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Feng zai qi shi

  • 2022
  • 2 घं 24 मि
IMDb रेटिंग
5.9/10
714
आपकी रेटिंग
Feng zai qi shi (2022)
Follows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.
trailer प्ले करें2:01
1 वीडियो
53 फ़ोटो
अपराधड्रामाथ्रिलर

अपनी भाषा में प्लॉट जोड़ेंFollows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.Follows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.Follows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.

  • निर्देशक
    • Philip Yung
  • लेखक
    • Wai-Tung Lam
    • Effy Sun
    • Oliver Yip
  • स्टार
    • Tony Leung Chiu-wai
    • Yannis Yee Georgopoulos
    • Aaron Kwok
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.9/10
    714
    आपकी रेटिंग
    • निर्देशक
      • Philip Yung
    • लेखक
      • Wai-Tung Lam
      • Effy Sun
      • Oliver Yip
    • स्टार
      • Tony Leung Chiu-wai
      • Yannis Yee Georgopoulos
      • Aaron Kwok
    • 8यूज़र समीक्षाएं
    • 10आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 6 जीत और कुल 13 नामांकन

    वीडियो1

    Official Trailer
    Trailer 2:01
    Official Trailer

    फ़ोटो53

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 49
    पोस्टर देखें

    टॉप कलाकार40

    बदलाव करें
    Tony Leung Chiu-wai
    Tony Leung Chiu-wai
    • Nam Kong
    • (as Tony Chiu-Wai Leung)
    Yannis Yee Georgopoulos
    Yannis Yee Georgopoulos
    • British Police Superintendent
    Aaron Kwok
    Aaron Kwok
    • Lui Lok
    Dennis Chan
    Dennis Chan
    Michael Hui
    Michael Hui
    • Lee Chi-Chiu
    Richard Ng
    Richard Ng
    • Tsai Chen's father
    Elaine Jin
    Elaine Jin
    • Lui Hang-Wah
    Paul Che
    Paul Che
    Patrick Tam
    Patrick Tam
    • Yim Hung
    Jeana Ho
    • Cora
    Jessie Li
    Jessie Li
    • Xiao Yu
    • (as Chun Xia)
    Tai-Bo
    Tai-Bo
    • Triad leader
    John F. Cruz
    John F. Cruz
    • Assistant Police Commissioner HK
    Ben Yuen
    Ben Yuen
    Maggie Ho-yee Cheung
    Maggie Ho-yee Cheung
    • Gimpy Ho's wife
    Louis Cheung
    Louis Cheung
    • Chu Yau-Chai
    Rose Chan
    Rose Chan
    Tien You Chui
    Tien You Chui
    • Young Lui Lok
    • निर्देशक
      • Philip Yung
    • लेखक
      • Wai-Tung Lam
      • Effy Sun
      • Oliver Yip
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं8

    5.9714
    1
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    5
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    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    3ctowyi

    Warning: Avoid this at all costs

    Where the Wind Blows boasts two super stars in Tony Leung and Aaron Kwok, but it is a total snooze fest at 2h 24min. The story is about a few good men in a sea of dirty cops and politicians. The storytelling is so choppy that after a while you will feel like puking out all the rubbish history lessons forced down your throat. It is well-acted no doubt but the story is not even coherent. It's like in any scene there is a beginning, a middle and an ending, but the director will just show you one out of the three and wants you to connect the dots. Such an utter waste of good actors. The moral lesson is that you should be the baddest bad guy because you can retire to Canada or Thailand and nothing will happen to you. Avoid this like it's the newest variant of COVID-19.
    7ObsessiveCinemaDisorder

    A big-budgeted arthouse crime film that pays tribute to Hong Kong history. Too overpacked and convoluted but the HK sentiment is heartfelt.

    Where the Wind Blows is a big-budgeted arthouse crime epic that is a love letter to Hong Kong and its history. Aaron Kwok and Tony Leung deliver charismatic performances as Lui Lok and Lam Kong, two of the four corrupt police commissioners in Hong Kong, spanning from the 1940s to the 1990s. It's an ambitious film with a big gushing heart and has much to say about Hong Kong but struggles with conveying it all succinctly.

    Through a romantic nostalgic lens, director Phillip Yung directs the film like a set of glossy nostalgic postcards, featuring snapshots of Hong Kong in each decade, from the Japanese occupation to poverty to its stability and eventual flourish. The production design, costumes, and music exquisitely pop off the screen.

    Structured like a kaleidoscopic collage, the story follows the Lui Lok and Lam Kong characters through the historical timeline, covering history, politics, and the romantic relationships with their wives. It is epic through its 50-year span and intimate through its use of voice-overs and flashbacks.

    It reminded me of Martin Scorsese's Casino at times, where we intimately live inside the characters' heads, privy to their innermost thoughts.

    Aaron Kwok does a great job reimagining Lui Lok as a straight-faced, tap-dancing romantic hero with an insatiable drive. Kwok naturally projects an eagerness, which he precisely tones down to fit Phillip Yung's idealistic vision. The real Lui Lok was likely closer to Francis Ng's rough-hewn portrayal from Once Upon a Time in Hong Kong.

    Tony Leung is charming and understated as the debonair piano-playing Lam Kong. His character is often off-the-side and soft-spoken, but it was impressive how much Leung was still conveying from doing so little. Phillip Yung devotes a lot of screen time to developing Lui Lok and Lam Kong; the contrast is what hooked me throughout the whole movie.

    While I enjoyed Du Juan's performance as Choi Chan, Lui Lok's wife, the subplot about her helping him behind the scenes undermines what the real-life Lui Lok achieved by systemizing bribery in the 60s.

