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"Cold War" is an overrated romance with magnificent cinematography and chemistry of the lead couple. Unfortunately the storyline of two lovers incapable to be together or distant from each other is not attractive despite some good moments. My vote is seven.

Title (Brazil): "Guerra Fria" ("Cold War")

It took me almost a year to rewatch Cold War, not for lack of want, but for how hard film was to revisit. The pain, torment and anguish is very tangible, and despite the fact the key characters keep making terrible mistakes that lead them into worse and worse positions, I can't help but feel I would make the same steps. What else do you do when you can't stand each other, but you can't stand to be apart from each other? Is this love? Or is love a concept mislabeled, propelled by films like this that seem to glorify harmful and destructive relationships by malicious and foolish people?

Shot in sumptuous black and white, with a stunning soundtrack and stellar performances, Cold War is not a romance film, but rather a tragedy. You know the end when you start, but you drag yourself through the mud to reanalyse every single painful detail. A film that never answers any questions, but lets you resonate with the relationship, actions and consequences of these ill pared, out of sync lovers. Oh oh oh.

The first thing to state about this beautiful movie is that it's monochrome. So stunningly so that at times you feel you are in a photographic gallery rather than a cinema. The quality of the cinematography is quite extraordinary thanks to Lucas Zal.

It's also in 4:3 format. Not the square format of Instagram, but close.

We don't see 4:3 very often these days but Wes Anderson used it to immense effect in Grand Budapest Hotel and so did Lazslo Melis in Son of Saul.

It's an engaging format that draws you in. It suggests a time before cinemascope (16:9 etc) and only really works in period cinema of a time.

This time.

But it also lends itself to incredible framing, such as when our female protagonist floats down a river gradually disappearing out of shot, and later in the movie when the chief protagonists leave a bus and walk out of frame in a composition that Henri Cartier Breson would be proud of.

It's one of the most beautiful movies I've seen in many years.

In truth that's probably its biggest strength.

It is, but it isn't really, narrative driven. More episodic than story driven but it does tell a tale about director Pawel Pawlikowski's parents' love affair set against the Cold War backdrop in his native Poland.

It's fairly sordid in a way (his mother was abused by her father as a child) but without anything shocking to see.

Imagine, yes.

The two leads ( Joanna Kulig and Tomasz Kot) are magnificent. Brooding, beautiful (although unconventionally so) and real.

Lucas Zal has a great time dwelling on three particular things. Crowd shots. Amazing, Dance sequences. Amazing. Joanna Kulig (the lead). Amazing.

In particular, Joanna Kulig has a stand out performance. She's not one to show her enjoyment in life. Sullen most would say. But it is an immense performance.

It's a love story, set against the challenges that Cold War Poland put in front of people of artistic belief where communist doctrine made creativity very difficult.

What Pawel Pawlikowski achieves is a mood piece of exemplary, peerless really, detail.

And it's a musical.

I was constantly drawn to comparing it to La La Land, yet it is so NOT La La Land. Partly it's down to Kulig who shares the unorthodox looks (beauty) of Emma Stone. Partly it's the framing of Zal.

And the music fuses from Polish country folk to French basement jazz (which La La Land would have been so comfortable with).

This is an Oscar nomination shoe in. It's absolutely brilliant.

And, at 88 minutes, certainly does not outstay its welcome.

Bravo!

A Straight 10 from me.

A musician and his muse carry out an on-again-off-again romance in the two decades following WWII.

"Cold War" left me feeling like my lack of understanding about Poland and post-war Polish identity prevented me from fully appreciating this movie. The whole time I was watching it, I felt like there was something I was missing. But I have to judge a movie based on my personal reaction to it, and this one left me cold. The two leads have little chemistry, and the movie doesn't make a compelling case that these two damaged souls can't live without each other. We're just told they can't, but we're never shown. Because I didn't care about their relationship, and I didn't much care for them as individuals (we never learn very much about either of them), I never felt vested in anything happening and I couldn't care less about whether they ended up together, apart, alive, or dead.

The film has some rapturous followers, so I'll have to just live with the fact that I missed the boat on this one.

Nominated for three Oscars at the upcoming 2018 Academy Awards: Best Foreign Language Film (Poland), Best Director (Pawel Pawlikowski), and Best Cinematography.

Grade: B-

Well, first off, the cinematography was not underrated. It is incredibly beautiful in a way that American Filmmakers have almost seemed to forget. We live in an era of cinema where color and computer graphics are our main tools for communicating at the theater. We want bigger (IMAX), louder/immersive (Atmos), and flashy/bright/color epileptic seizure inducing displays of digital fireworks.

Don't get me wrong. I love a movie that blends those things effectively, but there is a simple beauty to a black and white, 4x3 frame. The main thing I see in this sort of film is light. With no color to distract you, the emphasis of the film revolves around areas of light and dark.

The diffuse soft light of the cold air in winter and a stand of trees gains a mystical quality sometimes as the snow which clings to the dark trunks of trees seems to disappear into the distant fog. The hard light of a night club is seen for what it is, small sliver of light in a darkness that people long to disappear into and can't seem but help to be consumed by.

"Cold War" uses this light effectively as neither the star of the show nor a simple utilitarian instrument. It communicates an emotion that can't be portrayed through acting or production design alone.

The story is a classic one. A couple, torn apart by the love that binds them together and the forces of the world which conspire to keep them apart. Honestly, it's the main weakness of the film. I don't begrudge it that hard though. It was made by a Polish director and this is his own country's history and I'm sure there is a reason that that the war torn romance is a classic of literature and cinema. People identify with it.

In "Cold War," Zula is a young woman trying out for a Polish Heritage singing and dancing troupe. Wiktor is the director and, upon her first audition, he is intrigued by her. As they work together the troupe gains popularity till the state expresses interest in sponsoring the show. Wiktor doesn't like the control that the state is exerting over his art so he plots with Zula to escape Communist rule through Berlin.

They agree, but Zula gets cold feet and doesn't meet him at the rendezvous, opting instead to stay in Poland. The rest of the film revolves around a romance that only finds expression in passing as her career eventually takes her out of Poland and the the two of them reconnect and struggle with life abroad.

"Cold War" isn't a film for everyone. It's a little slow and reserved. The passion of their love is very muted, seeming more like passing interest at times than a fiery love affair and that makes it hard to connect with the characters at times.

Slow Cinema is seeing a bit of a resurgence right now, though, so it wouldn't be a bad idea to check out a highly acclaimed movie which exemplifies this style without falling into the trap of a 3 hour runtime as many slow cinema films do.

At a tight hour and a half, there are few people who can't afford to see something a little outside of their comfort zone. I certainly enjoyed it and more so even as I think about the film and the themes it presents once I left the theater.