सिटी ऑफ़ गोस्ट्स

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

In March of 2012, the Arab Spring uprising occurred in the city of Raqqa, Syria, where Bashir Al Assad's tyrannical regime was overthrown, and the people made a grab for the independence and freedom that had been denied to them for so long. Unfortunately, it ended up creating a vacuum, that resulted in the Islamic State taking over and grinding the city to a halt, as they enforced their barbaric and savage 'caliphate.' Several men, however, calling themselves 'Raqqa is Being Slaughtered Silently', banded together and resolved to expose ISIS's savagery to the world, as a result enduring terrible sacrifice and placing their lives in danger.

While the rest of the world lives in a heightened sense of danger and alert over ISIS's next terror attack, it's still easy for life to carry on and go about their daily business. It's hard to picture a world where they are the total domineering force, a place which they have completely taken control of and imposed their savage, insane will on. And yet, if you were to ask any group of people to name the one place where this has happened, Raqqa would probably instantly spring to mind. Like Rwanda in the early 90s, it's the place everyone knows about, but we're all guilty of ignoring as long as we have our nice life.

Matthew Heineman, director of the equally enthralling 2015 drug-war drama Cartel Land, plunges us into this unimaginable world, with City of Ghosts, depicting the plight of a group of brave men living on the frontline of this devastating life, risking everything to highlight the atrocities of ISIS in their homeland. We are given unflinching access, as the terror group enact live executions in the streets, capture their friends and taunt them over the internet, including streaming the live murder of one of their fathers. These are educated men, from Raqqa's middle classes and trained journalists, who have to live life on the edge and constantly think on their feet, thinking one step ahead of their enemies.

Heineman has displayed a real talent for making these exposing, frontline dramas, of men and societies living on the edge, that keep you on the edge of your seat far more than any modern Hollywood dross ever could. ****

There are many that feel that this generation's access to data has in some way watered down the power of media. In a world where everything is RIGHT NOW, traditional media like print is dying on the vine. While this may be true of things like newspapers and magazines, the media is finally becoming more savvy and not only embracing a digital age that they found to be beneath them and more "bush league," they are also finding that this new age gives more opportunity to get to stories that they could not because of things like notoriety and old school methods. In "Cartel Land" director Matthew Heineman's new film "City of Ghosts," this subject is given a very up close and personal examination in a setting that is jarring, frightening, and heartbreaking.

In the city of Raqqa in Iraq just a few years ago, the Assad regime fell to its rebellion, and the people who lived there felt like a new age was upon them. Unfortunately, that new age came in the form of ISIS, whose strong arm tactics and extremist beliefs caused oppression, violence, and murder within its city walls. A group of oppositionists both in and out of the city began a group called Raqqa is Being Slaughtered Silently (RBSS), and used the power of social media and the Internet to take the story of their city public. This would resort in their plight being broadcast worldwide through large media outlets, but the cost would be steep for them by way of exile, assassinations, and being constantly on the run from an organization that wants each and every one of them dead, even to the point of facing ridicule from the countries that they run to as it pertains not to just them but any kind of immigration from other countries, showing the effects of some of the same issues that we currently face in ours.

As I was watching "City of Ghosts," there was only one word that kept running through my mind, and that word is simply: powerful. Heineman pulls no punches with this film, showing the pain and suffering of the people in Raqqa and how it effects the leaders of RBSS. The balance that his subjects display of both the immense courage it takes to lead a movement like this as well as the human sides of themselves dealing with loss of family, friends, and even their freedom on a certain level is nothing short of brilliant. I was glued to the screen the entire time and while there are no twists or turns per se, this story kept me guessing all the way through as ISIS tries at every turn to suppress their message from destroying all satellite dishes in an effort to shut down their internet access in the city to threatening (and even killing in some cases) those close to them. There is also a very interesting look at ISIS and how they use their own methods of communication to bring people into their ranks that is honest (and I know this sounds odd, but roll with me here) unbiased. What I mean there is that the filmmakers simply show the actual footage that the group has published without doctoring it up, and trust me when I say this: it totally speaks for itself.

I was consistently fascinated by the resilience of RBSS' people inside the city to get the footage that they did to show the world the pain and suffering that those who stand against their oppressors go through, to the point of long lines of children who are just trying to get a bucket filled with soup to feed them and their families. I cannot imagine the constant fear that they have to overcome to tell their stories by putting their lives in danger every day. "City of Ghosts" is one of those films that although it will get a limited run due to the fact that documentaries don't tend to get the widespread theatrical love that they deserve in most cases, it demands the attention and respect that it deserves. Whether caught theatrically, via Blu-Ray or DVD, or through streaming, this is a film that is worth the time to watch and be discussed on any scale if for no other reason than the awareness that it needs to foster of not only the dangers of extremism but also the courage it takes to stand for what you believe in and the message that every group of people, no matter how you look at it, has a dark side and a light side, and we all need to see that for what it is. Celebrate the good, rebuke the bad, and try to get through all of it as one group of people embracing our diversity and doing our best to understand our differences.

