अपनी भाषा में प्लॉट जोड़ेंA group of hard-partying Brooklyn hipsters are stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.A group of hard-partying Brooklyn hipsters are stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.A group of hard-partying Brooklyn hipsters are stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.
- निर्देशक
- लेखक
- स्टार
Gregory Stees
- Party Guy
- (as Greg Stees)
फ़ीचर्ड समीक्षाएं
Where do I begin, this is a very very bad movie. The characters are poorly written and the actors are even worse. The story is slow, boring and goes nowhere. Every conversation is so awkward that you can't help but laugh every time they try to be dramatic or have any kind of dialogue. The kills are weak and there is literally nothing scary or tense that ever happens during the 87 minutes runtime. There is not one positive or redeeming thing I can say about this film. Don't make the same mistake I made, if you see it on Shudder avoid it at all cost.
I've never written a review before. But I have felt so compelled to announce how absolutely CRAP this movie is. There is not one decent actor in this, awful dialogue, plot is a mess. It's not even so bad it's good, it's actually criminal. I have seen some rubbish horror movies in my time but this one really takes the cake. Don't waste your time.
If I had to choose between a root canal and watching this film again, I'd open wide. If I had to choose between Toby, Hitler and whoever made this film, Id choose whoever made this film. If I ever see this playing on a screen in the future, I will destroy that screen for the safety of the audience. I would rather see the Kirk Cameron commentary version of Saving Christmas than make my worst enemy sit in front of this film.
A sincere but confused attempt to imitate the Italian giallo slasher films of the 1960s, PSYCHOTIC! tells a loosely constructed tale of two roommates in Brooklyn, New York who spend most of the movie stumbling around the underground music scene while they and a clutch of hipster friends are stalked by a masked killer.
Stuart, a singer-songwriter who has just been evicted from his own band and is looking for love, and his roommate Tim, a part-time peeping tom, who stagger through a couple of delirious nights always in close proximity to the routine killings. Consistent with the style of an Italian giallo, the plot of PSYCHOTIC! is fairly incoherent but it benefits from a hallucinogenic set design and eerie, fog-shrouded blue and red visuals.
On the debit side, co-writers and co-directors Maxwell Frey and Derek Gibbons make the mistake of also starring in their own movie, treating the viewer to sadly amateurish performances that result in a different sort of murder, punctuated by several prolonged moments of embarrassing, unintentional humor.
Despite a raft of gory killings, little suspense is generated around the killer's identity, which is the script's most interesting twist but is treated as a throwaway by directors Frey and Gibbons. What is most striking here is that all of the characters are constantly getting high or drunk, making them obvious kill targets but with the attendant inarticulate line readings by actors that teeter and sway instead of delivering meaningful characterizations or dramatics.
Stuart, a singer-songwriter who has just been evicted from his own band and is looking for love, and his roommate Tim, a part-time peeping tom, who stagger through a couple of delirious nights always in close proximity to the routine killings. Consistent with the style of an Italian giallo, the plot of PSYCHOTIC! is fairly incoherent but it benefits from a hallucinogenic set design and eerie, fog-shrouded blue and red visuals.
On the debit side, co-writers and co-directors Maxwell Frey and Derek Gibbons make the mistake of also starring in their own movie, treating the viewer to sadly amateurish performances that result in a different sort of murder, punctuated by several prolonged moments of embarrassing, unintentional humor.
Despite a raft of gory killings, little suspense is generated around the killer's identity, which is the script's most interesting twist but is treated as a throwaway by directors Frey and Gibbons. What is most striking here is that all of the characters are constantly getting high or drunk, making them obvious kill targets but with the attendant inarticulate line readings by actors that teeter and sway instead of delivering meaningful characterizations or dramatics.
I'd rather kill myself instead of watching this movie again.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- बजट
- $50,000(अनुमानित)
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