अपनी भाषा में प्लॉट जोड़ेंChristian Wolff applies his brilliant mind and illegal methods to reconstruct the unsolved puzzle of a Treasury chief's murder.Christian Wolff applies his brilliant mind and illegal methods to reconstruct the unsolved puzzle of a Treasury chief's murder.Christian Wolff applies his brilliant mind and illegal methods to reconstruct the unsolved puzzle of a Treasury chief's murder.
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
Fernando Chien
- Sorkis
- (as Fernando Funan Chien)
फ़ीचर्ड समीक्षाएं
Ben Affleck's portrayal of Christian Wolff in The Accountant 2 feels noticeably different this time around. His character's autism traits seem more exaggerated, which comes off as a disservice to the subtle brilliance of the original performance. The addition of more overt comic relief also feels jarring and out of place-it shifts the tone from the gritty, tightly wound thriller of the first film into something less focused. That said, there are a handful of scenes that are exceptionally well shot, with crisp choreography and dark, gritty visuals. Ultimately, the film struggles to balance its identity, wavering between serious character study and action-comedy hybrid. It's watchable, but not nearly as satisfying as the first.
I really like The Accountant. It dared to change the action movie lead role with an autistic character, providing a very interesting role. How would the combination of strengths and weaknesses that The Accountant's condition play out in the dangerous world of international criminals and hitmen?
It was this combination of obsessive/compulsive need for order and completion, combined with an inability to empathise or understand social interactions, that made Affleck's character, Christian Wolff, so interesting.
In the sequel, the writing is not as focused on Affleck in the same way. Instead the focus is on the relationship between him and his brother (Bernthal). While well acted, this simply does not have the same appeal. The movie shines when Wolff's neurodivergence is front and centre, but otherwise it feels like any other generic action-thriller (albeit a well-done one).
It was this combination of obsessive/compulsive need for order and completion, combined with an inability to empathise or understand social interactions, that made Affleck's character, Christian Wolff, so interesting.
In the sequel, the writing is not as focused on Affleck in the same way. Instead the focus is on the relationship between him and his brother (Bernthal). While well acted, this simply does not have the same appeal. The movie shines when Wolff's neurodivergence is front and centre, but otherwise it feels like any other generic action-thriller (albeit a well-done one).
The Accountant 2 doubles down on the action and humor over the first film. It does however try to juggle too many subplots that are poorly connected, leading to a less coherent film and a lack of a singular, hateable villain.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
On the plus side, making Jon Bernthal a co-lead this time was incredibly smart. He and Affleck have great chemistry and Bernthal's Braxton is both a lethal threat and downright hilarious. This is easily his best role since The Punisher.
Like the first film, action isn't the primary focus, with a lot of time spent on enjoyable character moments. But when the action does arrive, it really delivers. Depending on what the new Mission: Impossible has in store for us, the Juarez shootout in this film may go down as the best action sequence of the year.
Again, I wish more of the character development had been focused on the villains, so we'd have a central antagonist who seems like a real threat. Instead we get several boring micro-villains.
I also wish the writing and editing were working in better harmony to bring us a more coherent story.
But all that said, Affleck and Bernthal have charm to spare, the final act is awesome, and this is a decent follow up to the admittedly better first film. 7/10.
It's been years since I watched "THE ACCOUNTANT" and I didn't watch it before going to see this one. I liked this movie and enjoyed it, but I felt like it was missing something. What that is, I don't know, I can't put my finger on it. Maybe I missed something. And whatever that something might have been, I think the movie could have been better.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
I liked the dance scene, not so much the troupe that followed. The movie had a hero's heart and some great action. A solid matinee movie.
When the day comes when it goes to streaming, I'll be sure to watch the both movies back to back. Hopefully, I'll discover that missing ingredient.
Tonally extremely different to the original movie as they aim to increase the comedic moments. Very weak plot which seemed to rely on paper thin character links.
Terrible oversights with character continuity for the actual accountant. He sounded and looked different - his wardrobe was actually that of Forrest Gump and they even mentioned that as a reference at one point. He doesn't seem to be working in the same way now, and just messing about with dating algorithms for laughs now?! Even if you buy into him making 9 years of effort to integrate, it just seemed too different and ultimately fans of the first movie are coming back for more of the same so development must be within some bounds, otherwise he is just a different character.
I was really upset that they turned his "Solomon Grundy" stim/soothe into a joke and then had him use it in absolutely the wrong moment - more like a punch/tag line. His father's routine over overstimulation that dominated the original to help him cope with the world was completely absent - nothing really seemed to trigger him this time at all.
Would go so far as to say that Jon Bernthal was absolutely wasted and his character was made to look like an idiot rather than a dangerous and whimsical guy.
Agent Medina was a bit of an afterthought who got in the way. Little character development and it seemed like she was just there to remind us all how "off book" the accountant and his brother are.
Honestly this was a terrible follow up to the first movie and we came home and immediately put on the original to try and wash away the mess that was this sequel. It was such an opportunity to really do something cool with the concept, and it was absolutely wasted.
Terrible oversights with character continuity for the actual accountant. He sounded and looked different - his wardrobe was actually that of Forrest Gump and they even mentioned that as a reference at one point. He doesn't seem to be working in the same way now, and just messing about with dating algorithms for laughs now?! Even if you buy into him making 9 years of effort to integrate, it just seemed too different and ultimately fans of the first movie are coming back for more of the same so development must be within some bounds, otherwise he is just a different character.
I was really upset that they turned his "Solomon Grundy" stim/soothe into a joke and then had him use it in absolutely the wrong moment - more like a punch/tag line. His father's routine over overstimulation that dominated the original to help him cope with the world was completely absent - nothing really seemed to trigger him this time at all.
Would go so far as to say that Jon Bernthal was absolutely wasted and his character was made to look like an idiot rather than a dangerous and whimsical guy.
Agent Medina was a bit of an afterthought who got in the way. Little character development and it seemed like she was just there to remind us all how "off book" the accountant and his brother are.
Honestly this was a terrible follow up to the first movie and we came home and immediately put on the original to try and wash away the mess that was this sequel. It was such an opportunity to really do something cool with the concept, and it was absolutely wasted.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
क्या आपको पता है
- ट्रिवियाIn February 2020, Ben Affleck revealed there were talks about a follow-up to The Accountant (2016), but they had yet to nail down a script. At the same time, he also mentioned there were talks of developing a TV series based on the film.
- गूफ़When the hackers gain access to the selfie lady's computer, they have no reason to distract her. With anything close to the level of access they have at that point they would just copy the files out. Taking over her desktop is completely pointless.
- भाव
Christian Wolff: The fall didn't kill him. It was the abrupt stop.
- कनेक्शनFollows The Accountant (2016)
- साउंडट्रैकSee-Line Woman
Written by George Bass and Nina Simone
Performed by Danielle Ponder and Bryce Dessner
Produced by Bryce Dessner
Courtesy of Saddest Factory Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Accountant 2?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El contador 2
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,55,23,366
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,45,33,959
- 27 अप्रैल 2025
- दुनिया भर में सकल
- $10,32,23,366
- चलने की अवधि
- 2 घं 12 मि(132 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें