The Trip to Spain

There's a lot to like about this movie: it's sense of humor, it's appreciation of culture and cuisine, the way the characters play off each other, but it's also not a film I would fault anybody for not liking. There are times when Coogan and Brydon's dialogue should've been trimmed, where gags went on too long, but overall, the experience of dinning with them as they travel across Spain was remarkably enjoyable. I enjoyed this enough to make a point to watch "The Trip to Italy", though when that'll happen, I can't really say. If you like Coogan, Brydon, food, or travel, this film is a good way to spend an hour and forty-five minutes. F

This is the third movie in a series of road trips by funny man Steve Coogan and his sidekick Rob Brydon. I still recall the second movie, "The Trip to Italy," which shares the same premise: two semi-famous British entertainers eat their way through a country while entertaining each other with scripted and improvisational banter and comedy. "The Trip to Spain" echoes the last movie except the scenes are in Spain and the language being spoken is Spanish.

It seems to me that there's a lot more involvement with people playing Coogan's and Brydon's families and love interests in this third movie and for me, this pierces the bubble of the movie's conceit. Coogan calls his married lover in New York and a camera just happens to be there to capture her end of the call? If that part isn't unscripted, then the whole movie is scripted with perhaps some improvisation. So when Coogan and Brydon entertain each other with endless facts about the towns they're visiting, they're not being erudite, they're reciting scripted lines. Some of the overlong imitations of Marlon Brando, Mick Jagger, Sean Connery, and particularly Roger Moore--those are likely to be improvisational.

In all, this is a pleasant movie and the Spanish scenery and architecture steal the show and are probably worth the price of admission alone. The bit about food and reviewing restaurants seems muted and subdued in this film compared to the last one.

The ending however, deserves to live on the cutting room floor. (Again, that's my opinion.) I'll leave it to you to decide on that one.

I liked the two previous Trip movies, but they had something more than two comedians riffing off each other in exotic locations, they had some personal connection. While Trip to Spain uses the exact same formula, it lacks anything that makes me relate to the characters. It shows them having midlife drama with agents leaving or chasing them, but that's about their job, not their life. And the additional one with the son of Coogan feels artificial, as it doesn't really affect the overall story. What I would have liked was to see the relationship between the two characters evolve, but in fact it stays exactly the same.

The depiction of Spain is even more sketchy than in the other two movies, which is saying something and they are over 50. Instead of glamorous actors that seduce women in European tourist traps, they turn into the two old Muppets!

I hope there is some evolution in the next film, if there will be any, because even the jokes were duplicated from previous movies.

"Never go on trips with anyone you do not love." Ernest Hemingway

Steve Coogan and Rob Brydon have done this drill before from reviewing restaurants in the UK, Italy, and now Spain in The Trip to Spain. As always the two for the road, buddy adventure is more entertaining than the meals, though the meals play even less of a role in this iteration.

The two incomparable improvisers, guided for the third time by director Michael Winterbottom, travel by Range Rover to some of Spain's finest restaurants, with mouth-watering tapas casually served while they serve you personal barbs and impersonations so spot on you could close your eyes and swear the original was having dinner.

Especially notable are their riffs on James Bond, emphasizing the eccentric voices of Sean Connery and Roger Moore. The sequence involving Moore's Bond and an enemy having dinner together is especially amusing. In any case, both actors are world class imitators culminating in a memorable take on "Tony Hopkins."

The road trip has numerous high angle, helicopter and drone shots capturing the rolling Spanish countryside, mountain top restaurants, and Western-like landscapes enjoyable enough but downright fulfilling when accompanied by the wickedly funny banter between the old buddies. They both are not shy about picking on the conceits and foibles of their friend, and both give as well as they can take.

For some dramatic heft, Coogan is vulnerable at reaching 50 without a girlfriend or agent, and so distanced from his son as to be painful,. Even writing about his teenage years in Spain can't shake the melancholy. Enter the shot of the two buddies dressed as Quixote and Panza, no better choice to represent Coogan's drifting and Brydon's middle-aged responsibilities.

All this is to say that the lives of these two gifted actors and improvisers are not as superficial as the grand food and sights would lead us to believe. And after all, we need to be prepared for the hilarious and provocative last shot.

What is it? you ask. Take the trip and find out. It will be one of the best tours of your cinematic life, and you'll run to Netflix to see the other two. I guarantee it.

"Though we travel the world over to find the beautiful, we must carry it with us or we find it not." Ralph Waldo Emerson

As is the case with the previously released trips ('The Trip', 2010 and 'The Trip to Italy', 2014) with Steve Coogan and Rob Brydon, so it is with 'The Trip to Spain' that it does not really play out as a film but rather an extended TV show. Which it is. Although actually shortened and combined from the six episodes of the last (third) series.

What kind of show exactly is 'The Trip' itself, is quite difficult to determine because although the trips are partly to do with reviewing food, a minuscule amount of comments made on the subject actually reach the viewer. Same is with visiting different locations, though at least in that aspect there are small bits of useful information pointed out every now and again. Though it's hardly ever an extensive introduction to the place visited. It's not a documentary even though it might come across as such. Calling it a talk show wouldn't be quite right either. In a way it is a different version of 'Top Gear' with just as beautiful camera work but less information and unfortunately - as it is listed under comedy - jokes.

Steve and Rob get on with their usual antics which obviously include a lot of impressions, but it gets old at some point and I truly don't want the hear either of them say: "I told you to blow the bloody doors off" and then try to settle on the age of the voice etc. It's the constant competition between the two who's better at impressions which includes mimicking mainly just one sentence over and over and over and over and over and over again. Which brings me the horrific flashbacks from watching 'Dude Where's My Car' as a teen and not being amused. However, I can respect, accept and enjoy repetition (British comic Stuart Lee is a great example), but it has to serve a purpose. At the moment were not watching a film, ahem, TV show. We're watching to guys rehearsing for it. Despite that I'm not calling the show unfunny. No, far from it. 'The Trip to Spain' is still humorous. Just not necessarily laughing out loud funny. It has it's better moments though.

So basically, if you've enjoyed the previous films or TV series, you can probably appreciate this one as well, if not, then there's nothing that will convince you otherwise. It has its entertainment value but not for everyone. If I had enough money to go out for even one meal like in the film with a friend, I would've done that instead and had much more fun. But on the other hand perhaps wouldn't have learned all I know about the invasion of Spain by Roger Moors.