The Ghazi Attack

The buzz around the movie was unmistakable. The attempt was first of its kind, and for once, everybody expected a tightly woven tale with worthy gfx in tow. But if one thought that even after a rich history and experience of producing movies since The buzz around the movie was unmistakable. The attempt was first of its kind, and for once, everybody expected a tightly woven tale with worthy gfx in tow. But if one thought that even after a rich history and experience of producing movies since decades + The buzz around the movie was unmistakable. The attempt was first of its kind, and for once, everybody expected a tightly woven tale with worthy gfx in tow. But if one thought that even after a rich history and experience of producing movies since decades + advancements + advancements.

The buzz around the movie was unmistakable. The attempt was first of its kind, and for once, everybody expected a tightly woven tale with worthy gfx in tow. But if one thought that even after a rich history and experience of producing movies since decades + advancements in affordable gfx will finally deliver a tout all time hit, those people need to think again.

The movie starts off nicely. First the baritone of Mr Bachchan, and subsequently the scene involving (Late) Om Puri and Nasser looked like the harbingers of a successful venture. The movie looked en route to a successful journey from the word go. Even after a few minutes had lapsed, one could sense that this is not going let up, as there was very less margin to do so. It had a dash of history, backing of good actors, and tech advancements on its side. But things started to nose dive soon.

While KK Menon looked set to deliver a powerful performance, and ditto for Mr Kulkarni as well, the talent available at hand was not utilized fully. Tapsee Pannu's role could have been managed via an anecdote. The direction just was not able to pull off a nerve wracking thriller expected out of it. Add to it the penchant to include queasy melodrama, and reluctance to learn from existing epic projects, all these became the undoing of a potential hit. There were moments where the direction could have been tighter, and some slick editing would have at least saved the day, but it seemed as if the movie tried hard to include the forced antics. The graphics are good, but do not hold a candle to the ones people are now accustomed to. The maker(s) must have been counting on the emotional + 'its one of a kind' sentiment to see the movie pull itself over the line.

Rana Daggubati does well in bit n pieces, but lacked the aura expected from a defense personnel. Making matters worse, the predictable nature of some of the key scenes stuck out like a sore thumb. They just had to bring in some clichéd stuff and forced suspense.

The audience is now much more mature, and the movie makers have repeatedly failed to acknowledge this fact. The dangerous trend of declaring a movie 'hit' based on box office collection and paid reviews may give such films a fake certificate of success, but unfortunately for the team, such movies will not morph quality-wise in the future and will be panned even more.

I expected a natural progression from the days of 'Lakshya', which was a brilliant movie, but was left sorely disappointed. The Ghazi Attack goes down not mainly due to the weight of a debutante director, but due to the act of pandering to the lowest common denominator.

Still after so may years Indian filmmakers fail to appreciate originality. "The Ghazi Attack" blatantly plagiarizes "Das Boot", a WW2 epic about a U2 submarine and its crew. If you are lucky enough to have seen "Das Boot" you shall share the same animosity for "The Ghazi Attack".

Though it casts some good actors the dialogues are very weak. Even the intense situations fail to thrill. The plot of the movie is to show a cat and mouse game between Indian and Pakistani Submarine. The two rival captains are supposed to be intelligent but its hard to find even a trace of it, all owing to poor research and script.

All in all it is an ambitious attempt but the execution is below par.

5 star out of 10

In all the excitement of recreating a major historical event, don't you think that the director or anyone involved could have done a basic research on the naval uniforms of both sides - at least the difference between those of Officers and Men. Here the Indian officers are seen with their shoulder boards as well as insignia of sailors. Commander of the boat also has a Petty Officers arm badge. Engineering, communication and other officer ranks also messed up. Plots shamelessly copied out of Crimson tide, Das boot, U 571 and Hunt for red October to name a few that I have watched. Why do they have to show the opposite number captain as "angry". The creators of such movies should stop taking us audience for granted

Seldom do we have amazing war dramas made in India. The Ghazi Attack breaks the mould to give us an edge of seat, gripping movie. Not many know about this war and I'm among them. Though the movie is a work of fiction and the events have been dramatized, the premise is the same.

The movie has an ensemble cast consisting of Kay Kay Menon, Atul Kulkarni, Rana Duggabati. All 3 deliver power packed performance which add to the amazingness of the movie. We also get to see how a submarine works with detailed sets of the interiors of a submarine. Most of the other underwater scenes are courtesy special effects which are mildly average to be very frank. The movie is very tight with just a little over 120 minutes and does not feel stretched even a bit.

The movie beautifully shows the internal conflict in between the indian naval officers. It adds to depth of the film . Sankalp Reddy does a fine job considering this is his directorial debut. He lets the movie stay in its genre and does not indulge in mainstream elements to try and sell the movie. Patriotism and nationalism is high in the film as expected. The unique experience the movie offers being an underwater film is reason enough to watch it.