Elizabeth Harvest

I enjoyed this film. It is different. I can't recall seeing another movie that is quite like it. Elizabeth is a newlywed who is honeymooning with her much older billionaire husband at his private mountain property. The only other people present are a female and blind male who are servants. The home is rather large and Elizabeth is free to enjoy all areas of the property with the only exception being a room that her husband, whom we learn to be a intelligent man of science, has specifically denied her access to. Elizabeth, who seems to come off as a bit ditsy, has a curious nature chooses to explore the room after her husband goes out of town on business. It is at this point she learns more than she bargained for and her life takes a turn for the worse. That is about all I can say about the plot without adding spoilers but I didn't see what was coming and I love that about this film. You are introduced to several different plot twists that pull you in different directions. I've seen that a few people weren't impressed by our lead actress and felt that her acting was off. I didn't feel that way. I felt that her acting was very much in line with her character and what may have initially seemed like bad acting is revealed to be a part of her character. I liked it and felt as though it was a good watch.

A very young woman marries an older doctor. In their honeymoon he shows his impressive house and explains that everything belongs to her but there is one room she should never get into. As it obvious she did to and things get very ugly.

Explaining more will ruin the many unpredictable surprises after that event. The movie becomes more interesting and engaging even when its pace is it sometimes a bit slow.

The cast is perfect with the calm tone of the movie. Abbey Lee is surprisingly good in a character that needs to generate empathy and sympathy in order for the movie to work. Ciarán Hinds and Matthew Beard are intriguing and mix of good and diabolic as they can be without much effort. The underrated Carla Gugino perfectly handles a mysterious character whose motivations are unclear until the very end.

The only major critics could be; the pace that is sometimes a bit slow and those looking for pure horror will be disappointed; this is mix of science fiction and horror; but overall there are many interesting things to think about that will stay with you after the movie ends.

In brief; far from shallow a movie that deserves to be seen

I watched this movie last night and I have to say it is growing on me. The more I think about it, the more I like it. I certainly agree it is slow. It's intentionally slow, but excessively so. My wife gave up on it because of this. After making it through the whole movie, here is what I like:

It has some plot twists that are unexpected, but also make sense in the context of the movie. They don't come out of nowhere and I like the backstory the twists add.

The acting, especially by the lead actress, is great. I really thought she brought Elizabeth to life.

The brooding cinematography set the stage for the confined nature of the film. It was not excessively depressing though.

Overall, not a perfect movie, but I liked it a lot.

"Elizabeth Harvest" is an intricate indie thriller which does a great job at building up suspense and unease throughout.

We are introduced to Elizabeth (Abbey Lee) a beautiful new bride, being taken to her new high tech home by husband Henry (Ciaran Hinds). She meets the housekeeper, uptight Claire (Carla Gugino) and the blind, flower picker Oliver (Matthew Beard). As she tours the grand home, one room in particular catches her eye to which Henry forbids her from ever entering. Shocking discoveries and dark truths are what lies past the frosted glass door, but will Elizabeth enter?

Abbey Lee has had small bit parts throughout the past few years and so I was surprised at how great she was in the movie, although the British accent falters somewhat (she's Australian), she maintains our interest as the lead character. The rest of the performers are all on fine form too.

Quite a few twists and revaluations happen quick and fast, and these kick off pretty quickly actually (after the first 30 minutes). Overall, I'd recommend this indie thriller.

A woman is whisked away to her new mountain retreat by her enigmatic husband on her wedding day - it is clear everything is not what it should be.

This is a well made film with great acting and production and, to a minor extent, keeps you wondering. It does lack in story though.

The cast and characters are fantastic! Elizabeth is pretty and vapid like a doll - a counter point to Claire who is intelligent and has real sex appeal. Henry and Oliver are also great being both menacing and pathetic in their own ways.

The execution is very tight from Elizabeth's vacant witterings to the dirt under Henry's finger nails.

When all is said and done a lot of the story feels redundant and disjointed. The pace of the film is nice and leisurely setting up the characters with obvious care; but then - to get where the film wants to go - a lot of this has to be churned up.

With all the references to Fairy-tales and a malevolent patriarch this obviously has a theme of female empowerment and may appeal slightly more to a female audience but does not alienate men. Although a little too briefly it also touches on the pain of loss and, despite technology, the inevitability of death.