    There's a lot of praise behind comedian Michael Hui's role as an ICAC agent. The performance is not bad but I was more moved by the speech itself. My take is Hong Kong audiences just miss seeing Hui onscreen.

    All that said, Where the Wind Blows is convoluted and overloaded. At 2 hours and 44 minutes, even with fast-paced editing, there's too much information to take in. There's a crucial plot point where the four police commissioners have a disagreement that is murky and unclear. Plot threads are connected in ways that are unexpected and it gets challenging keeping up with them all.

    Audiences going in with the expectations of a linear traditional crime epic will leave disappointed by a lack of guns blazing in the finale. It's not the Godfather, nor is it Infernal Affairs.

    This is Phillip Yung paying a loving tribute to Hong Kong and its history, as if to say, "Look how far we've come." That Hong Kong sentiment is heartfelt. I enjoyed being in Phillip Yung's Hong Kong as a romanticized memory. Yung is not showing how events happened, but rather how we'd ideally remember it as a collective dream.

    Where the Wind Blows requires a second viewing. There's still so much to unpack and it was a dense history lesson. The film will have a better chance of finding its audience through streaming where it has the benefit of being paused, rewound, and rewatched. I suspect I'll like it, even more, the second time.
    4dumsumdumfai

    Again, the surfactant washed everything

    Most of the time, Hk movies that are financed elsewhere has a two dimensional problem. They look good, damn good. And with big stars. International stars at that.

    But that's it. In this case, a possibly 12 hr miNi series cut to 2.5 hrs. So editing chops the story to bits and pieces. Feels like shot by 2-3 2nd unit directors and then multi edited. The plot is too sprawling, ambitious, yet also too condensed for its own good.

    The dancing attributes are just tailor made for Aaron.

    Dancing doesn't make sense to this kind of story. Mixed genre here doesn't jive. The rhythm to the speeches, dialogue, monologue scenes for Tony seemed very off, rushed, one take-ish, had no drama, no underlying thoughts.

    The camera wants to be romantic and stays between 85mm to 180mm. Very distracting, some obviously can be seen as homage/copying old Tony Leung's movies.

    All body, not content. All show and no depth. Walked off around 45min mark.
    8noshouse

    You'll have partners who support you openly as well as those who support you behind the scenes.

    I know many people came to see this movie because of the two big stars, Tony Leung and Aaron Kwok, and that's completely understandable. Both male leads still have their charisma and have portrayed the detective's hardships and glory very convincingly. However, I highly recommend everyone to pay close attention to the performance of the female lead, played by Du Juan. She truly shines and takes the audience back to the old Hong Kong era. In the past, men needed women to take care of all aspects of their lives in order to look good in public, even if it meant eliminating adversaries. Du Juan's charm and tactics are portrayed excellently, giving a performance that rivals her previous collaboration with Tony Leung's Tang Wei. Aside from the familiar story, the acting prowess of these big stars is something I highly recommend to everyone.
    7donmurray29

    Heady crime drama of 1960-80's Hong Kong coruption

    7.5 /10 rating. Original title is Theory of Ambitions, Crime drama set in Hong Kong spanning 1960's to 80's.

    Tony Leung, Aaron Kwok, Richard Ng are the big names here in this really well acted and tough film about police corruption, set in British controlled Hong kong, back in the day. Everyone is dirty, they try their hardest to keep things in order, amongst them selves, along with the British, and the crime gangs- The Triads.

    Things get very messy, as drug lords try assert control and even the cops do try to do their jobs, law and order is not an easy game with so much at stake here. The wives do their fair share of power games and violence breaks out with guns and knives. Things, after a time ruin family life and spiral out of control on the streets and the offices.

    Tony Leung and Aaron Kwok are the corrupt cops play cat and mouse with each other, but have a respect with each other. But the fallout is coming at some point.

    A well told true story about a time of Hong kong where who had power, is anybodies guess?

    इस तरह के और

    Jin shou zhi
    6.2
    Jin shou zhi
    Duk sit dai jong
    7.2
    Duk sit dai jong
    Jing yi wui long
    7.2
    Jing yi wui long
    Faan hei gong sum
    6.9
    Faan hei gong sum
    So duk 3: Yun joi tin ngai
    5.9
    So duk 3: Yun joi tin ngai
    Mad Fate
    6.4
    Mad Fate
    Bao lie dian
    5.7
    Bao lie dian
    Where the Wind Blows
    Where the Wind Blows
    Wei ji hang xian
    5.8
    Wei ji hang xian
    Taam pun juen ga
    6.7
    Taam pun juen ga
    Am saat fung bou
    5.4
    Am saat fung bou
    Cim hang
    5.1
    Cim hang

    कहानी

    बदलाव करें

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Where the Wind Blows?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 फ़रवरी 2023 (चीन)
    • कंट्री ऑफ़ ओरिजिन
      • चीन
      • हांगकांग
    • भाषाएं
      • कैंटोनीज़
      • मैंडरीन
      • अंग्रेज़ी
      • शंघाईनीज़
      • टिओशू
      • जापानी
    • इस रूप में भी जाना जाता है
      • Where the Wind Blows
    • उत्पादन कंपनियां
      • Bona Film Group
      • Dadi Century Film Distribution (Beijing) Co. Ltd.
      • Lajin Film
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • HK$20,00,00,000(अनुमानित)
    • दुनिया भर में सकल
      • $13,98,659
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 24 मि(144 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Surround 7.1
      • Dolby Digital
      • Dolby Atmos
    • पक्ष अनुपात
      • 1.85 : 1

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