तीरन अदिगारम ओंड्र

The next level of Tamil cinema is here. Very few Tamil movies are comparable to 'Theeran Adhikaaram Ondru' as it takes a powerful and distinct cinematic effect. Its a high quality movie work done with great dedication and it is evident from the impression it creates on every viewer who exits the theater after the show. An excellent screenplay mixed with perfect cinematography, thrilling background score, casting, nice songs, hot stunts,alpha heroism etc improves the film and heightens the class and value of the film.

THEERAN ADHIGARAM ONDRU is indeed a sumptuous watch. Watch it from theaters only and kill piracy.

In a seminal scene in Theeran-Adhikaram Ondru, DSP Theeran (Actor Karthi plays an upright police officer endowed equally with brains and rippling muscles) storms into a den of outlaws in the badlands of Rajasthan. He advises his team to stay inside the car as he walks on purposefully, the dusty hamlet is all eyes; it's the territory of Omah Singh, a much-feared highway dacoit responsible for a breakout of murders in rural Tamil Nadu. As the dust motes ripple upward in the desert air, Theeran slams one after the other until Singh sits up and takes notice, his hookah forgotten…

The face-off defines the movie. Can a district police chief trace murders all the way to the North-West, surmount the crippling bureaucracy of multiple governments and bring to book a dacoit gang wreaking havoc on the crime numbers in TN? An emphatic Yes!

H Vinoth, who deftly portrayed the lives and tricks of a gifted conman in Sathuranga Vettai is telling us a cop story this time. The usual clichés are in order: Theeran is transfer magnet, courtesy his sky- high morals and commitment to policing. His stay-at-home wife (Rakul Preet) is content with chiding him now and then about not being home most days. He chooses to go after the criminals when a dilemma presents itself after he gets to know his wife is dying. Even during training days, Theeran shows signs of precocity – he knows how to handle a crime-scene weapon (We are informed the usual handkerchief method of securing it will not protect the prints! Theeran holds it between two fingers at points where the criminal might not have touched the weapon).

Neatly parted hair and a razor-sharp mush and almost-always wearing a dark shirt straining against his chest, Karthi looks every inch the ideal police officer. Assisted by a team of devoted cops, Theeran leads a national hunt for fingerprints that lead them into the history of Indian outlaws with origins in the British era. These huntsmen have no targets but gold, unless you leave out savagery. How Theeran bumps off each one of them form the crux of the story.

Negatives include a bit of drag in the scenes describing the Rajasthani outlaws, or when the action sequences gets a little too long – Theeran beats the villain to pulp in searing Rajasthani heat before dragging him through the desert sands on a horse! Classic. A few songs are plugged here and there in the movie and they pass without causing inconvenience. The background scores for the Dakotas are particularly effective in accentuating their bestiality. Overall, music director Gibran is very good in many parts.

The story itself rests on actual history. Dacoity at homes along the highways was a menace in Tamil Nadu during the late 90s. Apparently, Tamil Nadu had ranked high in taking it seriously and wiping such crimes off its map, although the policemen behind the job had gotten little credit.

True to that, Theeran spends the twilight of his career behind a desk, complaining about a rickety chair not replaced for months. A young officer having known his deeds drops by just to salute him, and Theeran betrays that old glint of uprightness still bright in his eyes.

After all these years? If you are Theeran, You would say "Always."

Theeran Adhigaram ondru is destined to become one of the best cop movies ever to be made in Tamil film industry. A lot of effort has been put into writing the script and the screenplay that one can clearly see it's effect on the screen. All through the movie there was no plot holes or logical blunders which bothered me as there was nothing big enough to notice. For example, the mobile phones used by the characters were representative of the time period the movie is in. From the Nokia 1100 and Motorola Flip phones to Touch Screen smart phones, the mobile phones gradually changed in the hands of the characters.

One of the main success of this movie as I see is the way in which they have established every character in the movie. Almost all the prominent characters have a back story and the director has done a great deal of research about the dacoits and criminal investigation techniques used by the crime solvers. The first part of the movie features some cold blooded murder cum robbery sequence, which are shot very realistically and the screenplay so involving that I felt like I witnessed everything first hand and they have not over done or exaggerated any action sequence in the movie, they all look very realistic.

Unlike other cop stories where the protagonist will be able to miraculously able to solve crime almost like Sherlock Holmes with out explaining us how it is done, in this movie though there is a reference to Sherlock Holmes the whole investigation process is bound by the realism of this material world. The director did a great job in explaining the actions of the characters without boring us with lengthy voice overs.

