IMDb रेटिंग
5.8/10
3 हज़ार
आपकी रेटिंग
शिकागो में रहने वाला एक युवा अफ्रीकी-अमेरिकी एक समृद्ध व्यवसायी के लिए चालक के रूप में काम पर रखने के बाद धन और शक्ति की एक मोहक नई दुनिया में प्रवेश करता है।शिकागो में रहने वाला एक युवा अफ्रीकी-अमेरिकी एक समृद्ध व्यवसायी के लिए चालक के रूप में काम पर रखने के बाद धन और शक्ति की एक मोहक नई दुनिया में प्रवेश करता है।शिकागो में रहने वाला एक युवा अफ्रीकी-अमेरिकी एक समृद्ध व्यवसायी के लिए चालक के रूप में काम पर रखने के बाद धन और शक्ति की एक मोहक नई दुनिया में प्रवेश करता है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 4 जीत और कुल 7 नामांकन
Aaron Moten
- Tony
- (as Aaron Clifton Moten)
Stephen McKinley Henderson
- Mr. Green
- (as Stephen Henderson)
Alan B. Jones
- Detective Calhoun
- (as Alan Bomar Jones)
फ़ीचर्ड समीक्षाएं
McCarthyism drove Richard Wright away from his land ;he sought refuge in France where his novels were already famous ;so the first adaptation (by himself) was filmed in Argentina by French Pierre Chenal ,a film noir past master ; a colossal mistake was to have the writer play the part of Bigger (25) when he was in his forties; in spite of that ,the film is estimable.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
I think this can only be seen as a metaphor because this "plot" can not be taken serious. For one hour the movie is alright even though is is poorly structured since usually within the first half hour you get what the story is about. Here you got no direction.
At one point our main character will do something unbelievable. I mean that in the literal sense. It is so ridiculously contrived to create drama that it is laughable. At this point it is as if you are watching a whole different movie. It becomes more of a montage and totally falls apart underlined by the unnecessary and pretentious voice over. Sad thing is there was very good acting in here.
At one point our main character will do something unbelievable. I mean that in the literal sense. It is so ridiculously contrived to create drama that it is laughable. At this point it is as if you are watching a whole different movie. It becomes more of a montage and totally falls apart underlined by the unnecessary and pretentious voice over. Sad thing is there was very good acting in here.
In his imagination a black guy hooked up with a white girl which never happened.
Was slow burning movie but well acted and good finish.
6.2
Was slow burning movie but well acted and good finish.
6.2
I don't usually write reviews, but since I did not find any sound review here, here it is.
The movie builds up great, great character development, good acting, intriguing plot; and then the third act begins, and it's all downhill from there. All buildup and character development stare into abyss upon an obvious climax. The realism that was there in the first two acts dies in the third act, and questionable choices are made in the plot, which makes you doubt whether there are different writing teams for Native Son. P.S I haven't read the book.
I think this will suffice.
Native Son had the makings of a great film - setting, cinematography, cast, story... the plot builds, the characters are developed, and then - a sudden tragedy after which it felt like someone pulled the plug on the film.
Was it a lack of innovation with the screenplay? Was the film's budget exceeded?
Such a shame to develop a main character to this degree, and then basically shut the movie down.
Was it a lack of innovation with the screenplay? Was the film's budget exceeded?
Such a shame to develop a main character to this degree, and then basically shut the movie down.
क्या आपको पता है
- ट्रिवियाAdapted from Richard Wright's novel of the same name.
- कनेक्शनRemake of Native Son (1951)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Native Son?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 44 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें