मध्यम वर्गीय मैरी एन सैन फ्रांसिस्को लौटती है और अपने पुराने दोस्तों से फिर मिलती है, जिन्हें वो पीछे छोड़कर गई थी. "टेल ऑफ सिटीज़" मुख्य रूप से उन लोगों पर केंद्रित हैं जो ऍना मेड्रिगल के ब... सभी पढ़ेंमध्यम वर्गीय मैरी एन सैन फ्रांसिस्को लौटती है और अपने पुराने दोस्तों से फिर मिलती है, जिन्हें वो पीछे छोड़कर गई थी. "टेल ऑफ सिटीज़" मुख्य रूप से उन लोगों पर केंद्रित हैं जो ऍना मेड्रिगल के बोर्डिंग- हाउस में रहते हैं.मध्यम वर्गीय मैरी एन सैन फ्रांसिस्को लौटती है और अपने पुराने दोस्तों से फिर मिलती है, जिन्हें वो पीछे छोड़कर गई थी. "टेल ऑफ सिटीज़" मुख्य रूप से उन लोगों पर केंद्रित हैं जो ऍना मेड्रिगल के बोर्डिंग- हाउस में रहते हैं.
- पुरस्कार
- 2 जीत और कुल 4 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
I had alread red the Tales Of the City books at least the first 5 or so, and lived in the Bay Area in the early 80s when the books were being published to my then delight. So these remarks are from an oldie.
The Netflix 2019-extensions of the Tales Of the city saga is ten hours of uneven yet satisfying setup for perhaps another future generation of tales.
It's presented in the form of a whodunnit (whoisdoingit) plot with a some wrapping up of previous loose ends with new characters to carry it forward. Seems each episode has a different writer so the intensity varies between episodes. Superficially it's just the same old nonsense as the previous series, but this time with a slower pace and with current obsessions and topics. Mr Maupin makes a cameo as usual.
Nice that the Gene Compton's cafeteria event gets attention, no doubt will bring that to international attention.
My initial reaction was distaste at episodes-1 and 2. I wanted to dislike this effort out of imaginary respect for the old characters. I did not immediately like the new younger characters until later in the series.
Despite the dodgy timeline (Michael Tolliver is portrayed as 54 when 64 might be more consistent with the books ) and the initial difficulty of accepting the new younger characters, it won me over. Some scenes dragged however. Episode-3 dinner scene was intense, as was a young character rifling though an older character's 80s address book with most names crossed out, a familiar agony for my generation.
Nice musical background too.
In short schmatltzy magical soap for millennials and nostalgic oldies.
The Netflix 2019-extensions of the Tales Of the city saga is ten hours of uneven yet satisfying setup for perhaps another future generation of tales.
It's presented in the form of a whodunnit (whoisdoingit) plot with a some wrapping up of previous loose ends with new characters to carry it forward. Seems each episode has a different writer so the intensity varies between episodes. Superficially it's just the same old nonsense as the previous series, but this time with a slower pace and with current obsessions and topics. Mr Maupin makes a cameo as usual.
Nice that the Gene Compton's cafeteria event gets attention, no doubt will bring that to international attention.
My initial reaction was distaste at episodes-1 and 2. I wanted to dislike this effort out of imaginary respect for the old characters. I did not immediately like the new younger characters until later in the series.
Despite the dodgy timeline (Michael Tolliver is portrayed as 54 when 64 might be more consistent with the books ) and the initial difficulty of accepting the new younger characters, it won me over. Some scenes dragged however. Episode-3 dinner scene was intense, as was a young character rifling though an older character's 80s address book with most names crossed out, a familiar agony for my generation.
Nice musical background too.
In short schmatltzy magical soap for millennials and nostalgic oldies.
At first I was a little disappointed since I've been in love with the book series for more than 20 years. But it grows with every episode and now I'm hooked! The old characters make me feel like home and the new ones have already taken a place in my heart.
I was really looking forward to the updated version, as I have seen every episode as it originally aired on PBS. The story-line was great, it was awesome to see the original actors'actresses reprising their iconic roles. Then came "the twins". Absolutely not even needed to be a part of the series. Those characters ruined it for me. I understand that perhaps the creator wanted to include Millennials to introduce the series to a new generation, but OMG, the extreme stereotypes of our youth and their digital habits seem to have gone too far, and the outcome that was in the show was not only extremely annoying but downright ridiculous. And to think I was worried about the stereotypes of the LGBTQ community.
I thought this production was done well and was really poignant, although at times the acting was a bit contrived. However, speaking as one who was born and raised in The City, I found this to be very "San Franciscan"... the gay, the straight and the in between. I found myself getting nostalgic and teary eyed, especially with the night scenes from the roof showing North Beach....I could just feel and smell that night air. All in all, enjoyed it.
I'm two episodes in, I'm quite enjoying it, but the flaws are glaringly obvious. I'll start with the biggest one and that is the supposed gap in decades that has occurred. I would have much preferred that it was set in the 90s or early 2000s, with the first series being set in the 70s this just doesn't add up for me. I'm finding it hard to move past it and very distracting.
The second flaw is the constant nods and winks to the younger generation and references to Instagram etc. There was an annoying pause in the flower shop when a customer paid for his purchase using his phone. This approach, which I think is intentional, is incredibly obnoxious.
Aside from these criticisms, I'm still a fan of the original material, and I am hopeful it settles down. Laura Linney rocks
The second flaw is the constant nods and winks to the younger generation and references to Instagram etc. There was an annoying pause in the flower shop when a customer paid for his purchase using his phone. This approach, which I think is intentional, is incredibly obnoxious.
Aside from these criticisms, I'm still a fan of the original material, and I am hopeful it settles down. Laura Linney rocks
क्या आपको पता है
- ट्रिवियाLaura Linney's first involvement with the works of friend Armistead Maupin occurred 25 years earlier in the writer's first filmed series Tales of the City (1993).
- गूफ़In the final episode, Michael reminisces about when he first moved to 28 Barbary Lane after he saw an ad in a newspaper. In actual fact, he moved in with his friend Mona Ramsey, who was already living in the building, and he chose to remain in the apartment after she left.
- कनेक्शनFeatured in Disclosure: Trans Lives on Screen (2020)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does Tales of the City have?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Armistead Maupin's Tale of the City
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें