Boarding School

The boy Jacob Felsen (Luke Prael) lives with his mother and stepfather and has frequent nightmares. He is bullied at school and when his unknown grandmother dies, Jacob attends the funeral and becomes attracted to her, wearing her clothes and listening to her records. When his stepfather sees Jacob wearing his grandmother dress, his wife and him decide to send Jacob to a boarding school for outcasts and misfits in a creepy mansion in the middle of nowhere. Jacob is introduced to the principal and teacher, Dr. Sherman (Will Patton) and his wife Mrs. Sherman (Tammy Blanchard), and soon he meets his six other mates. Along the days, Jacob befriends them and together with the young Christine (Sterling Jerins), they note that something strange is happening in the school. What will they do to survive?

'Boarding School" is a weird but worthwhile watching psychological horror film. The locations are creepy and the young cast has great performance. The pace is slow but builds tension and the last minutes are intense with many plot points. The conclusion is great. My vote is six.

Title (Brazil): Not Available

At once odd, uncomfortable, and compelling, BOARDING SCHOOL covers a gamut of dysfunction and does so with genuine panache. The whole production is downright weird in the very best possible way, and its 105-minute running time passes in a flash.

An ensemble of young actors portraying outcasts and misfits drives the story, and each brings something noteworthy to the film; however, one actor rises far above the others.

BOARDING SCHOOL is anchored by a courageous performance from young actor Luke Prael that commands the audience's attention from the jump and never loosens its grip.

Prael, approximately 14 years old at the time of principal photography, acts rings around older, more experienced cast members. He expertly presents a character that's complex and (in many ways and on many levels) ambiguous. On appearance alone, he could embody Wednesday Addams or Damien Thorn with equal effect, and his confident gender play and eerie mystique are simultaneously magnetic and disquieting. Do we like him, fear him, empathize with him, or all of the above? People can decide for themselves, but one thing is clear: He's the best thing about a movie with a lot going for it.

That includes the script. The screenplay is well written, well plotted, original, and offers a comic sensibility that's as dark as they come. It also offers an offbeat subplot tied to the Holocaust that fits fairly well within the main story arc. Thankfully, writer/director Boaz Yakin exercises restraint in ensuring the subplot remains both relevant and present while not getting in the way of the main story. Simply put, it's an enhancement that, while perhaps not essential, is certainly interesting to have.

My only criticism of BOARDING SCHOOL is that it's occasionally uneven in tone. Elements of horror, comedy, drama, and mystery all compete for space, sometimes clashing-but never enough to derail the experience.

The big critics aren't fans of BOARDING SCHOOL, maybe because they seem to insist on classifying it strictly as a horror movie. It doesn't fit neatly into that box. They also misread queer subtext as explicit sexuality. It's not, and it makes one wonder if that's -- whether they know it or not -- their chief complaint.

I'm not sure what critics were looking for, but this time, I don't see their point of view.

I would not class this as a horror movie. More of a psychological thriller with horror elements. It is a strange little movie, with some good performances, but as with many films these days, doesn't explain itself well. I don't think I'm giving away a spoiler when I say a young boy has a fixation with his grandmother, it's in the promos, But this is not really expanded on enough in the movie to make sense of. He is sent to an exclusive Boarding School and things start being a bit weird. The finale scene I just found puzzling, as there had been very little other reference to it in the movie. The young lead and main character does an excellent job in a difficult role, and helps to carry this to above average.

It has been some time since I have seen a kid with such pur acting chops. I loved Luke Prael as Jacob. He really keeps us wondering what is going on in that expansive imagination/head of his. His performance was near perfect alongside some other amazing young stars; not forgetting to mention a particularly breathtaking performance from the young starlet. This is a must see for indie lovers and lovers of horror outside the box. Just watch this if you appreciate the art of acting. I foresee a long career for Prael...if he keps it up and chooses his scripts wisely he can and will become one of the greats.

I have to say this was a very odd film. But I was blown away by two particular young actors: Nicholas J Oliveri and Christopher Dylan White. Never heard of either but extremely impressed by both. Luke Prael is very good too. But the only reason I am commenting at all on this film is because of awesome performance given by Nicholas and Christopher. You'll just have to watch it to see why,