Bamui haebyun-eoseo honja

Was it entertaining? No. But it was a hell of a good movie. It is worth watching. The silence is powerful and I thoroughly am grateful that I watched trough it. I really do recommend it for anybody who is maybe feeling empty or lonely. If you have free time or enjoy this sort of cinematic movies you should watch it.

It isn't captivating or like the most popular mass production media, it simply holds you there.

The long shots after leaving a scene, it makes you feel like you walked into another persons life for a split second.

Watch this movie. I'm almost in tears after it ended.

Don't watch it when you are looking for time passing, watch it with intent. Because I promise you if you don't you will drop the movie during the first 13 minutes, you need to watch it from the beginning-to the end. It's not like regular movies, I'd say it's more like a...documentary? A piece of someone's life. You can't drop out, push trough it.

I know it sound strange but it's an experience, but in a new way.

I think it's worth mentioning that the movie is not like it looks on the paper, it is not colorful, it is simple.

I have to start with the idea that this is definitely (not even close) to an easy-watch movie. There are a lot of large scenes that are basically just people having a conversation, this is not a movie for everyone.

But, if you´re looking for an introspecting kind of movie, this is the one. We have a bunch of idea of what is love about, if there are people "qualified" to love and all those kind of thoughts.

Is really interesting if you want to have a different perspective about a hard way to love or felling lonely, but sometimes the scene is so long that you lose interest.

I liked this film, surprisingly. The actress. The character played by the actress. Because nothing much happens I was surprised at how it held my attention. Basically, it is about a young actress getting over her affair with her director. The music helps in underlining the poetic quality of this work.

If you've ever wondered what a film could achieve with the audacious premise of following someone who's essentially pondering the meaning of life while strolling along a beach at night, well, look no further. Hong Sang-soo's masterpiece is a cinematic ode to introspection, and it's a journey so intense that it makes a late-night snack run seem like an epic adventure. Our heroine, played brilliantly by Kim Min-hee, seems to ask the existential questions we all ponder, like, 'Should I have ordered dessert?'

While the movie is heavy on dialogue, it's all about those awkward, bumbling conversations that make you wonder if you should've brought an emotional survival kit. Kim Min-hee's character might as well have a Ph. D. in overthinking, and we get to join her on this rollercoaster of self-discovery. The beach becomes her therapist's couch, and every seagull is a silent yet judgmental observer. But hey, who needs a therapist when you have waves crashing in the background?

In conclusion, "On the Beach at Night Alone" is the film you never knew you needed. It's a deep dive into the abyss of human thoughts, set against the serene backdrop of a beach. And if you've ever considered deep conversations about life and love while munching on popcorn, this one's for you. Just don't forget your thinking cap, because you're in for a ride that's as enlightening as it is hilariously relatable. Four and a half stars for the laughs, the introspection, and the seagull therapy sessions.

Hong Sang-soo's visually astounding piece of cinema has the potential to turn into a sleep-fest for many viewers who are not used to extended sequences of silence and a lingering, loitering focus of the cameras on sombre landscapes and city streets. But those who possess a keen eye for the subtle meaning of cinema will find in these visual depictions a gentle erosion of love and a growing, rebelling, unstable acceptance.

The film depicts a young actress in Young-hee (Kim Min-hee) as she meanders along parks and pathways of foreign cities, has coffee in countryside restaurants with old friends and desperately tries to find for herself a hotel out at sea where she could spend some time letting go of her erratic, volatile longing for a recent lover.

Sang-soo lets his landscapes blend in naturally and does not resort much to color grading thus making it very difficult for viewers to not connect with the journey and emotions of the protagonist. We can feel Young-hee's admiration of the quietude in her sombre, spiritual walks in the park and her excitement on beholding the frozen lake. We can experience her detachment and withdrawal to her friends' lives and words as her resonance with generally accepted notions of love gradually fades away. We can accompany her in her dreams as she sleeps carefree on the beach drowning herself in the gentle snore of the sea.

A profound movie that in itself is a dissection of the breakdown of love and attachment.