Waiting for the Barbarians (2017), directed by Eugène Green, is a beautifully restrained film that explores themes of colonialism, power, and human nature. Based on the novel by J. M. Coetzee, the film follows an unnamed magistrate in a remote colonial outpost as he navigates the arrival of a new military presence and the growing tension between the colonial authorities and the native population. As he becomes more entangled in the events surrounding the supposed threat of the "barbarians," his own sense of justice and morality is put to the test.
The film's slow, deliberate pacing might feel languid to some viewers, but it allows for deep reflection on the moral decay that arises from the abuse of power. Roman Kané's performance as the magistrate is nuanced and introspective, capturing the internal conflict of a man caught between his duties as a colonial officer and his growing empathy for the indigenous people. Hélène Gratet and Fitzgerald Berthon, who portray characters involved in the unfolding events, contribute to the film's understated emotional weight.
Visually, Waiting for the Barbarians is striking in its simplicity. The cinematography is quiet yet powerful, capturing the starkness of the desolate landscape and the isolation of the characters. The muted color palette reflects the moral grayness of the story, and the sparse dialogue adds to the contemplative tone. Green's direction is measured and thoughtful, allowing the film to unfold slowly, but never without purpose.
However, the film's subtlety can also be a hindrance. While it successfully evokes the complexities of colonial rule and the alienation of those who suffer under it, it may leave some viewers wanting more in terms of plot progression and character development. The film's deliberate pace and philosophical tone demand patience and may not appeal to all audiences.
Despite its slow build and quiet storytelling, Waiting for the Barbarians is a powerful meditation on power, corruption, and the dehumanizing effects of empire. It's a film that requires active engagement and a willingness to explore the uncomfortable truths about human behavior, making it a rewarding experience for those who appreciate thoughtful, deliberate cinema.
Rating: 7/10. A subtle and thought-provoking exploration of colonialism and morality, with strong performances and striking visuals, but a slow pace that may challenge some viewers.
