They'll Love Me When I'm Dead

Orson Welles's final movie, The Other Side of the Wind, started filming in 1970 but by the time of his death in 1985 had not been released. It was finally released by Netflix in 2018. This documentary details the making of the movie and the problems Welles had in completing and releasing it.

Good documentary. Details well the making of The Other Side of the Wind, and the difficulties and controversies surrounding it. Also shows, albeit too briefly, Welles's career to that point and, in more detail, why his star had fallen.

However, like the movie, it is a bit muddled. The narrative isn't very smooth and there is concentration on immaterial details at the expense of the bigger picture.

Clearly another reviewer and I disagree in our assessment of this film. I did find "The Other Side of the Wind" worthwhile, but I have mixed feelings about this skewed portrayal of this masterful filmmaker. Having said that, some of the old film clips were well-chosen.

On a logistical level, this film is not what one would expect... most all of the friends and colleagues become talking heads who are not individually identified, until the rolling credits, where a slew of names are lined up. That said, Peter B is easily recognized, and a few others' identities are inferred by their comments. When Oja speaks, you are left to imagine what she looks like nowadays... I presume that she insisted that her sound bites would not include visuals.

What disappointed me the most were the cynical snipes made about the approach and demeanor of Welles, from several people closely associated with him. Some of their barbed comments served to discount the great complexity of this man. I wonder if these folks had enough nerve to frankly state their views in front of his face while he was alive? One celebrity commented on his demanding preference for a particular snack food. On the surface, the remark said more about her.

It strikes me as ironic that one clip shows Welles speaking on the essential value of editing, yet this film has chosen to slice things up into brief sound bites. As a result, the tone of the interviewees resemble a bitter pill, as if to say: while we might recognize the genius of this man, the viewer would do well to witness his significant deficiencies.

There are cherry-picked clips which try to convince the viewer about Welles impulse to control the details. Newsflash: many great artists fall prey to obsessiveness. We see Welles give a specific note to Norman Foster on his delivery. Foster transformed the line in-a-flash, and it was vastly improved. If this film intended to cast a shadow on the esteemed artful nuances which Welles strove for, then it failed.

Each viewer will have a different take on this film. As for me, the approach and tone of this film left me feeling defensive, and a bit sad.

Stunning and required viewing that illustrates the trials of Wind so well, shows the humanity and heartbreak so powerfully that it's good enough to have existed even without the now "finished" version of Wind. Loved it!

If you are a fan of film making and film makers then this documentary certainly has the right subject matter. There are elements of this which reminded me of Lost In La Mancha, another documentary about a doomed project where the maverick director tried their best to drag the film to life. But if you are looking for insight in to the mind and passion of Orson Wells, then be prepared to wade through over an indulgent stylised presentation. It somehow finds a half-way house between a typical talking heads documentary and a pure voiceover (like Senna), and it doesn't really work, you don't really have an idea of who is talking. The extensive use of footage from different sources is just a distraction to the narrative that is being told by voiceovers The biggest misstep is Alan Cummings, I have no idea what he's purpose was. He did not feature enough to be a narrator, he did not have any kind of associate with anyone involved in The Other Side of The Wind, it was just pointless.

This documentary details the up & downs Orson Welles went through getting financing for many of his projects particularly his last, The Other Side of the Wind. Welles, who became a wunderkind after his major breakthrough Citizen Kane, never got the same treatment or respect for the remainder of his life, always securing backing for his films in fits & starts (he'd occasionally had shooting projects languishing for years at a time as he'd take acting jobs or towards the end of his life becoming a pitch person for wine & board games solely to secure necessary completion funds) which ultimately would add to his stature as being a problematic visionary (a sad episode occurs when he tries to get money to finish his film during his own AFI awards ceremony). More of a story of what could've been, this depressing account leaves one fuming at the film community for abandoning this gargantuan talent & not giving him his due.