IMDb रेटिंग
7.9/10
1.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDocumentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.Documentary film that focuses on the period beginning with the birth of Motown in Detroit in 1958 until its relocation to Los Angeles in the early 1970s.
- पुरस्कार
- 1 जीत और कुल 3 नामांकन
William Stevenson
- Self
- (as Mickey Stevenson)
फ़ीचर्ड समीक्षाएं
If you like music you will like this. If you don't like Motown you won't like this. If you don't like music don't bother to watch it.
It was a brilliant documentary that gave me a greater insight to one of the greatest record labels in the world. Berry Gordy and Smokey Robinson were and are a great double act.
It was a brilliant documentary that gave me a greater insight to one of the greatest record labels in the world. Berry Gordy and Smokey Robinson were and are a great double act.
There have been a number of music documentaries that have covered the era in focus but I give this documentary high praise not just for presentation but on the focus of what actually drove Barry Gordy to start the Motown enterprise and to grow it.
Let me explain upfront I don't have the musical background or training required for making a truly honest assessment of the documentary but being that much of the focus is on the human element behind the music I can point out some key things.
On the entrepreneurial side, learning from failures, perseverance, belief in oneself, and having a vision is embedded in the story. Having everyone in the enterprise share that vision and understand it even more so.
I appreciate how he gives his parents credit for raising him with the values needed to be a success. Civil rights is discussed but ultimately having a vision that is color blind is shown to be more important. The diversity he brought to his enterprise and the use of everyone's talents shines through as well.
The music is great too and making wish there was a Motown collection that I can purchase or a soundtrack to the documentary with all the full songs on it.
It is a helpful watch for anyone considering starting a business regardless of field. Barry Gordy shares credit with Smoky Robinson and others but for me it was clear he was the one driving the train..
P.S. Looking forward to comments from professional in the industry as well.
Let me explain upfront I don't have the musical background or training required for making a truly honest assessment of the documentary but being that much of the focus is on the human element behind the music I can point out some key things.
On the entrepreneurial side, learning from failures, perseverance, belief in oneself, and having a vision is embedded in the story. Having everyone in the enterprise share that vision and understand it even more so.
I appreciate how he gives his parents credit for raising him with the values needed to be a success. Civil rights is discussed but ultimately having a vision that is color blind is shown to be more important. The diversity he brought to his enterprise and the use of everyone's talents shines through as well.
The music is great too and making wish there was a Motown collection that I can purchase or a soundtrack to the documentary with all the full songs on it.
It is a helpful watch for anyone considering starting a business regardless of field. Barry Gordy shares credit with Smoky Robinson and others but for me it was clear he was the one driving the train..
P.S. Looking forward to comments from professional in the industry as well.
I mean...seriously...
I thought I was fairly familiar with most of thees songs....but the mark of a great documentary is hearing something familiar in a new and different way....
I mean....the way they break down the arrangement of The Temptation's " My Girl" is a revelation....hearing those classical music arrangements...they were there the whole time and I never noticed it.....that's what this film does.....as Bill Hader's Stephane character would say..." It Has Everything"
My only beef...and it's a small one...is that the story ends mid-70's....so they don't even touch disco....or losing the Jacksons....no mention of the second wave of Motown in the mid-80's ....but then this would have to have been a mini-series...
.
I mean....the way they break down the arrangement of The Temptation's " My Girl" is a revelation....hearing those classical music arrangements...they were there the whole time and I never noticed it.....that's what this film does.....as Bill Hader's Stephane character would say..." It Has Everything"
My only beef...and it's a small one...is that the story ends mid-70's....so they don't even touch disco....or losing the Jacksons....no mention of the second wave of Motown in the mid-80's ....but then this would have to have been a mini-series...
.
This love letter of a doc celebrates the astonishing success of the Detroit-based record label during the '60s, when its artists included The Supremes, The Jackson 5, Stevie Wonder and Marvin Gaye. British co-directors Benjamin and Gabe Turner conduct interviews with founder Berry Gordy Jr and Smokey Robinson, who explain the assembly-line principles behind the hit factory. If Hitsville feels like a sanitised account, the Motown records featured - which crossed social and racial divides in America - remain gloriously life-affirming.
Very rarely is there a film or documentary that begs for more background and material to be presented, most are in need of serious editing to eliminate needless repetition or boring monologues by so-called subject experts or narrators. (Virtually any Ken Burns doc) However, Motown Records is such an incredible story with has so much material and so many fascinating stories about the talented performers, musicians, writers, arrangers and execs who made Motown Records well deserving of it's "Hitsville USA" slogan. Loved the footage that was shown but 1:52 isn't nearly enough time to the subject give proper credit it deserves.
क्या आपको पता है
- ट्रिवियाDiana Ross and Gladys Knight are notable omissions of living Motown artists who only appear in archival footage and not new interviews for this documentary.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Hitsville: The Making of Motown?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $3,64,013
- चलने की अवधि
- 1 घं 52 मि(112 min)
- रंग
- पक्ष अनुपात
- 1.78 : 1
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