Undir trénu

I loved it . How people's grief and idiosyncracies can escalate . The last scene made me smile .

"Tis better to be that which we destroy," said MacBeth "than by destruction dwell in doubtful joy." This advice goes unheeded by a cluster of people on the outskirts of Reykjavik. Trivial matters take on increased significance and are taken to extremes. Such things as a missing cat, haughty new girlfriend and solitary tree, fuel doubt, suspicion, revenge and anger. Nothing is too trivial to spar over. At the foundation of it all is grief, depression, indifference and loneliness, but people let their emotions spiral out of control anyway. Has everyone lost their minds?! Perhaps they have.

This darkly humorous cautionary tale about the hazards of runaway passions, is as frightening as it is funny. This is because the truths of the film cut to the bone about human character. The scenes, conversations and characters are straightforward and unassuming. The music is well chosen, actors are believable, and many scenes are refreshingly atypical of Hollywood fare, such as a beautiful view of downtown Reykjavik. Seen at the Miami Film Festival.

This movie is beautifully pictured in telling us that when people don't overcome their difficulties they face in life then how these difficulties get to their nerves and ruined their life even more. The problem I had with this movie is why it showed in comedy genre?

The humor is pitch black and the characters extremely serious. The movie is hilarious and depressed at the same time. The acting is good for the most part. There are a few scenes where you notice some mistakes but nothing that has a terrible effect on the movie over all. The cinematography was superb, a lot of cool shots that made the movie extra depressed. I was happy with the music choices as well, really put the nail in the coffin with this one.

One happy Icelander after seeing this at the movies. Do recommend 8/10.

Script is amazing.

Wow! This really is quite something. A dark, tense Icelandic dramatic thriller with a dry comic streak. After an argument with Agnes (Edda Björgvindóttir), Alti (Steinpór Hróar Steinpórsson) is kicked out of their flat. He's caught watching an old sex-tape of an ex and finds the locks changed. So he goes to stay with his parents who are in the midst of a squabble with their neighbours over a tree that's casting too much shade. You'd think the troubled marriage would be the more serious plot point, but you'd be wrong. It uses its humour to great effect, twisting the narrative wonderfully. In fact it feels very close to dry British humour. There's an honesty to it and although it's undoubtably Scandinavian, the muted colour palette gives it that dark gritty British tone. The two plots escalate rapidly with a custody battle, slashed tyres, missing pets, a missing brother, security cameras, suggestive gnomes, chainsaws, it gets brutal... really really brutal. Uncomfortably brutal and although it's quite stark and simple, it takes the viewer to some really unexpected places. Be nice. Talk it out. Otherwise you might regret it.