अपनी भाषा में प्लॉट जोड़ेंA murderer is caught after terrorizing and killing people on Christmas night over the past 13 years in Norway.A murderer is caught after terrorizing and killing people on Christmas night over the past 13 years in Norway.A murderer is caught after terrorizing and killing people on Christmas night over the past 13 years in Norway.
- पुरस्कार
- 3 कुल नामांकन
Sølje Bergman
- Solveig
- (as Solje Bergman)
फ़ीचर्ड समीक्षाएं
Christmas Blood (2017) is currently available for free on Tubi and is another holiday picture that came highly recommended from Edward Delgado. This Norwegian horror movie tells the tale of a small town plagued by a psychopath that escapes from prison and starts an amazing killing spree with an ax. This movie is directed by Reinert Kiil (The House) and stars Jorgen Langhelle (Arn), Sondre Krogtoft Larsen (Lyft), Haddy Jallow and Kylie Stephenson (The Cure). This is another Christmas story that is fun and starts off with a bang with a great kill scene and setting a potential pace for the movie; However, a lot of scenes are shot dark causing a feel of a lul through a big portion of the middle of the movie. Then the end picks up nicely for a solid climax. I did really like the cinematography throughout this film and the use of Santa's shadow across the snow to add intensity. Overall this is a fun addition to the genre but a step below a classic. I'd score this a 5/10.
I found "Christmas Blood" to be both entertaining and a bit frustrating. The intro into this holiday nightmare was exciting and almost set a cool tone. Kiil definitely loves the horror subgenre. There are elements of Miller's "Silent Night" and the original "Black Christmas". Unfortunately there was a choice made to layer the story with subplots that just weigh the film down.
The characters were typical horror tropes. Sometimes entertaining on screen, at other times their presence felt clumsy. With two story lines happening I didn't feel the characters, on whole, had enough time to fully develop. I did get into them enough to be excited for what their fate would be. Fleshy blood bags.
The cinematography and atmosphere was nice. "Christmas Blood" visually played out like a series of motion horror postcards and 80's fab slasher fodder. That I liked. As I said earlier there are ememnts of Steven C. Miller, and thanks to the location I got a chilly vibe akin to "30 Days Of Night". Overall this one will disappoint some horror fans. The big thrill is in the kills which are gory and great. The music score fits nicely and, despite the harsh convergence of the two plot story, Kiil stayed true to the Christmas slasher subgenre.
The characters were typical horror tropes. Sometimes entertaining on screen, at other times their presence felt clumsy. With two story lines happening I didn't feel the characters, on whole, had enough time to fully develop. I did get into them enough to be excited for what their fate would be. Fleshy blood bags.
The cinematography and atmosphere was nice. "Christmas Blood" visually played out like a series of motion horror postcards and 80's fab slasher fodder. That I liked. As I said earlier there are ememnts of Steven C. Miller, and thanks to the location I got a chilly vibe akin to "30 Days Of Night". Overall this one will disappoint some horror fans. The big thrill is in the kills which are gory and great. The music score fits nicely and, despite the harsh convergence of the two plot story, Kiil stayed true to the Christmas slasher subgenre.
What a joke. A very disjointed movie where absolutely nothing makes sense. The writing is beyond terrible. The acting is even worse. There are no likable characters at all, so very early on I started looking forward to the obvious victims being killed. Sadly it took a long long time before that happened. And it wasn't even scary. And what is up with all the seemingly endless scenes of someone's face while they're walking through an empty building or whatever? It's not interesting, it's not suspenseful, it's just boring. Like everything in this movie. It's supposed to be a horror movie, but my only emotional response was to laugh at how horribly bad it was.
I hadn't even heard about the 2017 movie titled "Juleblod" (aka "Christmas Blood") prior to sitting down to watch it. And I must admit that the movie's cover/poster definitely had caught my attention, and that is why I picked it up. So writer and director Reinert Kiil had a clean slate here for impressing me.
