IMDb रेटिंग
7.0/10
51 हज़ार
आपकी रेटिंग
चार युवा एक फिल्म के लिए अपने जीवन की गलती करते हैं और अमेरिकी इतिहास में सबसे दुस्साहसी डकैतों में से एक का प्रयास करते हैं।चार युवा एक फिल्म के लिए अपने जीवन की गलती करते हैं और अमेरिकी इतिहास में सबसे दुस्साहसी डकैतों में से एक का प्रयास करते हैं।चार युवा एक फिल्म के लिए अपने जीवन की गलती करते हैं और अमेरिकी इतिहास में सबसे दुस्साहसी डकैतों में से एक का प्रयास करते हैं।
- पुरस्कार
- 10 जीत और कुल 22 नामांकन
Betty Jean Gooch
- The Real Betty Jean 'BJ' Gooch
- (as Betty Jean 'BJ' Gooch)
Karen Wheeling Reynolds
- Female Art Professor
- (as Karen Reynolds)
फ़ीचर्ड समीक्षाएं
'American Animals' is, formally, a difficult film to describe. It retains the structure of the heist films that came before it, even referencing them from time to time, cementing it as a disciple of those pioneers. Where the film stands out, however, is in the way it tells its story, in a non-linear fashion that seamlessly blends between the reality and fiction of this true-crime narrative. Whereas documentaries often use dramatisations to help visually realise their subject matter, here, these dramatisations take centre stage, supported by the painfully real inflections of those who were actually involved in this 2004 heist. This conflux, use to provide commentary, as well as irregular but welcome flair within the recreated narrative, help to differentiate 'American Animals' from other films of its pedigree. Furthermore, these aforementioned recreations feature standout performances from the likes of Evan Peters and Barry Keoghan, further distancing Layton's film from the somewhat shabby predecessors that deploy similar techniques. On a technical level, the film is fairly regular, lacking inspiration with its cinematography which arguably helps ground the events which it portrays. The score nicely compliments the action on-screen, effectively building upon the tension set up by the visuals. The film can, however, drag in places, particularly during the first act, whereupon it hits familiar story beats that could have been addressed quicker, the time taken with the set-up juxtaposing the otherwise revolutionary approach the film takes to the heist formula. Otherwise, the third act is nothing short of thrilling, with the conclusion proving a melancholic reminder of the reality of these events, and the impact they can carry, with its audacity to allow the audience to decipher the difference between what is true and false. 'American Animals' is a heist film through and through, but differentiates itself from others through the methods by which its tells its story and provides connections between the characters and audience. Whilst the pacing can prove problematic at times, persistence ultimately proves rewarding. Should Layton continue to adopt this unique approach to other genres, he may become a standout in years to come.
Glad I stuck with this. The unique filmmaking style of Bart Layton can take a little to get used to. If you enjoyed his documentary The Imposter, then you'll probably love this.
American Animals rides that documentary-drama combination to full effect. The ratio here is probably more drama to documentary, unlike the reverse of The Imposter - which this really echoed.
Has to have the best soundtrack of any film I've seen in ages. Can't believe this thing was a true story. The "where are they now" segment at the end was interesting. I feel like we all experience some of the emotions and feelings in life that these guys did - which lead to their heist.
If you're after a crime film that's quite different - then check this out.
American Animals rides that documentary-drama combination to full effect. The ratio here is probably more drama to documentary, unlike the reverse of The Imposter - which this really echoed.
Has to have the best soundtrack of any film I've seen in ages. Can't believe this thing was a true story. The "where are they now" segment at the end was interesting. I feel like we all experience some of the emotions and feelings in life that these guys did - which lead to their heist.
If you're after a crime film that's quite different - then check this out.
Came to this without knowing the story, but having seen The Imposter, it's impressive seeing this director's confident next step. I loved the combination of documentary style with heist movie, characters overlapping and switching in and out of styles and scenes. Evan's energy is frenetic and he seems to really enjoy the role and the supporting cast are great. It's sure to be a cult hit, with a great soundtrack and some very tense and awkward moments that make you cower and cringe at the mistakes and situations these guys got themselves into. It does begger belief its a true story, that these guys pushed themselves over that line, thus changing their lives forever. However, the fact that it is entertaining does not belie the seriousness and sadness that also comes through more by the use of the documentary elements and interviews with the guys and their families, and the librarian. Although it doesn't ever really answer why they all did it, or why they really thought it would be worth it, why they could justify one element in particular, money aside, with any conviction, or maybe that's because it doesn't relate 100% to its audience, though we can still watch with mouths open and it has certainly stayed with me and will definitely recommend a viewing.
Without knowing anything about the film beyond some structural elements I came into the film and was surprised by how quickly I was engaged by it. The mix of documentary footage and reenactment is not new or special, but it is effective in the early stages of this film of allowing the viewer to catch-up with the people quickly, while part of the reenactment builds tension well early on. As the film goes on, the documentary side steps into the background, but the reenactment side is more than up to the task. It links well to the real footage, adding weight, and the performances are convincing as young men in this situation.
The tension surprised me - particularly as I knew this was part documentary, so I had not expected it to be as good a drama as it was. It perhaps is a bit functional and event driven, but this works well, and the conclusion suggests that motivations and feelings were not readily available. It is slickly filmed with good use of music, and a control of tone that draws in cool sequences with real life panic and fumbling. It doesn't quite satisfy in terms of the ending, with its lack of full answers and exploration, but it is engaging, well-made, and enjoyable in several different ways.
The tension surprised me - particularly as I knew this was part documentary, so I had not expected it to be as good a drama as it was. It perhaps is a bit functional and event driven, but this works well, and the conclusion suggests that motivations and feelings were not readily available. It is slickly filmed with good use of music, and a control of tone that draws in cool sequences with real life panic and fumbling. It doesn't quite satisfy in terms of the ending, with its lack of full answers and exploration, but it is engaging, well-made, and enjoyable in several different ways.
Now here is one of the most unique films of 2018, both in the story itself and the way Bart Layton tells said story. The fact that they used the real life people for each of the four main characters to help propel the story forward in a documentary-style fashion is absolutely brilliant, and even hilarious at times. Unlike their real-life counterparts, these four actors seem to have a really great future, each having their own share of scenes to steal. Unsurprisingly, Barry Keoghan was the clear standpoint, constantly bordering the line of unsettlingly charismatic and offputting. Which, for a movie like this, is basically perfect. A certain part of me watching this kept going, are these kids complete idiots? Some of the things they decide to do and how they go about doing them are just mind-bendingly stupid, but the way these characters act create a definite believability in some regard. But undoubtedly, American Animals is one of the strangest and most interesting films of 2018.
7.6/10
7.6/10
क्या आपको पता है
- ट्रिवियाDuring filming the actors were not allowed to meet their real life counterparts because the director feared they would sympathise and/or play them in a certain light.
- गूफ़At the end of the movie, when it is explaining what each character is up to now, the text says that Charles Allen II is "writing a book on prison workout regimes." Some people regard this as a mistake and think the word should be "regimens". However, all major dictionaries recognize the use of "regime" to mean "regimen".
- भाव
Warren Lipka: You're taught your entire life that what you do matters and that you're special. And that, there are things you can point towards that would... which'll show that you're special, that show you're different, when, in all reality, those things... don't matter. And you're not special.
- क्रेज़ी क्रेडिटPreceding the opening credits is this quote: "We must suppose that American animals...slowly migrated by successive generations from the outer world into the deeper and deeper recesses of the Kentucky caves." Attribution is to Charles Darwin, from his seminal work, "On the Origin of Species."
- कनेक्शनFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- साउंडट्रैकSound of da Police
Written by Showbiz (as Rodney Lemay), KRS-One (as Lawrence Parker), Eric Burdon, Chas Chandler (as Bryan Chandler), Alan Lomax
Performed by KRS-One
Published by Universal Music Publishing Ltd.
Used by kind permission of Carlin Music Corp.
By permission of Concord Music Publishing
Courtesy of Sony Music Entertainment Inc. Licensed by Sony Music Entertainment UK Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is American Animals?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Американські тварини
- फ़िल्माने की जगहें
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- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $28,56,954
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,34,793
- 3 जून 2018
- दुनिया भर में सकल
- $40,80,073
- चलने की अवधि1 घंटा 56 मिनट
- रंग
- पक्ष अनुपात
- 2:39 : 1
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