एक होटल जो अमरीका के दो राज्यों की सीमा के बीच में स्थापित है, वह एक साथ कई मासूम दिखते मेहमान रहने आते है, पर धीरे धीरे हर किसी के राज़ खुलने चालू होते है और, सच सामने आता है.एक होटल जो अमरीका के दो राज्यों की सीमा के बीच में स्थापित है, वह एक साथ कई मासूम दिखते मेहमान रहने आते है, पर धीरे धीरे हर किसी के राज़ खुलने चालू होते है और, सच सामने आता है.एक होटल जो अमरीका के दो राज्यों की सीमा के बीच में स्थापित है, वह एक साथ कई मासूम दिखते मेहमान रहने आते है, पर धीरे धीरे हर किसी के राज़ खुलने चालू होते है और, सच सामने आता है.
- पुरस्कार
- 2 जीत और कुल 12 नामांकन
London Morrison
- Angela Harris (Vesta's Backup Singer)
- (as London A. Morrison)
फ़ीचर्ड समीक्षाएं
I really wanted to like this movie. For about the first hour, I really did, but by about the two-hour mark I was ready for the film to end, and by the time the credits rolled I found myself walking from the theater slightly disappointed. "Bad Times at the El Royale" was written and directed by Drew Goddard ("Cabin in the Woods"), a man whose work I've been largely split on, but whenever he hits the nail on the head, his stuff really works for me. This film started off great; there were lots of great twists and turns, memorable and diverse characters, and a mysterious premise. But as the film rolled on, and the character's secrets were unveiled, I found myself growing disenfranchised with the film. Goddard continuously hints at darker things happening, but he never really delivered what he promises. The movie felt like it was trying to emulate the overlapping storylines of "Pulp Fiction", and even some of the dialogue felt like it was Tarantino-esque, but Goddard never quite reaches the level of snappiness Tarantino infuses into his films. Goddard's writing seems uneven; some of the lengthy dialogue scenes are great, while others are dull, borderline boring.
It is a surprising , perfect puzzle. All is familiar. And you feel that more than you know. The build up is incredible, the mix of western, policier, horror and adventure, war and Tarantino, conspiracy theory, few drops of Scorsese and few crumbs of romance are almost incredible. A film admirable crafted. And that - from impecable story to the acting are ingredients defining it as real special.
Writer/director Drew Goddard's Bad Times at the El Royale is a long and entertaining sendup of Quentin Tarantino's crime world (think Hateful 8 and Pulp Fiction), post-Tarantino caper movies, and a bit of Hitchcock for suspense. It's the late 60's when eccentric characters converge on the seedy El Royale motel to recover cash from a heist 10 years ago hidden under the floorboards of a room.
By far the most interesting visitor is Father Daniel Flynn, aka Dock O'Kelly (Jeff Bridges), who set the heist in motion back then, did time for it, and returns to the half-closed motel to recover the loot. As symbol of a corrupt society that still clings to some semblance of religiosity, Flynn navigates the other crooks with caution.
Until the incarnation of the devil, or at least Charles Manson, arrives, Billy Lee (Chris Hemsworth), muscled and amoral but not loath to preach about a simple life for his devotees and seek the money for himself. With the motel's roaring fireplaces enfolding these untrustworthy survivors, Goddard must surely be thinking of hell on earth as earthlings grapple for lucre.
Surprises abound (be careful with that shotgun!), and not all the players make it out alive. Heck, even undercover cops are vulnerable. And women, watch out, for the bad girls are trigger happy. The exception is a lounge singer, Darlene Sweet (impressive Tony winner, Cynthia Erivo), who needs to hookup with the corrupt priest to escape this hell, but with loot.
The location is Lake Tahoe on the border of Nevada and California, a figurative crossroads for everyone, where the wrong step can take you to life or death. I'm beginning to sound like Twilight Zone's Rod Serling, and rightfully so because there's a claustrophobia to these surroundings, wherein the sins of mankind are scrutinized for their immorality, where redemption is rare, and a lesson can be learned.
