The Monkey King 3

Apart from the graphics ,there is different plot to original story . there is quite decent comedies and added story which isnt necessary in the movie. anyway the actress is beautiful too. its a family show. if u r into heavy stuff,then its not for u. if u wanna decent laugh and eyeball popping,recommend u n ur children watch it.

"The Monkey King 3: Kingdom of Women," released in 2018, takes a distinct turn in the franchise, shifting its focus from predominantly action-driven sequences to a more character-centric narrative, with a strong emphasis on romance and interpersonal relationships. This installment delves into the "Women's Country" arc from "Journey to the West," providing a unique and somewhat controversial interpretation of the classic tale.

One of the most notable aspects of "The Monkey King 3" is its departure from the heavy reliance on large-scale action sequences that characterized the previous films. Instead, the film dedicates significant screen time to exploring the emotional dynamics between the characters, particularly Tang Sanzang and the Queen of the Women's Country. This shift in focus allows for a deeper exploration of themes such as love, desire, and the challenges of adhering to spiritual vows.

Aaron Kwok returns as Sun Wukong, providing a consistent and compelling portrayal of the character's mischievous yet loyal nature. Feng Shaofeng's Tang Sanzang is also central to the story, and the film dedicates much time to his internal conflict between his religious duties and his burgeoning feelings for the Queen. The Queen of the Women's Country, played by Zhao Liying, adds a new and interesting element to the story.

However, the film's emphasis on romance has drawn mixed reactions from audiences. While some appreciate the attempt to explore the characters' emotional depths, others find the romantic subplot to be forced and out of place within the context of the "Journey to the West" narrative. Critics also pointed out that the films handling of gender roles was at times clumsy.

Visually, "The Monkey King 3" maintains the franchise's high standards of special effects and production design. The depiction of the Women's Country and its inhabitants is visually stunning, with vibrant colors and intricate details. However, the decreased emphasis on action sequences may disappoint viewers who were expecting a more action-packed experience.

In essence, "The Monkey King 3" represents a significant departure from the previous installments, prioritizing character development and romance over action and spectacle. While this shift in focus may not appeal to all viewers, it offers a unique and interesting interpretation of the "Women's Country" arc. The film's impressive visuals and solid performances contribute to its overall entertainment value, even if its narrative choices are somewhat divisive.

Nothing special on this film and too much CGI using , this is when China got CGI ,China have a lot of location that very extraordinary but they choose to using CGI

"The Monkey King 3" takes a slightly different approach compared to its predecessors. While still maintaining elements of action and adventure, the film shifts its focus towards romance and human emotions. This change might be polarizing for fans who were expecting a more action-packed and faithful adaptation of the source material. However, it offers a fresh perspective and allows for character development in unexpected ways. One of the notable aspects of the film is its attempt to address themes of gender identity and inclusion. The introduction of a female character into the mix adds an interesting dynamic to the group and sparks discussions about gender roles and expectations. While the film's exploration of these themes is commendable, it's worth noting that the execution might not satisfy everyone, and some viewers might find it overly simplified or contrived.

Overall, "The Monkey King 3" is a departure from its predecessors in terms of tone and focus. Its blend of fantasy, romance, and character-driven storytelling, along with its impressive visual effects, makes it a fascinating addition to the series. However, it's important to approach this film with an open mind, as it diverges from the traditional interpretation of the "Journey to the West" narrative. Fans of fantasy films with a touch of romance and a willingness to explore new dimensions of well-known characters might find this installment intriguing.

Yes, it has its flaws. Yes, the plot is bad... but it's so bad it's good! It reminds me of 1994's "Street Fighter: The movie" with Jean-Claude Van Damme and the late, but glorious, Raoul Julia.

Just turn off your brain and enjoy the cringiness, the ovesaturated color schemes, the butt-naked jokes, the cartoonish acting and what was probably the first case of mpreg in the History of Literature.

In fact, under the layers upon layers of bad movie-making decisions lay the roots of what could've been a great story. All they needed to do was to establish a proper villain.

Let me fix it. They already had what they needed: the women of Womanland aren't "free" from men; they are trapped inside of a gilded cage.

How simple it would've been to push that theme. Just have the Royal Perceptor want to take the throne (and be secretly aware that they are poisoners, but not caring)... At the same time, have the fortune-teller be aware that they are prisoners, but unable to use the information... until she sees Wukong decide to give the Sacred "no-baby" Water to his friends.

With just that little modification, everything falls into place.