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Woman At War: Halla (Halldóra Geirharðsdóttir) is angry. Angry at Rio Tinto whose smelter is damaging the pristine environment of Iceland. So she takes direct action, sabotaging electricity pylons, cutting off power to the smelter. There is more than just the smelter involved though. Halla's actions are putting at stake a resources exploitation deal between China and Iceland. Halla's gets inside information from a senior civil servant, Baldvin (Jörundur Ragnarsson), Baldvin is now worried that Halla will be caught, a satellite will be used to track her, and tries to persuade her to just issue a manifesto. Halaa gas another reason to reconsider her actions: she has been approved to adopt a girl.

This is a political thriller, a comedy with surreal overtones, an eco-action film. But foremost it is about the indomitable spirit of one woman who will have to make hard choices. When Halla is pursued by helicopters and drones she hides in crevices, uses the carcass of a dead sheep to fool heat-seeking radar. Discovers a long lost cousin, farmer Sveinbjörn (Jóhann Sigurðarson), who helps her escape. A three piece band and choir trio appear incongruously in scenes. Eventually the surreal turns existential, Halla goes to a rooftop to scatter copies of her manifesto, the band enter the action and tweet images of her proclamation,

Director & co-writer Benedikt Erlingsson delivers a delightful, funny but hard-hitting drama. 8/10.

I really liked this quirky Icelandic eco-thriller about a woman that goes to great lengths to do what she thinks is right for her country. But to try and categorize this movie is a bit tricky, as this reminded me more of Roy Andersson movies than Soylent Green, with a lot of surrealistic moments like a band that provides the movie's soundtrack but is an integral part of the action and, for better or worse, is one of the most unforgettable aspects of this film. It is generally well shot and Halldóra Geirharðsdóttir provides a great performance in the titular role.

While the narrative may not physically reflect the lengths most of us would go to, it certainly promotes the psyche that anyone with a shimmer of a conscious about the ecosystems of the earth would or should feel. Enjoy it for what it is, a fight against the forces that see profit above people and the planet, twinned with a sweet and sentimental heart driven right through its centre.

"Woman at war" it is a story about strong female who trying to do all she can, at any price, in order to save her homeland ecosystem. She is in partisan war against big technological giant who pollute her land. I give my salute and an applause to Halldóra Geirharðsdótti for her amazing performance both twins sisters Halla and Asa. The way how Halldóra run on Icelandic mounts and survice in wild nature would make to envy every single trail runner in the world together with Bear Grylls. Of course Cinematograph - Bergsteinn Björgúlfsson. The camera of this man shows magnificent landscapes of Iceland. I know it was shown many times ago in many movies. But in "Woman at the war" we don't see warm and green Iceland, as well as cold and snow land of Vikings. No we see foggy and grey tons, but this fact doesn't bring shade to Mr. Björgúlfsson work. Because the weather and colors of nature represent mood of protagonist. If you look at main banner of this film you may find hidden symbol. Treble clef. Because music is playing very important, or even A Key role in the movie. When Halla takes an actions and fights against police, government and spies systems we can hear\see her feelings & mood "in hands" of Icelandic music trio (Drumms\Sousaphone\Pianist &accordion). When, suddenly, in her life appears a hope, that somewhere in Ukraine there is a small girl (Nika) who lost her parents, at the war, from that moment, every single thought of Nika create for Halla a group of three Ukrainian choir singers. During all actions and all circumstances main heroine participate in, we see those 6 musicians represents different sides, and always split. But only at the end, we saw all of them standing together, when Halla and Nika finally met. I think these unity of different music styles together shows that Halla has finally find a peace in her life. This movie have everything. Good Acting performance. Great - cinematography. An Amazing music. Without any doubts - One of the best movies of 2018.

A virtuous man alone against the system, there has been a lot on the silver screen, particularly when it comes to American movies where the figure of the individual hero is set, in accordance with the American ethos, as the paramount role model. From early cinema till today, examples abound, among the most seminal "The Life of Emile Zola", "Mr. Smith Goes to Washington", "The Setup", "Harvey Milk" come to mind, but they are but a few samples of a practically endless list. By contrast, their female equivalents can be counted on the fingers of one hand: women fighting alone like Sally Field ("Norma Rae") or Julia Roberts ("Erin Brokovich") are the exceptions that prove the rule. But, well, The Times Are-A-Changin', as Bob Dylan once sang and are slowly acquiring (not everywhere alas!) the role they deserve. A point illustrated by this excellent Icelandic film, aptly titled 'Woman at War', offering the striking portrait of a modern-times female warrior, the wonderful Halla, played by the equally awesome actress Halldóra Geirharðsdóttir ("Regina!", "Of Horses and Men"). Inventively directed by Benedikt Erlingsson (the author of the already mentioned "Of Horses and Men"), it may well become a cult classic.

To tell you the truth, before entering the hall, I thought I knew in advance how the film would develop : a corrupt system (in this case an aluminium company that threatens the environment of Iceland and its people), would make the protagonist (a carbon copy of the white hero) an activist who would start by winning her first fights before having to face severe counter-attacks only to triumph in the end, all the wrongs righted. The only thing that really attracted me was that the story was set among the unusual landscapes of Iceland. How big (and pleasant) my surprise was! For, as of the very first shot, it was quite evident that "Woman at War" was not going to tread the beaten track. What other movie indeed opens on a fifty-year old lady drawing a bow and shooting an arrow towards high voltage power lines? And not only that but also managing to cause a short-circuit cutting off supply in the aluminium plant area? There mustn't be many. Such an attack against toxic modernism carried out by a woman using archaic weapons sets the tone for this fanciful and utterly unpredictable film.

For, in the wake of this inspired overture, imagination, suspense, laughter, happily follow suit. The delighted viewer is indeed treated to a whole menu of various pleasures, such as breathless sequences (Halla being hunted by cars, dogs, drones, helicopters), constant surprises and twists (impossible while watching a scene to guess what will come after), unexpected changes of tone (the underground warrior being also the conductor of an amateur choir), unusual ideas (Halla saved from icy waters by being plunged into a... hot water source), detachment from the action (the ever-present brass band) and irrepressible comedy (the recurring mishaps of a poor foreigner). At the same time and for the same ticket price, you get a very serious social and political commentary (among the topics broached, corruption, commitment, environment, the future of mankind). And although this last aspect is pessimistic, even bordering on bitterness and despair, it is always alleviated by the writer-director's sense of humor and narrative skills.

A very positive assesment, to which can be added a fine homegenous cast in which Halldóra Geirharðsdóttir, remarkable as she is, never tries to be number one.

All in all, a perfect film, managing to combine art, entertainment and reflection, which is not so common. Recommended of course.