Totem

Really generic and stupid horror that thinks it appeals to hip teens.

Cheap scares, visions of figures in halloween makeup that then disappear and a slow and bland plot make this one of those write-off movies.

I sort of like how it ends though but I'm not sure it's worth the wait.

Folks, this is a decent horror flick. Its no Academy Award winner, but it doesn't suck either.

I saw TOTEM on Saturday 11/18/17 on HBO when it was rated as 4.3/10 and I'm glad I watched it despite the questionably low rating. Its got a good plot, some good scares, a cool plot-twist at the end, and is overall a decent horror flick.

Now I'll be the first to admit I watch movies for enjoyment - I'm not pretentious nor do I study a flick for tone, cinematography, screen writing, editing, lighting, sound, etc.

Albeit obvious, I'm an American conservative guy, and my favorite genre's are Horror/Suspense, Action/Adventure, Westerns, Crime/Legal, War/Military, etc. ... and I tend to keep my movie "reviews" simple.

I either:

1) Loved it - awesome

2) Liked it - not too bad, or

3) Hated it - it sucked

If you like horror movies and aren't bent on a movie being perfect, you'll like it - and yes it is worth the 90 minute investment in time, and the Red Box fee (if any). I almost gave it a 7 (its a very high 6).

Again, its no 10, but certainly is no 4 ...

Slow,poorly written and tiring. And that's just the first few scenes. It gets worse from there...

Father moves his emotionally needy girlfriend in with his two daughters and things go to hell from there. This was like a bad episode of a Lifetime drama series, except for it lacking drama or cohesion. It just gets worse as the minutes drag by.

Not going to spoil the "twist"...but let's just when you get there you wonder what took so long. It's a surprise; however, it's like winning the lottery when you are 90. It could have happened earlier and you'd have been more pleased if it had.

Dull film. Silly premise. Not worth the 96 minute run time.

The actors did a great job from what I could tell. The director, Marcel Sarmiento, is well known for Deadgirl, which I have not seen but many where hopeful he would top. Although Marcel is credited for writing the story, the story and screenplay was written by Evan Dickson, of which it is Evan's first feature film.

The movie starts off with an interesting premise and held my attention the first half. The cinematography is fine but later it becomes obvious they were working with a limited budget.

Two-thirds into the movie things start to go awry and although the pace picks up I felt the story gets more unbelievable not just in decisions that are made but with distractions that make it obvious there might have been editing issues.

The saving grace is there is a twist at the end that most people would not have seen coming but it was not enough for me to say it is a must see unless you are a fan of the actors or the director.

Kellie (Kerris Dorsey) is a 17 year old who spends her energy taking care of her father James (James Tupper) and younger sister Abby. Despite her objection, James invites longtime girlfriend Robin (Ahna O'Reilly) to live with them. Abby has not been sleeping. Kellie grows frustrated with newcomer Robin as she seeks solace from boyfriend Todd.

This is another Blumhouse product. They take a scatter gun approach to financing these small scale horrors. This one simply lacks intensity. It's a slow grinding horror. It has no particular atmosphere other than the suburban home vibe. There are all the traditional jump scares and the Poltergeist moves but nothing is new. Tupper and O'Reilly are not particularly special. I only know Dorsey as a child actress in Brothers & Sisters. She's mostly fine and does her transformation well. Most of this movie is a waiting game and it's an impatient wait. The motion detectors are almost interesting. The movie grinds on until the last act. The twist works well enough but it isn't enough. This needs more.