El árbol de la sangre

Watch this movie to witness a really unique way of recap and story telling. And watch this for the most beautiful Spanish countrysides.

Two young lovers join hands together to document the history of both families. They remember events about their parents, grandparents and closed family friends. And realize finally how they are still together.

This way of storytelling is really different, but the incidents and events happened in their and their parent's lives are quite strange and abnormal. Frankly, I enjoyed this one only because of the unique representation and because of exceptionally beautiful locations and shots.

At first sight, the main good point is the title. Near the effort to offer a family story in its details, dramas, tensions, loves and secrets.

But, without can define the motif, the story remains beautiful but less convincing.

A story of roots, a house and a tree in countryside, two young people composing the stories of their parents in a large, fascinating in essence , puzzle.

The result a not bad Spanish film , with touches of soap opera and few scenes just lovely. I desired to define it as a great film. Unfortunately , I saw it only as a decent one, not ignoring my high expectations. But, sure, a reasonable work.

This gripping tale moves with fast intensity to weave a complex story, uncoiling to reveal the details that allow the joining of dots, just as the characters themselves unearth and share the family secrets which create the big picture. Vivid characters are played to the core with operatic emotion in their playful journey of self and mutual discovery. Story, settings, languages and and stunning fiming cover distinct regions of Spain to ultimately unite them in their viscerally connected way. This film is larger than life, totally gripping and needs several rewatches to gather up all the whirlwind strands - a carefully crafted and unique offering.

Yet another great Spanish movie. It provokes you to engage in the storyline emotionally. The plot follows the pace of the events, which just overtake you. Crucial and underestimated subjects are discussed (or not) as secrecy, sacrifice, devotion, sense of duty, decency. It was a rollercoaster of emotions and thoughts. The amazing thing is, it embraces you to feel and think along the movie. You are allowed to create your own opinion, through your perspective, there are no boundaries, no villains or heroes. Just people following their intuition and feelings. The realism of it, contrasts the surrealism of the events, without the one overshadowing the other. I didn't find it slow. Each character was allowed enough screentime to be understood completely. I admired the metaphors, the symbolism, the use of tradition and its impact on peoples' insticts. That's what European cinematography is about. Amazing movie. Investment of time.

This is very well acted, filmed, and produced, but disruptively structured, with a plot weakness and too much left unsaid. And call me a naïve idealist, but I was unhappy that the ending leaves Justice imperfectly satisfied. Or rather, that the main characters seem to have no problem with the final status quo.

And so, "The Tree of Blood" is difficult to rate. I wanted to know, what was the big secret of Rebeca's and Marc's relationship? Getting there was an interesting pain in the rear. Interesting, because a great deal is going on; the film is full of intrigue, action, love, lust, and betrayal; the main characters win our sympathy. A pain because of shifts back and forth in time, the necessarily large number of inter-related characters to track, and the short shrift given to a few details.

The setting shifts repeatedly between past and present, and in several scenes, characters of the present are shown standing in the action of the past, watching but not interacting. This disrupts the flow, yes, but not horribly so. Where the structure fails is that it falsely implies that Rebeca's and Marc's storytelling - the wrapper around the events of the past - are a fact-finding mission. You realize in the end that she had all the facts before they began, and only one key event was unknown to him.

The presence of Russian and Ukrainian mafias in Basque Country, and especially why they should happen to conflict with the other characters, was unclear. Perhaps - although I doubt it - events such as these are so taken for granted in Spain that they literally need no introduction. The rest of us could have used some clarity.

As symbology, the tree itself fell flat.

Julio Medem also directed "Sex and Lucia", which had a somewhat less convoluted plot structure and which worked much better in the end. And his "Room in Rome" was almost purely linear, but still spellbinding. "The Tree of Blood" just doesn't quite measure up to those works.