Al-murashahat al-muthalia

Haifaa al-Mansour is the greatest director of our generation. this is the second film of Haifaa al-Mansour that I've seen after her first debut film Wadjda which I've watched it back at Istanbul Film Festival. It's also the second Saudi Arabian Film that I've seen so far. Haifaa is one of the emerging director came out from Saudi Arabia. She has the distinctive authenticated voice to express herself and society in Saudi in her films.

The Perfect Candidate is another compelling and moving film about Woman Empowerment in the conservative society. It is well produced film. like how the main protagonist is portrayed as the strong optimistic woman who is resistance, stubborn, won't give up easily regardless of her prejudice patriarchic community in Saudi Arabia. I like the climax of the film. It is not a cliche happy ending but rather a subtle hopeful ending which opens up the discussion about feminism in our society.

As "The Perfect Candidate" (2019 release from Saudi Arabia; 101 min.) opens, we see a women driving her car to work. Turns out she is Dr. Maryam, working in the emergency room of a new hospital, with its access road not even paved and full of mud. Dr. Maryam then wants to attend a medical conference in Dubai, but her travel permit is about to expire and she needs to renew it. Along the way, by happenstance she files the paperwork to become a candidate for the municipal council, and she and her two strong-willed sisters go to work... At this point we are less than 15 min. Into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the latest film from Saudi director Haifaa al-Mansour. Her directing debut was 2012's "Wadjda", which was an unexpected but sensational critical AND commercial success (within the art-house theater circuit of course). After directing two more conventional Western films (Mary Shelley; Nappily Ever After), she returns to her Saudi roots to being a new tale of female empowerment in impossible circumstances. The idea of a young professional woman running for a seat on the municipal council is as inconceivable as was the notion of a young girl wanting to ride a bike (the main theme of "Wadjda"). In that sense, "The Perfect Candidate" is a logical companion film to "Wadjda". The film also gives us a rare inside glimpse of what day-to-day looks like in a place like Saudi Arabia. It is difficult to phantom for us, I'm afraid. Ultimately "The Perfect Candidate" is another plea for a kinder, more just, more equal Saudi Arabia, and Haifaa al-Mansour is to be commended for bringing us these films. (Of course, the film is not really intended for consumption in Saudi Arabia, a country that until 2018 didn't have a single movie theater. That is very slowly starting to change.) Bottom line: "The Perfect Candidate" is not the 9 star diamond that was "Wadjda", but it is a solid 7 star film, period.

"The Perfect Candidate" premiered at the 2019 Venice Film Festival, yes almost 2 years ago. Then this week, it opened out of the blue at my local art-house theater here in Cincinnati, somewhat to my surprise. The Wednesday early evening screening where I saw this at was attended so-so (4 people in total). Doesn't matter. I am quite certain that this movie will find a larger audience once it starts streaming on various platforms and also is released on DVD/Blu-ray. If you have any interest in what life is like for women in Saudi-Arabia, I'd readily suggest you check this out, and draw your own conclusion.

This is a good film. The people in it are likeable, the story is good. It made me feel good watching it.

Better to perform than conform! I'm really fond of Al-Mansour's smooth style of protest drama portraying bold and profound female protagonists who raise a voice against the calloused cultural concerns in Saudi Arabia to spark a debate upon the strict patriarchal mindset. She paves an undulating yet bright path of possibility leading toward tolerance and acceptance by deconstructing sexist tradition of theocracy.

I found this film via the Florida Film Festival in 2020 as a feature film listing. I found the film to be both an entertaining film as well from the perspective of today's Saudi Arabian culture in general and issues for Saudi women in particular quite educational. A plus in the movie was the focus on the Saudi musicians and singers who were playing live gigs that have recently been allowed by the government in Saudi Arabia. I found the film well worth my time.