Simran

The movie is not bad.. Not like usual Bollywood movies.. With its bold theme, it is a good entertainer. Kangana is good as always ably supported by other actors. Three things I liked most are : 1. Main protagonist with her false sense of rebelliousness, finally coming to her senses and reconciliating with her parents. 2. The anguish and helplessness of her father who always wanted the betterment of her. We all can connect with him. 3. Her fiance trying to help her in spite of knowing her true nature..

If I had not known that this film was loosely based on real events,I wud have found it incredulous and just a star vehicle.The fact that a Punjabi girl did manage to pull off some of such stunts in the US is worthy of respect.I dunt know why the director switched her regional identity from Punjabi to Gujarati,and if that has worked perfectly.Sure,with Gujjus in the mix,u can drop words like investment,stocks,fafda and thepla,and u can also take liberties with the accent.Besides,Kangana played a Punjabi girl in Queen as well,and this must have necessitated a change in the identity. KR has a raw charm.She bares her soul on the camera.She is not afraid of coming across as uncouth and unsophisticated.Even when she overacts,she has the charisma to get away woth it.And of course she overdoes her part a lot of times,but it doesn't hurt the film.Its her show,and u dunt mind watching.

As for the character she plays,Lipstick Bandit is out-of-control.Its one thing to rebel,quite another to be a gambling and alcohol addict.And then to rob banks to pay off ur debts ! U might love KR,but u have mixed feelings about Simran,and that is where lies the brilliance of the actress.There is definitely a story to tell,and it is told with doable sincerity.Yet the screenplay cud have been a tad tighter,and other characters made rounder.KR floats alone amidst a crowd of caricatures.Now we know that the west is paranoid after 9/11 but then u cant just present the cops as retards.

This film can be watched for KR.Its not a boring film.But why shud HAnsal Mehta (Aligarh,shahid,city lights) waste his time here ? well,I have heard he and Rajkumar are ready with Omerta .Simran must have provided some comic relief in the interlude.

The film does not know if it wants to be a drama or a comedy. It fails miserably at both. It does not work as a comedy because there are no funny dialogues. The film had lots of opportunities to be funny but all of them were lost. The drama parts with the family values and the romantic angle are even more pathetic. No one could save this film, not even Kangana. And seriously the free spirited girl act which Kangana Ranaut plays in every film she is in, is getting a bit old.

I don't know where to begin. I watched this movie after reading some unfavorable reviews and knew what I was up against. I had zero expectations and decided to catch a screening only because I had time to kill and this movie had the best ratings out of the many that were being screened. Unfortunately, I underestimated the true potential for Indian cinema's bizarrely terrible mainstream products. This was perhaps the highlight of amateurish modern-day direction and the writing was only a shade better to begin with, but oh boy, did that change fast.

I'd hate to spoil the movie for you, but let me just say that there is plenty of action, all of which is the most non-sensical bullshit produced this year. There is plenty of drama; perhaps a tad extra for my taste but nothing out of the ordinary for a Bollywood film trying its best to be serious. There is plenty of humour, all of which is wrought with so much cringe that your face hurts from contorting it into odd shapes and forms. And then there is the absolute insanity that is Kangana Ranaut's performance as a five year-old child.

But hey, maybe you enjoy shitshows like the vast majority of Indian audiences that patronize cinema halls across the country. Maybe you enjoy shoddily written character plots, bad acting, abysmal direction, and the occasional racial stereotyping portrayed so conveniently. Maybe you just love seeing glimpses of a foreign country you've never been to and dream of settling down in for god-knows-what reason and seek inspiration only through fictional films that have no semblance of reality. But hey, maybe you're just an idiot.

In short, Simran was a traumatising experience and I doubt I could watch another Bollywood film this year because I might have just developed a new phobia.

Mark Twain said, 'truth is stranger than fiction.' Indeed it is. Watching Simran reminded me of that as I was left puzzled and, at times, impressed by the lead character's ways. The expectations from a Kangana Ranaut led film are naturally high and if she's in a foreign land dealing with her issues you believe you may get another royal bonanza but, sadly, Simran is no Queen.

More than halfway into the story you finally realize why the movie is called 'Simran.' It's a well executed sequence but I wish there were more of those. Based on the true story of a woman who goes to extreme lengths to pay off her debt, this is a bizarre and astounding tale. Praful Patel is a 30 year old divorcée who, much to her father's dismay, still lives with her parents in Atlanta. She works in housekeeping and has been saving up to buy her dream house. An unplanned trip to Las Vegas blows her world to smithereens. One mistake after another and she's left saying, "mujhe jooye aur chori ki lat hai" (I'm addicted to gambling and stealing) to a hopeless romantic who is trying to court her. He laughs and doesn't believe it for a second. Oh well, she warned you buddy.

This is a highly unusual movie that manages to pack in some surprises. Praful is an antihero who isn't easy to like yet you don't want her to get in trouble. Such a layered and deeply flawed character is a rare treat. And a woman at that, gasp! Ms. Ranuat is a force of nature. She is brilliant and doesn't falter even when the film does. The movie is worth watching for her abilities alone. Because that's what you get. A terrific actor burdened by a sloppy screenplay.

Kangana's alleged involvement in every facet of the film has raised eyebrows since its inception. I don't care who truly wrote and directed the movie but they should've done a better job. The story is delicious but the screenplay needed more weight and the direction required a sharper eye. Many of the dialogues are catchy and delivered with precision. I love a good gray character and watching Praful dig herself into a hole was certainly not boring. A few scenes stay with you but it's mostly underwhelming.

A talent like Ms. Ranaut needs, no demands, a better film. The filmmakers around her need to step up their game. Simran is far from unwatchable but it won't have you jumping for joy…maybe just taking a small hop.