Carmilla

One of the characters believes that after death, there are "deserts of eternity". I experienced these while watching this beautifully shot but so, so, so slow-moving film.

The acting by Jessica Raine and Hannah Rae is good. However, the story fails to get out of first gear. While there are some great moments, there is no suspense, and you won't remember much about the film a week after viewing. Slow and beautiful like Kubrick does it but without any message.

So the name Carmilla seems to be loaded. Or the character, but you associate the name with ... well you know what I mean. That being said, I am copletely free of that baggage, so I can't really relate if that is problematic for some. I can say that I liked the movie and the drama it build.

The oppressed, the not being able to express ones feeling(s). And the horror elements of it. Even if there were a few too many dream/nightmare sequences in it for my taste. But that is me - you may feel differently.

Good acting, good cinematography and overall very well made. The "old" setting, the sexual and occasional explicit violence is something you have to be able to dig ... go with the flow sort of. If you can the movie is quite rewarding.

This would have made a beautiful short film, worthy of a higher rating, for acting, cinematography and concept; the actresses are as fetching as the scenery and it's a period piece - what's not to like. stretched too thin, repetitive scenes that drag on forever, and the pretty sand castle collapses as one falls asleep mid-scene. a central tenet of the plot is not well enough executed for suspension of disbelief, even for a die-hard fantasy/sci-fi fanatic like myself, who usually finds escapism preferable to hyper realism and has no patience for the 'suspension of disbelief' crowd. I haven't read the book, but it seems doubtful that this crucial detail wasn't more convincing on the written page, or that so little happened over such a long time. put a gel sleeping ice pack on your eyes, put Enya on in the background, burn some lavender incense and take a nap instead.

So yeah. I have no idea why they used Carmilla as the "basis" for this film. It trades the baggage of eroticism and exploitation from many previous films and tames it down into a feminist lesbian love story. I'm not saying that a feminist lesbian love story is a bad thing or that it shouldn't be told. Everyone has a right to be heard.

I came into this cold merely because of the title and to say the least I was left underwhelmed. Maybe the filmmakers had the purest of motives I. E. "We shall take this gothic novel and rehabilitate it to remove the stigma of exploitation and objectification". But it ends up seeming like a cynical exploitation of those previous films just for the purpose of making money.

There are some redeeming qualities to this film. It looks absolutely stunning. A real visual treat. The acting is not bad. The score isn't terrible.

But what it doesn't really have is a heart. The "love story" is rather banal and honestly boring. Direction is very stiff. The writing is honestly bland and uninspiring. There isn't anything to make me feel any emotion except irritation. A perfect example of style over substance.

In short it's much too tame and contrived. In fact there isn't really much vampire in this vampire movie. I think what they were trying to say had something to do with "Carmilla was persecuted for being a lesbian". But who knows? The exact same ending could be the work of someone trying to say lesbianism is evil.

Excellent film that uses the framework of a gothic novel to tell a different and much more ambiguous tale (Who is the monster?).

This is a film much more interested in female intelligence and desire and the crushing of female intelligence and desire than it is in lurid Jess Franco-esque titillation or squelchy Roberto Rodriguez-esque gore.

The ambiguity of whether there is anything supernatural going on or even if there is anything homoerotic going on is pitched very well and brings up other aspects of life such as the propensity for a witch-hunt. Jessica Raine is excellent in her supporting role.

Reminds me of 'Lady Macbeth' in all the best ways. Emily Harris is another director to watch.