Zygote

If you choose between seeing this and Life (2017)... choose this instead.

Let me explain why.

George Miller, master storyteller and director of the Mad Max films, has said that audiences have learned how to "speed read" films, citing the number of cuts between the earlier Mad Max movies and the latest, Fury Road: Wikipedia claims that Fury Road contains 2,700 cuts while The Road Warrior had only 1,200.

I bring this up because Zygote offers us the very same setup as films like Alien, Aliens, John Carpenter's The Thing, Event Horizon, and even Life, of this year: Zygote is set in a derelict and remote station featuring workers being stalked by a horrible creature. Zygote is superior to Life only because it is much more condensed. I'm judging Zygote by Life because they came out the same year and Life has failed to evolve.

No, I'm not giving preference to Zygote over Life just because Zygote is shorter-- Zygote is condensed. As the Mad Max movies have evolved to suit the abilities of "speed reading" audiences, Zygote offers us everything Alien, Life, and The Thing offers without dragging out the entire show.

The "trapped in space with a horrible monster" genre has been done to death. Zygote wisely gives us all of the feelings of isolation, fear, claustrophobia, and wonder that the genre offers us in just over 20 minutes. "Life" was overlong rehash of a film we've seen more than a dozen times now. Perhaps Zygote-- or rather, its format-- is the evolution of the genre.

A criticism: the opening exposition is weak, just the male lead talking and explaining the setup. And he speaks in such a gravelly-growly "please take me seriously, I'm a hardened veteran, no really" kind of way I wished there was an option for subtitles.

In any case, props to the FX department of Zygote-- they did a wonder creating their monster. Now THERE is a scary creature I'd rate in the same category of creepy-cool as Alien's xenomorph. Not Life's "Calvin..." that thing looked like a lizard with a four feelers.

Zygote is a short scifi horror film with outstanding production values and led by Dakota Fanning.

The first thing you notice is how good it all looks and sounds, this is a film with money and talent behind it and it shows.

Telling the story of two survivors of some horrific event in a base while being stalked by a gigantic creature seemingly made up of the body parts of its victims.

Though it does only stand at around 20 minutes and therefore isn't an entire story it does entertain regardless.

I would love to see a full length version of this, a sequel perhaps?!

The Good:

Monster looks incredible

Dakota Fanning is actually on decent form

Fantastic production values

The Bad:

Messy plot

The plot here is somewhat of a sci-fi/horror staple: an isolated location (base) and monsters at (or inside) the door. Many shows and films have done it, but in particular Zygote brings The Thing and Alien to mind. The delivery is simple too; after some dialogue in a contained room to set the scene, two survivors must try to make it across the base to the point they can escape. At first the dialogue was a little uninteresting, but as the film goes on I realized that this opening scene did add a lot to the film. Okay it is direct exposition, but the short running time doesn't give you the freedom to let it play out another way, unless you use a narrator in the same way as Rakka did, or a similar device such as the opening footage of Firebase.

This opening scene does ask a lot though, because in addition to the exposition, the male actor is not particularly strong – feeling a bit forced and trying too hard to do what he is doing. Once the beast comes though, the film takes on a great pace and sense of horror. The beast itself is a horrific and chilling piece of body horror; the CGI feels real in the way it moves (and moves not just as one creature, but as a horrid composition of people). Through the escape, there are scenes reminding us of what we already heard – and there is a real horror here which the film does well to link to even if it doesn't have the time itself. Fanning is good in the lead, convincing in her fear and limits.

As with the other shorts in this Volume 1 of release, it doesn't feel like a whole (because it is not) but at the same time there is more than enough here to make it effective.

Short runtime brings about some plot contrivances, but, overall, this short is pretty good: the story is interesting and compelling, worth expanding, and I would love to see the two main characters more developed. The monster is just awesome: really well done and disgusting, as a monster should be. Hope Oats Studio makes features films some day.

ZYGOTE is another Neill Blomkamp short film. This time, we join survivors Barklay and Quinn (Dakota Fanning and Jose Pablo Cantillo), after something has gone horribly wrong in a subterranean facility.

It seems that a creature is after them. A monster so hideous and so mind-bending that my jaw dropped and stayed there! This is Blomkamp's unspeakable tribute to movies like John Carpenter's THE THING, James Cameron's ALIENS, etc., and does it ever deliver the flesh-crawling goods! Impeccable CGI makes this one unforgettable...