresh critic in me while witnessing Mahanati, the star who has slogged her way through so much mediocre films, has had her fair share of significance in tinsel town doing the same roles, and bats her eyelashes to woo the bozos and incel fellas. Facepalm moment for yours truly after watching Mahanati. Total kick in the teeth!

Prep plan: Well I wanted to do my ritual of having a little booze before entering a bog-standard film with my friends. To add to the tragedy with a day left for Karnataka elections, Government had notified pubs and bars to be closed till 12th of May. Well, a U-turn to return home, i almost bailed, but stayed for the sake of Dulquer Salman. Figured, alright, let's give this "cringey Keerthy Suresh" a shot, stone-cold sober in Gandhinagar which is the hubspot of cinema fans across Bangalore.

The movie ended, i walked out of cinema with such a great joy of seeing a decent Telugu film after ages. Last time I felt this happy, hmm in top of my head i'd say it's Gotta be "Seethamma Vakitlo Sirimalle Chettu". Keerthy, she plays this innocent girl throughout, sometimes it feels a bit too much, kich kich, but the background music saves it. As you may be aware that the story follows Savitri's exodus from her village to Madras who dreams of making it big while her well-wishers believe that she can create waves in repertoire cinema. She then meets the Quixotic Gemini Ganeshan and her life blooms as she travels in green pastures.

Well good things come to an end so does this love story of rags to riches and riches to rags. I don't want dig more on the story as the movie plays out like a partly like a melodrama documentary. The screenplay filled with subtext provided a sort of ongoing commentary on the story that makes it much more interesting. Seeing obvious parallels with the lead actress' reel and real lives collide is odd, but like the parallels between Savitri and the character she is preparing to play, it only adds depth to the story and gives us more insight into what is happening and mixes effortlessly with the central story.

Without a doubt, "Mahanati" is a fine piece of cinema that will captivate audiences of all kinds, whether they're looking for entertainment, time-pass or an engaging cinematic experience.

#MAHANATI has all the fine elements of a great cinema in making like it is biopic, also a parallel plot running in 1980 (Vijay Antony and madhura vani portrayed by vijay and samantha) to tell the story of savitri amma since childhood to her death bed.

Film director Nag Ashwin had taken time to research every detailed aspect of the film be it talking to savitri's family members to know about her in detailed and to study the sets for recreating 1950s era.( lot of story-boarding work was done ).

Initially it takes us some time to adjust to era's of 1950s and 1980s then as we slowly encounter and adjust to characters especially little cute child savitra amma with song aagipo balyamma there is no looking back. Costumes are designed picture perfect just to mesmerize as if we are looking exactly 1950s era.

Thanks to cinematographer Dani Sanchez Lopez for making us visualize resplendent montage of golden era. There is huge star cast enacted with main leads Keerthy Suresh brilliant portrayal as cute innocent #Mahanati and Dulquer salmaan as loverboy with grey shades (Gemini ganeshan) well supported by others like Rajendra prasad(chowdary garu), Mohanbabu (as Late SV Rangarao garu), Prakash raj, Krishh (legendary KV Reddy garu), Naga chaitanya (Late ANR garu ),Naresh(in a key role).

One important aspect of the film is it has recreated the grandeur of small bits and pieces of famous films like mayabazaar and Devadasu (1953) to name a few which are exquisitely shot in vintage black and white. A film which tells the tale of savitri as great human being(philanthropist), vintage car enthusiast besides great acting(300 films), singing and directing across multiple languages.

Music and BGM by Mickey J meyer has soothing effect which matches the golden era. This film is a honest tribute to Legendary MAHANATI Savithri Garu. Take a bow to all the cast and crew for their wonderful performances.

# This film will be remembered in history of TFI as the first BIOPIC with reverences of stalwarts like NTR garu, ANR garu, K V reddy garu, SV Rangarao garu, Savitri amma, LV prasad garu, etc. , NOTE: the above are just my views and understanding ...and don't treat this as review. EPICs cannot be reviewed just see and enjoy.