Hammer

One of the best character-driven films of 2019/2020 with subtly layered irony, haunting performances and great music. Emotional realism is at its best when easy transactions go sour and emotions erupt arriving at the point of no return. Graphic realism, which the Brits and Americans are allowed to capture so appallingly well, never makes it to our Canadian final cuts. Canadian censorship simply won't allow artists to work their magic, so their talent is tethered to a prescribed hemline mentality. Do we need hyper-graphic detail? Some viewers need it to satisfy their armchair blood lust. But in watching "Hammer" I was too busy sinking in the characters' terror, desperation, hopelessness and revenge to miss gory details. Incomparable performances.

Fantastic little film. A tight, compact thriller that works on (mostly) every level. Will Patton does what he's been doing for so long now - he delivers a great performance in a complex role and does it in the most "everyday guy" way. The script is efficient and effective, it is exactly the right amount of action and family drama with dialogue that is actually believable. As Brian Tallerico of RogerEbert.com said, I believed every minute of it. The only negative, and it is really just me being selfish, is that it is too short. I would have enjoyed a little more backstory. That aside, it is absolutely worth a watch and Will Patton's performance from beginning to end is riveting.

Good acting as the other reviewer pointed out but its very slow and a pretty dismal effort due to the writing and brings nothing new to the silver screen! Pass on this one unless you have a high threshold for boredom!

Many of the sequences and plot gyrations are unbelievable with a slurry of loose ends which leave you guessing.

Really enjoyed this film. Great cinematography, great acting. I thought it had great pacing, and I thought the ending was great. A great film about family relationships wrapped in a crime thriller. Mark O'Brien was fantastic.