1970 के दशक के न्यूयॉर्क शहर में स्थापित, द कॉन्टिनेंटल एक युवा विंस्टन स्कॉट की आंखों और कार्यों के माध्यम से देखे गए जॉन विक ब्रह्मांड के प्रतिष्ठित होटल-हत्यारों के केंद्रबिंदु की उत्पत्त... सभी पढ़ें1970 के दशक के न्यूयॉर्क शहर में स्थापित, द कॉन्टिनेंटल एक युवा विंस्टन स्कॉट की आंखों और कार्यों के माध्यम से देखे गए जॉन विक ब्रह्मांड के प्रतिष्ठित होटल-हत्यारों के केंद्रबिंदु की उत्पत्ति की पड़ताल करता है।1970 के दशक के न्यूयॉर्क शहर में स्थापित, द कॉन्टिनेंटल एक युवा विंस्टन स्कॉट की आंखों और कार्यों के माध्यम से देखे गए जॉन विक ब्रह्मांड के प्रतिष्ठित होटल-हत्यारों के केंद्रबिंदु की उत्पत्ति की पड़ताल करता है।
- 1 प्राइमटाइम एमी के लिए नामांकित
- 1 जीत और कुल 5 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
The Continental is an intense, Gotham styled dark Action thriller with similar feels we got from John Wick. Was quite good, but a little less than the expectations. Cinematography and the Deep Photography made it look cool.
One thing I liked about the John Wick Universe was no concept of Cops, making this universe more deep. But, The Continental brings the concept of the department of law, other than the uniqueness of 'High Table' only, which would make me deduct a star in the ratings.
Expecting some more kick offs from the Universe, and hope the others will bring more deadly Guns, ballistics and drama like the "Real John Wick Style"!
One thing I liked about the John Wick Universe was no concept of Cops, making this universe more deep. But, The Continental brings the concept of the department of law, other than the uniqueness of 'High Table' only, which would make me deduct a star in the ratings.
Expecting some more kick offs from the Universe, and hope the others will bring more deadly Guns, ballistics and drama like the "Real John Wick Style"!
Don't hate me, but what I enjoyed most about this first season of The Continental was the soundtrack and appropriate use of a song. It may be my age but I loved hearing Gerry Rafferty's "Right Down the Line", Harry Nilsson's "Without You", Santana, and especially Dinah Washington's "What A Difference A Day Made". In fact I am not sure that I have seen a song used as well as "what a difference" and "without you". As someone who listens to lyrics I really appreciated this appropriate usage.
Aesthetically the three episodes were absolutely beautiful with some really great choices made...although I am serious about my mind glitching occasionally between some of the 20's Art Deco style choices intermixed with the 1970's time period of the majority of the show. Overall, the sets were spectacular...I particularly liked the use of an old abandoned theatre. It added an interesting touch of macabre.
The acting was well done and I like the cast of characters that they have assembled...but really question the choice of naming the series The Continental as this is less of an origin story of The Continental Hotel or the High Table (which fans like my husband were really hoping for) and more of an origin story of how Winston came to be the proprietor of The Continental with Charon. Maybe the series should really have been called Winston.
I have always looked at the John Wick franchise as pure escapism with lots of violence and a rough plot where there are players in a game and everyone outside of the game. The Continental fit into this type of escapist entertainment and for that I highly recommend it. As a woman, I really appreciate that there are some strong female characters in a world that seems very male oriented...Mazzy, KD, Lou, Yen, Gretel, the adjudicator. It was nice to see them on both sides of the equation too(good and bad). I liked the circular storyline with KD's character, that gave season one something of a story. I was a little disappointed that Hansel and Gretel were not of a Germanic ethnic background...that would have been appropriate. I was grateful that we got a final glimpse of the adjudicator's face...adding to the victorious climax.
I thought Ray McKinnon was a real scene stealer as Jenkins and I really enjoyed his laidback southern character.
Overall I thought the three part season one was fun and entertaining, with a gorgeous aesthetic and soundtrack and just the right amount of action and story. I would definitely watch more and I recommend it to both John Wick fans and fans of fantasy escapist action series.
