Vezdesushtiyat

I'm amazed by the movie and the whole idea behind it! It illustrates the digital age and all the dangers behind it! Great masterpiece and everyone must watch it !

Makes you think about our "CCTV" times and our "un-cctv-ed" souls. Very good acting, especially the two very young guys (Tony Minassyan and Vessela Babinova). A different stance on Sofia - more vibrant and European than a post-socialist city.

No wasting of screen time, every scene is dense and meaningful.

I guess there is no one that have ever touched a 'device' with the ability to record video and audio - knowingly or unknowingly to the audience and not to notice the idea of Emil floating in one's mind. Very good approach to the character development, dynamic narrative and a pinch of aristocracy, which unfortunately lacks in the 'modern' Bulgarian society today. Worth watching, regardless of the nationality though. Definitely recommended.

Excellent, thought-provoking, engaging film with superb acting and beautiful photography. It raises serious questions, not only about the ubiquity of CCTV, but the morality of knowing and the burden of it. Without secrets, normal life is not possible.

Long after the end of "Omnipresent," I still couldn't come out of a trance overwhelmed with thoughts about what awaits us beyond tomorrow's dawn. Painfully absorbed in the screens of smart devices, we slowly and surely miss the life happening around us. The dilemmas of morality were galloping mercilessly out of the screen.

In the film's almost imperceptible 120 minutes, I did not find myself shaking my head once at the all-too-familiar Bulgarian cinematic didactics. On the contrary, I enjoyed a perfectly and fully realized vision - dramatic performances and cinematography on a world level, and tension in each scene so strong that the lump in my throat broke with each micro climax. Skillfully built dramatic moments, spiced by excellent jokes, thanks to the exceptional work of the dialogists.

"Omnipresent" runs so smoothly it's almost as if it were a well-shot reality. The film unrelentingly played with my heartstrings and my mind. One moment it was tossing me wildly from one of life's secrets to another, and in another it was trapping me tightly between four walls – behind which existed far too well known and fiery occurrences.

"You should only know as much as you can bear. Even one truth too many can kill you"

"Omnipresent" rushed me into infinite self-awareness, showed my fears, and pushed my shame towards the surrounding world almost to a breaking point. It returned my belief in our native cinema's tenacity for development, showing me a non-standard manifestation of the interest in the life of others.