Legado en los huesos

Marta Etura must be the worst Spanish actress I've ever seen. Expressionless, dull, unable to elicit sympathy or at least, interest.. It doesn't help that her charachter is the most unlikable and bad-written one in the whole trilogy. I've never seen a movie where every single other character is more likable, interesting and worth watching than the protagonist. I haven't read the books, so I cannot say if the story is to blame, but judging the movie by itself, it is just a hollywood wannabe, plus horrible dialogue (Gosh, Etura butchering the English lines was painful to watch, and especially, to hear). Scenes stolen straight from American movies that just don't work. Over the top, farfetched plot, laughable drama and little subtlety make what could have been a decent noir into ridiculous borefest.

The movie had an interesting premise but was poorly executed. The problem I'm finding with a lot of foreign movies is that they've copied Hollywood tropes and cliches and they really haven't made them work to their advantage. This is a prime example. The lead detective does nothing but give orders around. Scenes are placed randomly with no continuity making the movie hard to follow. There's no explanation for a lot of scenes, you somehow have to guess what happened or try to infer from the rapidly spoken Spanish. Overall, a poor attempt at a thriller. Watch it if you have nothing else to do on a Sunday afternoon.

The second in a trilogy, this movie maintains the same aesthetic and great timing as the first. It flows seemlessly but can be watched independently if you're attentive. The plot is nicely settled between modern police work and supernatural folklore. Looking forward to the final movie.

As stated prior... love the good detective portions. The cult and supernatural portions are more take it or leave it for me. Pretty good acting, storyline gets a little discombobulated. Anxious to see what part three brings to the table.

Amaia Salazar (Marta Etura) returns from her maternity break to be assigned to the mysterious discovery of the numerous skeletons in a cave, a fleeting reference to which was made in the first part of the Baztan Trilogy, The Invisible Guardian. Unfortunately for her, even on this occasion her disturbed past, family circle and her mother seem to be deeply involved with the sinister case.

Amaia has to balance her time as a new mother, an ace investigator and a wife, whilst battling the demons of her past life. What she discovers is a chilling revelation of her birth, family intrigue and a devastating truth about her mother that clarifies why Amaia was treated with such acrimony by her mother that almost resulted in her choking to death on one occasion. But on this occasion, Amaia's fight is far more personal, as it's not just her, but her newborn baby that's under the threat too.

The Legacy of The Bones pretty much ties up the loose ends left idle in the first part of the trilogy and sheds light on some more disturbing aspects of the Salazar family. The sleepy town, overcast conditions, grey skies and the murky revelations all conjure up a heady cocktail of thrill and suspense in this yet another drama noir that causes significant discomfort for the mind.