And now having seen the movie, I must say that I wanted to like the movie. I really, really did, but writer and director Reinert Kiil just didn't manage to deliver a movie that was properly interesting or entertaining. Sure, the movie was semi-watchable, but it all drowned and was washed away by a mundane storyline and characters with the appeal of wet cardboard.
Now, the storyline in "Juleblod" definitely had potential and there were aspects to the plot and script that definitely could have worked. But the pacing of the storyline was just way too slow, and that made the movie suffer. And little did it help that the characters were as rigid as 1980's toy figures.
For a slasher movie, "Juleblod" just didn't really cut it. Writer and director Reinert Kiil apparently opted to play it safe and run everything on auto-pilot, which meant that the movie was just way too generic and mundane, especially for a seasoned horror fan such as myself.
This is hardly a noteworthy movie in the slasher genre, nor is it a movie that found its place on the watch-list for Christmas seasons. I managed to sit through it once, but I can guarantee that I will never return to watch it a second time.
My rating of "Juleblod" lands on a generous four out of ten stars.
And now having seen the movie, I must say that I wanted to like the movie. I really, really did, but writer and director Reinert Kiil just didn't manage to deliver a movie that was properly interesting or entertaining. Sure, the movie was semi-watchable, but it all drowned and was washed away by a mundane storyline and characters with the appeal of wet cardboard.
Now, the storyline in "Juleblod" definitely had potential and there were aspects to the plot and script that definitely could have worked. But the pacing of the storyline was just way too slow, and that made the movie suffer. And little did it help that the characters were as rigid as 1980's toy figures.
For a slasher movie, "Juleblod" just didn't really cut it. Writer and director Reinert Kiil apparently opted to play it safe and run everything on auto-pilot, which meant that the movie was just way too generic and mundane, especially for a seasoned horror fan such as myself.
This is hardly a noteworthy movie in the slasher genre, nor is it a movie that found its place on the watch-list for Christmas seasons. I managed to sit through it once, but I can guarantee that I will never return to watch it a second time.
My rating of "Juleblod" lands on a generous four out of ten stars.
I've been into the "Christmas horror" thing a few years now and this is about as dry and dark as you can get. Some obvious parallels to Rare Exports or Sint, but there are no children (or humor/joy) to be had here, setting a much bleaker and darker tone. Not a bad thing in itself so long as you know what you're getting into. The few other reviews are pretty much spot on. Characters are largely 2-dimensional and the movie feels bloated with so much going on. It really felt every minute its length.
Suffice to say this felt a lot like Rob Zombies Halloween, only set to Christmas. Since "Silent Night, Deadly Night," many have tried cashing in on transitioning the success of Carpenters original "Halloween" to the Christmas season. Besides "Black Christmas" most devolve into various degrees of campiness. Beyond the over the top blood spurts, this plays pretty much deadpan (although I did chuckle at the creation of a human-snowman, very dark humor granted).
In sum I largely agree with the other reviews, and despite its impressive destruction of Yuletide Joy, I must give high marks for what is, in my opinion, the most successful transmorphing of "Michael Myers" to the Christmas horror genre
Suffice to say this felt a lot like Rob Zombies Halloween, only set to Christmas. Since "Silent Night, Deadly Night," many have tried cashing in on transitioning the success of Carpenters original "Halloween" to the Christmas season. Besides "Black Christmas" most devolve into various degrees of campiness. Beyond the over the top blood spurts, this plays pretty much deadpan (although I did chuckle at the creation of a human-snowman, very dark humor granted).
In sum I largely agree with the other reviews, and despite its impressive destruction of Yuletide Joy, I must give high marks for what is, in my opinion, the most successful transmorphing of "Michael Myers" to the Christmas horror genre
क्या आपको पता है
- ट्रिवियाThe end credits include a memoriam for Daniel Henriksbø, a producer from Norway, and Gunnar Hansen [sic]. Hanson, an American actor, is most widely known as the original Leatherface.
- कनेक्शनReferences द टर्मिनेटर (1984)
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