The movie could have been made without the female lead, Rakul Preet Singh. But, that doesn't mean that the character was a low point in the movie or that the character had no role to play in the movie. The character was there to establish the character of Theeran and show his temperament and reaffirm that he is no super human crime solving machine but a normal cop who does an exceptional job.

The Back ground score is very engaging and really sets the tone for every scene. It was instrumental in carrying the emotions depicted on the screen to the audience. The placement of the songs too were reasonable. They came like a much needed breather in between the cold blooded action in the first half.

Overall, Theeran Adhigaram Ondru is going to be a career best movie for Karthi as this has indeed over shone his performance in Paruthiveeran. This is a must watch movie if only you could stomach a little bit of gore and spine chilling violence (They did not over do it). Hats off to the team...

After a long time, A VERY SATISFYING action thriller. Director H. Vinoth (of Sathuranga Vettai fame) has presented a well made action movie which ticks almost all the right boxes of the genre with minimal compromises.

The movie, which is based on true incidents, recounts an episode in the life of a tough cop from Tamil Nadu who sets out with his team to capture a dreaded gang of thugs that was involved in multiple gruesome, armed robberies and murders in Tamil Nadu as well as other states.

Karthi fits the role of the daring cop and breathes life into the character in every frame. Abhimanyu Singh and his gang are utterly convincing as the brutally intense baddies.

The pulsating score by Ghibran, cinematography by Sathyan Sooryan, nifty editing by Shivanandeeswaran and well executed action sequences choreographed by Dhilip Subbarayan elevate the impact of the proceedings.

Director Vinoth deserves praise for his skillful combination of commercial elements with detailed research, stunning action set pieces and for shunning the regular trappings of super hero machismo and melodrama.

While the movie has its fair share of blemishes including its run-time resulting in some drag and some logical pole vaulting, for the most parts, it remains a riveting watch. I hope more such chapters are added to this cop story which has the potential to evolve into a franchise.

Theeran Adhigaaram Ondru (2017): Most of the Indian Cop films treat the lead role as a super-hero and has all the extra sensory abilities to find the antagonist without any proper investigation.But Theeram Adhigaaram Ondru is a rare realistic cop thriller where the villain's whereabouts are found only during the climax by one of the most interesting investigations I had seen in Indian Cinema.

Plot: Theeran (Karthi), a police officer, tries to decode a series of cold blood events based on same pattern. Who's behind those ruthless events? How Theeran and team traces them? Did they succeed? forms the story of this crime action thriller. The story is based on true incidents handled by Police department in 1990s.

My Review: "Khakee" deals with the subject of organised bandits and also reveals the history of dacoit gangs in India from the British era to the recent times.Director H Vinoth has done huge research on several tribes of dacoit gangs, their crimes, how they indulge in robbery, how they hide, and their lifestyle.Not only has he done deep research, but has shown all these in the movie, making it more interesting as we involve more into the investigation.

These kind of cop dramas will work only if they have nail-biting scenes and this movie succeeded in providing us such intense experience.The film has full on edge of the seat moments which will keep you hooked till the end.The interval bang and bus chasing sequence in the second half literally gives you goosebumps.Even the scene where Karthi and his team are attacked by the whole village and the pre-climax scene where villain gang attack hero and his team in an abandoned village are shot exceptionally well.

The major drawback with the film is the torturous love track between Karthi and Rakul.The typical "Loose Ponnu" obsession of Kollywood had went overboard here as we get irritated by Rakul's characterization.The first 30 or 40 mins of the movie is just about their clichéd love story which tests our patience.

Director has done a very good job with the film. His detailing with the case is awesome and the way he narrated the film with ample action elements and racy chasing episodes make this film click big time. He keeps the film quite realistic which makes things even more interesting for the audience.Dhilip Subburayan's action scenes especially in the desserts of Rajasthan are superbly choreographed and Sathyan Sooryan's camera work is in sync with the story including the grey tone. Ghibran's music and background score creates the gritty feel.The film, despite its long run time, runs at a pace that makes it hard for one to look away.

Karthi is stupendous in his role as the protagonist cop who will not rest until he nabs the criminals and brings the killings to a halt.He has shown his mettle in the gruelling episodes shot in Rajasthan desert in the second half of the movie.All his team members have played their roles perfectly.Rakul is irritating.

So,Theeram Adhigaaram Ondru is one of the most intense cop-dramas of Indian Cinema but love track is irritating.

My Rating 7.5/10