Aesthetically the three episodes were absolutely beautiful with some really great choices made...although I am serious about my mind glitching occasionally between some of the 20's Art Deco style choices intermixed with the 1970's time period of the majority of the show. Overall, the sets were spectacular...I particularly liked the use of an old abandoned theatre. It added an interesting touch of macabre.
The acting was well done and I like the cast of characters that they have assembled...but really question the choice of naming the series The Continental as this is less of an origin story of The Continental Hotel or the High Table (which fans like my husband were really hoping for) and more of an origin story of how Winston came to be the proprietor of The Continental with Charon. Maybe the series should really have been called Winston.
I have always looked at the John Wick franchise as pure escapism with lots of violence and a rough plot where there are players in a game and everyone outside of the game. The Continental fit into this type of escapist entertainment and for that I highly recommend it. As a woman, I really appreciate that there are some strong female characters in a world that seems very male oriented...Mazzy, KD, Lou, Yen, Gretel, the adjudicator. It was nice to see them on both sides of the equation too(good and bad). I liked the circular storyline with KD's character, that gave season one something of a story. I was a little disappointed that Hansel and Gretel were not of a Germanic ethnic background...that would have been appropriate. I was grateful that we got a final glimpse of the adjudicator's face...adding to the victorious climax.
I thought Ray McKinnon was a real scene stealer as Jenkins and I really enjoyed his laidback southern character.
Overall I thought the three part season one was fun and entertaining, with a gorgeous aesthetic and soundtrack and just the right amount of action and story. I would definitely watch more and I recommend it to both John Wick fans and fans of fantasy escapist action series.
It's decent show if watched as intended - prequel to John Wick's movies. Even so, it bizarrely gives John Wick level skills and power to a bunch of random and useless characters (basically everyone in the crew), who somehow almost all make it out alive in the end. The whole idea of this universe is that John is simply superior to a huge variety of enemies. The twins are by far the best characters besides young Winston and Charon and how can they possibly be defeated by irrelevant folks with superhuman resistance who literally pull off magic victories like John's? It was pretty clear the showrunners didn't want to kill them in the show, and for that they shifted the balance of skills which makes the show credible within its universe. Also some storylines were very strange for a show with this purpose (like the "Asian on Black racism"). Overall the 80s setting didn't benefit the ambiance which sufffers from this obsession of lower budget showrunners with playing songs every other minute, in a vibe that was so upbeat that felt like a movie about weed dealers in a nightclub than John Wick's characteristic somber and grandiose feel. All in all, it's not horrendous but you'll catch yourself rolling your eyes more than once during this.
Loved the world building. Loved Period music. Love Period sets. All Stellar. The writing and plot progression is a problem. The plot suffers from contrived plot armor and plot conveniences in critical plot moments, which is sad as this could have become a GREAT TV experience. Instead of this becoming Wick Canon/Lore -This is "Meh".
The plot needed better story /commonsense/ sequencing interconnects, vs. Script convenience. The big example of this is the McConnor resolution scene where a supporting character appears out of no where without context to complete the main deliverable of the plot. This was "Almost" a great TV. Just because this is an action movie, doesn't mean it should not have a logical, world based plot.
The plot needed better story /commonsense/ sequencing interconnects, vs. Script convenience. The big example of this is the McConnor resolution scene where a supporting character appears out of no where without context to complete the main deliverable of the plot. This was "Almost" a great TV. Just because this is an action movie, doesn't mean it should not have a logical, world based plot.
Been skeptical/meaning to watch and it's a great take on the epic John Wick lore. Best aspects is the thrilling action, fancy scenery, and is fairly well made! I don't know why this was a mini series but I love anything one man army like and charming like this. I would say Keanu is better at Wick otherwise not to bad, Collin Woodell is great too and probably gets a lot better! Continental seems to be missing something not sure what I still like it for what it is although I haven't felt well lately so that's a little bit of it. The music is genius plenty of excitement and great vibes I'm sensing; solid experience.
क्या आपको पता है
- ट्रिवियाWinston drives the same 1969 Ford Mustang Mach 1 as John Wick does in the first 2 movies.
- गूफ़At minute 1:27:00 in the third episode, a moving shadow mysteriously appears on the dead person, suggesting an unintended behind-the-scenes presence. Oops.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does The Continental have?Alexa द्वारा संचालित
- Will Keanu Reeves be in "The Continental" ?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- The Continental: From the World of John Wick
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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