City of Ghosts is a documentary feature film that goes behind enemy lines in Syria to follow the citizen journalist collective Raqqa is Being Slaughtered Silently as they attempt to expose the human rights violations by ISIS and fight the terrorist group's misinformation campaigns in their home country. This group of people face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today I was putting off watching this documentary because I wasn't sure the extent of barbarism that was going to be shown on screen and when you think about it that is ridiculous. We should all see what is happening in Syria but sadly most of us turn a blind eye to what it happening. As it happens this film isn't too graphic. It doesn't show the ISIS videos of beheadings or anything like that instead it focuses on this amazing group of people. What I find incredibly sad is that not only are friends and family of this group dying all the time but when some of them escape to Europe to continue their online fight with ISIS , they are treated like lepers by far right wing groups. The documentary itself does fall off a bit in the last third and is a little bit self congratulatory but to be honest these people deserve all the credit they can get.

Greetings again from the darkness. Oscar nominated director Matthew Heineman delivered the stunning documentary Cartel Land in 2015, and here he once again proves his expertise as the messenger of important (and dangerous) stories that need to be told.

The film begins in the Syrian city of Ragga in 2012, and we see the beginning of the revolution against the Assad regime. The sayings "Death is Death" and "Danger has a special taste" come into play, and by the end of the film, there is a clarity that is devastating.

The courageous and dedicated Citizen Journalists are divided into two groups: the internal who risk their lives in Ragga uploading news stories and videos of ISIS actions and, the external who are based in Turkey and Germany and post regularly to social media outlets. Both groups live vagabond lives – always on the move in an effort to avoid capture. Their combined efforts and risk taking allow the real story to be told from their home city mostly cut-off from the outside world – as evidenced by the satellite graveyard.

Some quite graphic and violent video clips are used to bring poignancy and meaning to the words spoken by the brave individuals (rebels in the best sense) being interviewed. The clips are also in contrast to the quietly dignified, yet urgent approach they take in reporting developments.

RBSS (Ragga is Being Silently Slaughtered) is the movement spreading the truth about ISIS atrocities – including public beheadings, shootings, and bombings. It's a terrifying story, never more so than during the professionally produced recruiting ISIS videos featuring young children. These courageous folks have had friends, family and neighbors slaughtered which inspires them to continue fighting the guns and bombs with the power of words. It's breathtaking.

For the briefest of moments, we were certain that the combination of pure evil and military might died in a German bunker at 1945. there are many examples in the 21st century to provide us with clear cut proof that it hasn't. we don't need City of ghosts to be reminded of that but even in the age of full transparency evil can still thrive and probably better than ever before.

City of ghosts centers around a subservient group of ordinary Syrians who found themselves in unordinary times and became journalists who report against the takeover, cleansing and terrorizing of the Syrian city of Raqaa by ISIS. ISIS entered the city on 2013 in the midst of the civil war that still goes on and immediately called the citizens to cooperate or face the consequences. Those highly unsubtle threats were recorded and were broadcast by a group mention before. This groups is known as RBSS (acronym of : Raqqa is Being Slaughtered Silently). ISIS who's agenda is to show that the newly conquered city is blooming, finds in RBSS a cardinal threat and starts in brutal campaigns that include murdering activists of the organization (even those who fled Syria) and in many cases, murdering the kin. ISIS is not the first organization to launch brutal and senseless murders but is different than any other militia in both there propensity to flaunt it and in their high production value of their brutal videos.

RBSS members are normative citizens and none of the people presented in the film, lodging in undisclosed location in Germany has a death wish. The eminent threat is permeating to their personal life and although they never say it aloud, it brings doubts to their commitment. A doubt any human being can understand

The direction is minimalist and is comprised almost exclusively of the testimony of these activists. No English voice-over is used for background purposes or contemplation. The movie, wisely, leaves the contemplation to the viewer.

The movie is so engrossing that in the few moments that I wasn't transfixed to the screen, I thought that everyone should watch this beautiful (albeit hard to watch) documentary that proves once again that world indifference can lead to unfathomable horror and even in the day of modern communication, we still can't see what's going on in many parts of the globe. But the most important point the movie makes is that history can repeat itself and with ISIS recruiting adults and children with funding and a fake sense of purpose, a Nazi like threat to humanity is not just material for the history channel, it could very well be reported in the evening news

10 out of 10 in my FilmOmeter