As Father Flynn candidly comments, "I'm Old. S**t happens. Get the whiskey." That's Goddard's charmingly amoral world, where even a priest has issues.
By far the most interesting visitor is Father Daniel Flynn, aka Dock O'Kelly (Jeff Bridges), who set the heist in motion back then, did time for it, and returns to the half-closed motel to recover the loot. As symbol of a corrupt society that still clings to some semblance of religiosity, Flynn navigates the other crooks with caution.
Until the incarnation of the devil, or at least Charles Manson, arrives, Billy Lee (Chris Hemsworth), muscled and amoral but not loath to preach about a simple life for his devotees and seek the money for himself. With the motel's roaring fireplaces enfolding these untrustworthy survivors, Goddard must surely be thinking of hell on earth as earthlings grapple for lucre.
Surprises abound (be careful with that shotgun!), and not all the players make it out alive. Heck, even undercover cops are vulnerable. And women, watch out, for the bad girls are trigger happy. The exception is a lounge singer, Darlene Sweet (impressive Tony winner, Cynthia Erivo), who needs to hookup with the corrupt priest to escape this hell, but with loot.
The location is Lake Tahoe on the border of Nevada and California, a figurative crossroads for everyone, where the wrong step can take you to life or death. I'm beginning to sound like Twilight Zone's Rod Serling, and rightfully so because there's a claustrophobia to these surroundings, wherein the sins of mankind are scrutinized for their immorality, where redemption is rare, and a lesson can be learned.
As Father Flynn candidly comments, "I'm Old. S**t happens. Get the whiskey." That's Goddard's charmingly amoral world, where even a priest has issues.
Just watched this for the first time after stumbling across it on demand. Figured I would give it a chance, since I loved Cabin in the Woods and Jeff Bridges is one of my favorite actors. I'm no film major or snooty critic, just a guy that enjoys movies. It is definitely a film that pays homage to QT, Coen Bros, etc, but I don't think it is trying to be one of their films as others have said. I'm impressed when a director can pull off an interesting story that takes place in a small setting, such as Hateful Eight, Cloverfield Lane, Devil, Insomnia etc. At nearly 2.5 hours, I didn't feel like the movie was too long, and there were several twists to keep it interesting. I believe all good artists are influenced by their predecessors, but they also put their own spin on it. I think if you are a fan of the above directors, you will enjoy the movie. Just don't try and hold it to QT standards.
I didn't expect much from this movie when i started it but it was very interesting and good. The story is pretty interesting and the build up is also perfect. It keeps you waiting shrouding you with mystery. The cast is perfect. Personally i thought Jeff bridge's performance was perfect. The other cast also give a solid performance. All in all the movie is very enjoyable and i definitely recommend it
क्या आपको पता है
- ट्रिवियाThe El Royale was built from scratch on a sound stage with much of the furniture and decor being custom made (including branded matchboxes and coasters for the bar). The color scheme was meticulously set out so that the California side was mostly yellows and oranges, while the Nevada side was purples and blues. Red was reserved for the borderline, jukebox, and chandelier, while green is almost entirely absent until the end.
- गूफ़Mental degradation or impairment in the elderly that was diagnosed in the 1960s would have been lumped under the commonly understood designations of "senility" or "dementia" rather than Alzheimer's, especially when discussing the diagnosis with a patient. Alzheimer's as a common diagnosis was still almost two decades away.
- भाव
Father Daniel Flynn: Miles, I fell down. I'm old. Shit happens, get the whiskey.
- क्रेज़ी क्रेडिटThere are almost no opening credits. Only the film's title is shown after the first scene.
- कनेक्शनFeatured in Tamara Just Saw: Bad Times at the El Royale (2018)
- साउंडट्रैक26 Miles (Santa Catalina)
Written by Bruce Belland and Glen A. Larson (as Glen Larson)
Performed by The Four Preps
Courtesy of Capitol Records
Under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- एल रोयाले में बुरा समय
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,78,39,115
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $71,32,647
- 14 अक्टू॰ 2018
- दुनिया भर में सकल
- $3,18,82,724
- चलने की अवधि
- 2 घं 21 मि(141 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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